Month: May 2026

Linda Perry Talks About Not Producing Green Day

Green Day
Jason Tate

Linda Perry called out Green Day in a new interview for dropping her as the producer of the follow up to American Idiot.

When asked if there was any truth to that, Perry said the band had indeed reached out and asked her to produce their next record. “I had a full calendar and cancelled six months of work to do it,” she recalled. “I met with Billie Joe [Armstrong], and we talked for three hours […] Like every artist, I think he had got to a point where you feel like I have nothing to say and need help – there’s a therapy aspect to producing too.”

“Then Courtney blabbed her mouth that I was producing. Suddenly they started getting backlash from their fans, upset they were ‘bringing in Linda Perry, who produced Pink and Christina Aguilera’.

“And then those guys just stopped calling me,” Perry continued. “I would reach out to figure out what was going on. Nobody called. I lost six months of scheduled work. That was fucked-up – all because Billie-Joe’s a little pussy and got all this backlash from his fans and didn’t like it.”

Review: Angels & Airwaves – We Don’t Need To Whisper

Adam Grundy

The build-up to Angels & Airwaves debut LP, We Don’t Need To Whisper, was a contentious combination of hurt feelings (due to the sudden break up of Blink-182), excessive hype (mostly from Tom DeLonge about this new band he was starting), and mystery. The record was produced by Tom DeLonge in his home studio in San Diego, California, and the hype train surrounding the spacey rock found on We Don’t Need To Whisper made almost everyone curious about this new band. The band was rounded out by Box Car Racer guitarist David Kennedy, drummer Atom Willard, and bassist Ryan Sinn. I can vividly remember my anticipation of wanting to wrap my ears around this LP for the first time at midnight of May 23rd, 2006, and be transported into a world that DeLonge was describing as “life-changing.” With the lights out in my room, I started the process of listening to this album from front to back, the way it was intended, but I couldn’t help but think that as good as the album was, my expectations of hearing something life-altering were way overblown. We Don’t Need To Whisper still holds up to this day as a solid album, it features some truly incredible songs, and yet I can also see why most critics didn’t quite “get” what DeLonge was going for here.

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