Pale Houses – “Hideaway” (Song Premiere)

Pale Horses

Today I’m happy to bring you the premiere of the new Pale Houses song, “Hideaway.” You can stream the track below. The song comes from the band’s upcoming album, Songs of the Isolation, which is due out on March 30th. If you like what you hear, pre-orders are now up. Lead singer, Aaron Robinson, had this to say about the dreamy rock song:

This was the first song we wrote for this record.  It’s sonically pretty different than much of the EP, but it set the tone for how these songs would come together live.  It’s a song about a desperate need to spontaneously get away from everything and reset.

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If You Truly Care About Speech, You Will Invite Me to Your Office to Personally Call You a Dipshit

Alex Pareene, writing at Splinter:

Bari Weiss, an editor for the Times opinion section, has written a column about the incident, arguing that these students, who asked that Sommers not address their school, then heckled and insulted her (as she insulted them), and then finally let her speak and engaged in dialogue with her, fundamentally don’t understand how “free speech” works.

“Yes,” Weiss says, “these future lawyers believe that free speech is acceptable only when it doesn’t offend them. Which is to say, they don’t believe in it at all.”

I couldn’t agree more: If you think offensive speech shouldn’t be aired in certain contexts and venues, you don’t believe in free speech. Which is why it is incumbent on Weiss, and her bosses, to ask me to come to the offices of the New York Times and give a talk to the editors and columnists of the opinion page about how stupid they are.

It is absolutely necessary, for the sake of democratic ideals, that the staff attend my talk, and they must listen politely (and quietly) as I condescendingly dismiss their idiotic worldviews and personally insult them. They cannot yell at me or express indignation in any way. For them not to allow this to happen would be an alarming sign of the decline of liberalism in the West.

This whole piece if fantastic.

Everyone Is Going Through Something

Kevin Love, writing for The Player’s Tribune:

On November 5th, right after halftime against the Hawks, I had a panic attack.

It came out of nowhere. I’d never had one before. I didn’t even know if they were real. But it was real — as real as a broken hand or a sprained ankle. Since that day, almost everything about the way I think about my mental health has changed.

I’ve never been comfortable sharing much about myself. I turned 29 in September and for pretty much 29 years of my life I have been protective about anything and everything in my inner life. I was comfortable talking about basketball — but that came natural. It was much harder to share personal stuff, and looking back now I know I could have really benefited from having someone to talk to over the years. But I didn’t share — not to my family, not to my best friends, not in public. Today, I’ve realized I need to change that. I want to share some of my thoughts about my panic attack and what’s happened since. If you’re suffering silently like I was, then you know how it can feel like nobody really gets it. Partly, I want to do it for me, but mostly, I want to do it because people don’t talk about mental health enough. And men and boys are probably the farthest behind.

The NBA’s Obsession With Wine

Basketball

Baxter Holmes, writing at ESPN:

At the Cavs’ morning shootaround before their loss in Sacramento, Wade, sitting along the sideline, about six weeks before being traded back to Miami, is asked who on the Cavs knows the most about wine. Without hesitation, he points at James, who stands across the court. “He knows a lot. It’s just something he don’t want to share,” Wade says. “But when we go out, it’s, Bron, what wine we getting? You ask most of the guys on the team who orders the wine, we leave it to him to order.”

Indeed, among the Cavs, the legend of LeBron’s oenophilia is large.

As Love says, when it comes to wine, “Bron has a supercomputer in his brain.”

This is a really great article.

What to Bring to a Gun Fight

Crooked Media

Dan Pfeiffer:

The fatal flaw in the Democratic strategy is a failure to heed one of the key lessons of twenty first-century American politics: Democrats never win when they fight on Republican terms.

Republicans have defined the terms of the debate on guns and instead of trying to change those terms, we have resigned ourselves to playing on their turf. The Democratic approach to guns is one of the last vestiges of the mushy strategic applesauce that dominated 1990s DLC-style centrism—the only way to beat Republicans is to try to sound more like them. It is a defensive posture borne of a defeatist mindset that is more a product of Democratic psychology than of political reality. Democrats speak softly and carry a small stick to the gun fight because they have convinced themselves that Republicans have the law, politics, and a presumption of victory on their side. The truth is less daunting, but unless Democrats come around to that truth, the presumption of Republican victory will become a self-fulfilling prophecy.

Everything Easy is Hard Again

Frank Chimero, writing on his blog:

This past summer, I gave a lecture at a web conference and afterward got into a fascinating conversation with a young digital design student. It was fun to compare where we were in our careers. I had fifteen years of experience designing for web clients, she had one year, and yet some how, we were in the same situation: we enjoyed the work, but were utterly confused and overwhelmed by the rapidly increasing complexity of it all. What the hell happened?

Great post.

Your Twitter Followers are Probably Bots

Twitter

Elaine:

The New York Times had an interesting feature over the weekend in which it calls out various social media influencers for follower fraud. Many people who appear to have huge Twitter followings actually don’t, and their fans are in fact paid-for bots. Oooh, busted! Apparently there’s a class of people who make a career out of being popular on Twitter, and it is terribly scandalous that they are not as cool as they might seem. […]

The NYTimes analysis is compelling, but their target account selection was awfully limited. So I reproduced their Twitter tool to continue the investigation.

This is pretty cool. I’ve told this story before, but a few years back we ran a story on AbsolutePunk.net about how a certain band member in a certain band had most certainly paid for followers on Twitter. His (very mature) response was to buy a bunch of followers on my account. To this day I don’t really know how many were part of that (I tried to block and report a bunch of them at the time), but I do know that once my account got “verified” I see random, clearly bot, accounts start following me all the time.

Jason Tate’s Top Albums of 2017

Best of 2017

Well, 2017 happened. I think that’s about the best thing I can say for the entire damn year: it happened. While I’ll look back at 2017 as a bullshit year full of bullshit people doing bullshit things at a rate that can only be described as a national emergency, I’ll also remember the year for its pretty impressive musical output. I hope, in time, my love for the music that came from 2017 and my relationship with it, will be what I remember most. Below I cataloged my favorite albums from 2017, some of the albums I enjoyed but couldn’t really find a place in my top thirty, and some movies, TV shows, books, and apps that discovered for the first time this year.

There is also an episode of Encore all about my end of the year list and thoughts on music in 2017 — you can check that out here.

Thank you to everyone that visited the website this year, everyone that supports us, and for another extremely successful year of Chorus.fm. We’ll be extremely lucky if 2018 brings us even a fraction of what 2017 did music-wise. I wouldn’t mind a whole lot less of chaotic hellscape on a daily basis, but that’s just me.

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The Death and Life of the 13-Month Calendar

Citylab:

The 13-month calendar worked so well at Kodak that the company used it until 1989, 57 years after Eastman committed suicide (a businessman to the end, his ashes are buried at Kodak’s old industrial complex). “I loved it,” says John Cirocco, a former Kodak employee who worked at the company in the late ’80s as a tech advisor. “It was a major piece of financial applications, and from a financial perspective it made the ability to compare sales periods a hell of a lot easier.”

Besides the occasional carryover (Kodak’s 1989 financial year began on December 26, 1988), overlapping a 13-month calendar with the Gregorian one came with surprisingly few hiccups. “After I got hired, it took about a week to adjust to,” Cirocco tells us. “When I first got there they explained it to me and I was like, ‘Oh, my God, this is brilliant!'” In fact, the former Kodak employee remains fond of the calendar to this day. “I’ve tried to recommend it at two places I’ve worked at since then. The feedback is always, ‘We can’t, this [12-month calendar] is how it’s always been done.'”

The Last Jedi (Encore Episode 156)

Encore 156

On this week’s episode of Encore I am joined by special guest Thomas Nassiff to talk about one of our favorite topics: Star Wars. This episode is full of spoilers all about Star Wars: The Last Jedi, so I would highly recommend you see the movie before listening. We give our thoughts on the film, break down favorite and least favorite scenes, and talk about catching up with favorite characters, both old and new. Also porgs.

I wanted to get this episode out before the holiday weekend so you’d have something to listen to while visiting family and friends. I hope everyone has a wonderful holiday and a Merry Christmas, thank you to everyone who reads and supports this website on a daily basis. I truly appreciate it.

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A Few Tips for Podcast Editing in Logic

Bret Terpstra:

Varispeed is a feature I didn’t realize existed until recently, but had always wished for. It lets you speed up the audio playback so you can basically listen through your podcast at 2x while editing.

Once the toolbar item is enabled, just use ⌃F (Control-F) to toggle it on and off. (I think that’s the default, but I might have edited that one. We’ll get to that below.)

Once it’s up, ensure that the type is set to Speed Only (click the top line for a menu), then double click on the percentage to edit it anywhere between -50% and 100% (100% being double normal playback speed). While playing back you can just hit the shortcut to speed up and then toggle it back off to return to normal speed. Scrubbing!

Some great stuff here.

Join the Dark Side: Bringing Dark Mode to the Main Website

Dark Mode

It’s fitting that on release week for Star Wars: The Last Jedi I can bring the Dark Side to the main website. One of my favorite supporter perks in the forum has been Dark Mode — a dark slate colored theme — and I’m excited to be able to bring this color palette to the main website as well. I love our white, grey, and blue color scheme, but at night I almost always switch over to the dark theme while browsing the website on my phone. However, I’d often move over to the main site to read an article and the white contrast would be a rude awakening for my eyes. No more! Supporters can now activate Dark Mode on the main website via their supporter options page or in the forum preferences. If you’re not a supporter yet, join now to get Dark Mode.

I’ve included some screen shots below of what the website and forums look like in Dark Mode, for those curious. I think it maintains my main design goals: simple, clean, and focused on readability, while adding a new flavor to the overall feel of the website.

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