I mean, where do I even start with this year? I don’t. I don’t! I simply refuse. We’re all painfully aware of what kind of year this has been. Let’s just go ahead and skip the context that would typically be required for me to say something like, oh I dunno, thank fucking God-or-whoever for music this year. Seriously. In any year, this would have been an absolutely bananas six months of new tunes, but this year it has been especially appreciated. Whether it’s a newcomer or a triumphant return, defining solo career or dream collaboration — it’s 2020 and musicians are really out here Shooting. Their. Shots. So what have I been listening to and loving the most? I assume you clicked this to find out, so I’ll cut the impromptu ramble (but thanks for hanging in there). Here are my top 30 albums of the year so far.
Read More “Trevor Graham’s Top Albums of 2020 (So Far)”Police: Last Week Tonight with John Oliver
I think this is a must watch. Take thirty minutes, put down any phone or distraction, and just watch.
Read More “Police: Last Week Tonight with John Oliver”The Oral History of ‘Mad Max: Fury Road’
Even Oscar-winning auteurs have been awed by George Miller’s operatically staged spectacle. “Parasite” director Bong Joon Ho said last year that the scale of the movie brought him to tears, while Steven Soderbergh put it more bluntly: “I don’t understand how they’re not still shooting that film,” he said in a 2017 interview, “and I don’t understand how hundreds of people aren’t dead.”
So how did Miller and his cast pull it off and survive to tell the tale?
Five years after “Fury Road” was released, I asked 20 of its key players what making it was like. Though its post-apocalyptic plot is deceptively simple — road warrior Max (Tom Hardy) and the fierce driver Furiosa (Charlize Theron) must race across the desert to escape the vengeful Immortan Joe and his fleet of kamikaze War Boys — filming the movie was anything but easy.
I had never read this before, but it’s fascinating.
The Science and Politics of Masks in the Covid-19 Pandemic
Robert Wachter, writing on Medium:
Why is masking so difficult to maintain among the public? In Asia, face masks are now seen as a normal accessory. In the U.S., they’re still seen as awkward and stigmatizing. Historically, they have been a sign of illness or danger. This aversion, plus the fact that the benefit of masks mostly accrues to others, is why we need to make mask-wearing mandatory as long as SARS-CoV-2 is active in our communities, at least in closed spaces (as San Francisco has done).
One of the most common questions is whether it is necessary to wear a mask when walking or exercising outside. Empiric and simulation studies have shown that there is practically zero risk of viral spread when one is outdoors and keeping a distance of greater than six feet from others. I personally don’t wear a mask when walking the dog (but I do keep one with me just in case I encounter someone at close range). But I always wear a mask inside, or if an encounter within six feet is likely.
Ten Steps of Non-Optical Allyship
Great post from mireillecharper on Instagram.
Read More “Ten Steps of Non-Optical Allyship”What You See Are People Pushed to the Edge
Kareem Abdul-Jabbar, writing at the LA Times:
Yes, protests often are used as an excuse for some to take advantage, just as when fans celebrating a hometown sports team championship burn cars and destroy storefronts. I don’t want to see stores looted or even buildings burn. But African Americans have been living in a burning building for many years, choking on the smoke as the flames burn closer and closer. Racism in America is like dust in the air. It seems invisible — even if you’re choking on it — until you let the sun in. Then you see it’s everywhere. As long as we keep shining that light, we have a chance of cleaning it wherever it lands. But we have to stay vigilant, because it’s always still in the air.
The Militarization of the Police
Nick Baumann on the militarization of the American police:
“You create this world where you’re not just militarizing the police — you equip the police like soldiers, you train the police like soldiers. Why are you surprised when they act like soldiers?” Rizer, a former police officer and soldier, said. “The mission of the police is to protect and serve. But the premise of the soldier is to engage the enemy in close combat and destroy them. When you blur those lines together with statements like that … It’s an absolute breakdown of civil society.”
American police officers generally believe that carrying military equipment and wearing military gear makes them feel like they can do more, and that it makes them scarier, Rizer’s research has found. Officers even acknowledge that acting and dressing like soldiers could change how the public feels about them. But “they don’t care,” he said.
Research on How to Stop Police Violence
From Samuel Sinyangwe, a thread about solutions to stop police violence:
More restrictive state and local policies governing police use of force are associated with significantly lower rates of police shootings/killings by police. This is backed by 30+ years of research.
Demilitarization. Police depts that get more military weapons from the federal govt kill more people. You can stop that from happening through local and state policy. Montana (Red state) has gone the furthest on this.
Police Union Contracts. Every 4-6 years your police dept’s accountability system is re-negotiated. Purging misconduct records, reinstating fired officers, dept funding- it’s in the contract. Cities with worse contracts have higher police violence rates.
Blast from the Past: My End of Year Lists from 2005-2015
Yesterday, I posted about finding and recreating all of the AbsolutePunk.net best of lists from 2005-2015. In an incredible turn of events, a reader actually had saved all of my personal best of lists and sent them to me. I didn’t have anything earlier than 2011 and I thought these were lost to time.1 I am extremely happy to be able to add them back into the Chorus.fm database for posterity.
These are a nostalgia trip. I’ll have to write more about my decision making process, from what I can remember of these eras, at some point, but for now I’m just happy to have them back on our “End of the Year” page.
- Jason Tate’s Top Albums of 2005
- Jason Tate’s Top Albums of 2006
- Jason Tate’s Top Albums of 2007
- Jason Tate’s Top Albums of 2008
- Jason Tate’s Top Albums of 2009
- Jason Tate’s Top Albums of 2010
- Jason Tate’s Top Albums of 2011
- Jason Tate’s Top Albums of 2012
- Jason Tate’s Top Albums of 2013
- Jason Tate’s Top Albums of 2014
- Jason Tate’s Top Albums of 2015
The era before I was doing any kind of regular back-ups, let alone keeping everything I write in text files on my computer.↩
Jason Tate’s Top Albums of 2019
I’ll always remember 2019 as the year I got married; however, it ended up being a pretty incredible year for music and entertainment as well. As we finish up this decade, I reflect back on just how many of these lists I’ve made. It’s a yearly tradition that I enjoy because it allows me to no only reflect on the past year and reevaluate everything I listened to and consumed, but it creates a little snapshot in time that I can re-visit in the future and remember what I was enjoying and listening to during that moment in time. I thought it was a good year personally, wrapped around a tough year globally. Thank you to everyone that reads this website on a daily basis; I hope you enjoy my list and maybe find something new to love.
The staff compiled best of 2019 list can be found here.
Craig Manning’s Top Albums of 2019
I wrote a lot of album blurbs in 2019. If you’re reading this post, you probably already know that 1) I’m an insane person, and 2) my big writing project this year was a rundown of my 200 favorite albums of the 2010s. I concluded that project in mid-December, around the same time that everyone else in the music criticism world was sharing their “Best of 2019” lists. For a few days, I debated not even writing up a list this year. I was so emotionally exhausted after pouring so much of myself and my life into that end-of-decade piece that I just couldn’t see myself sitting down to do it all over again—albeit, on a much smaller scale. But then I started delving back into my favorite 2019 albums, albums that I maybe hadn’t spent enough time with in my race to relive a full 10 years of music. And then I started making late-year discoveries, new albums I’d overlooked that excited me greatly. Ultimately, I decided I couldn’t let a year end without the big-list ritual that I have followed every year since 2011.
I did give myself some extra leeway this time, though. Instead of going to 40 albums, as I have for the last several years, I stuck to 30. I also opened the door for late additions (and for the corresponding deletions they would require). The resulting list is not at all what I expected it would look like even two months ago. It’s a list loaded with exciting new talent and with albums that I can’t wait to spend more time with, brushing up against records I’ve already listened to hundreds of times, from artists I’ve loved for many years. I can’t say it’s my favorite end-of-the-year list that I’ve ever made, but it might be the most unexpected. I could feel my music tastes yearning to shift and grow in new directions while compiling this collection of 30 albums, which is frankly a very exciting place to start a brand-new decade. So bring on the 2020s! But first, here are my 30 favorite albums of 2019.
Trevor Graham’s Top Albums of 2019
What a year. It feels like at least one Friday a month I was rambling around the site about another incredible release day we were being treated to. When I sat down to make this list, the number of albums I’d listened to this year that I enjoyed wound up at about 270. And sure, there are some obvious factors to this that I think a lot of us share — the way this decade has sculpted how we consume music, for one. The 2010’s made discovering new music one of the single easiest things a person can do, and one of the most entertaining activities with ten bucks in your pocket and an internet connection.
But I think the ease and passion for discovery are only the cause for a bigger reason why this was such a remarkable year in music. Because naturally with more music will come more open mindedness, more inspiration, and more tools for artists to create a unique price of art. With each year, that tool belt grows, and we see artists framing their vision of certain sounds differently than we could have ever imagined — blending influences from all directions and being encouraged to tell their stories. In the passing of time, it becomes more difficult to not fall in love with an astonishing amount of music.
Adam Grundy’s Top Albums of 2019
2019 was a year that gave us outstanding debut records, tremendous follow-ups from several established bands, as well as some surprise albums that I never would have thought to make my list at the beginning of the year. My list and listening taste are as eclectic as it’s ever been and I’m perfectly happy with that. Here are 30 albums I felt are worthy of your attention and ears delight.
Mary Varvaris’s Top Albums of 2019
What a year. At times, it seemed as though I’d never had enough music to listen to. Then, at the busiest times of the year, I felt like I had fallen dreadfully behind and wouldn’t find my way back to consuming new music the way I did at the beginning of 2019. It’s also a year that found me diving into discographies of artists I should have devoted myself to much sooner: from Portishead to R.E.M. to mewithoutYou. It’s been another delightful year for music.
After much thought and almost giving up on creating my End of 2019 list, I have finally chosen my favourite music from the past year. Some albums have landed as honourable mentions, particularly if they were released too late (sorry, Harry Styles!), or I just couldn’t move these albums around again. To be honest, I simply don’t watch enough movies to warrant a favourite list of films. Same case with television (although, I’m marginally better there). I hope you find some music that connects with you the way it has with me. Without further ado, here are my top 30 albums of 2019. Plus, some equally special honourable mentions!
Drew Beringer’s Top Albums of 2019
2019 was a strong finish to a great decade of music — here are my 50 favorite releases of 2019. Thanks for reading, as always.