Rank It All! Or Did I Just Create a Monster?

Rank Everything

If there’s one thing we like to do around here, it’s rank things.

From our End of the Year lists to the countless albums/sports/food rankings in the forums, it’s just a tradition at this point. When the conversation dies down, break out a ranking.

The other night, I was lying in bed thinking about the “bias sorter” going around Tumblr in 2018. It originated, I believe, as a way for people to rank their favorite K-pop bands. I’d been using it for the past few years to start my end of the year album rankings. It’s an excellent way to review a list and decide what you like more: A or B. But the problem is that it’s a pain to use. You need to enter each item individually, click enter after each one, and then go through the ranking process. And after you’re done, there’s no good way to do it again without manually re-entering all those items. I started wondering if I could put something together that would let me input any size list of things I wanted, and then it could present them to me one at a time to pick from and give me a final ranking.

Read More “Rank It All! Or Did I Just Create a Monster?”

The (Not So) Annual State of Chorus.fm

Chorus.fm Logo

I have a reoccurring reminder to reflect on the state of Chorus at least once a year. The idea is to pull all the numbers together, get an idea of how things are going, and make plans for the future of the website. I realized today that I hadn’t done this since 2021.

So, it was a morning of looking at spreadsheets. And I see a few obvious trends. The first is that the cost of running the website has increased. The most significant cost increase comes from our hosting provider unilaterally hiking prices 20% in April after being bought by another company. Cool. Second, the online advertising industry (already tenuous at best) has yet to recover to pre-pandemic levels. I charted the last two years, and we’re continuing to trend downward.

Read More “The (Not So) Annual State of Chorus.fm”

The Eras Tour: Taylor Swift’s Greatest Love Song

Taylor Swift

The cynical view of Taylor Swift’s The Eras Tour goes something like this: let’s take a cash grab tour of her past lovers and public debacles through songs that may have changed genres two or three times, but all sound the same. (They don’t.)

The critical view goes something like this: after mastering country, pop, and indie, are we looking at the next all-time great? (Ignoring the fact that, if she were a man, she’d already be lauded as being there.)

The delusion fan view goes something like this: Is this algebraic formula an Easter egg? (No.) Taylor Swift is for the girls, gays, and theys and straight men shouldn’t be allowed at the tour. (This is exhausting.) I bought all four versions so I could have a clock. (Okay, this one is more on Taylor’s incredible mind for capitalism; but, c’mon folks, it’s the same record. You only need one copy.) Etc.

Somewhere in the middle of this wild and inaccurate Venn diagram of discourse is the truth: we are witnessing something not quite before seen in history. Taylor has achieved something not seen in decades: monoculture. She’s the zeitgeist. Everyone seemingly has something to say about it. Including me.

Read More “The Eras Tour: Taylor Swift’s Greatest Love Song”