Jack Antonoff discusses starting Bleachers, the lyrical and musical ides behind debut album Strange Desire, writing with others, and why it’s hard for some people to accept a person being in two bands at the same time.
Frontman Christo Bowman talks about the process behind Bad Suns’ debut album Language & Perspective, not following trends by making your own path, and why chemistry is the most valuable thing to have in a band.
Guitarist Christian McAlhaney compares his experiences in Anberlin and Acceptance, remembers first joining the band and fitting in right away, recalls working on Dark Is the Way and Vital, and clarifies why being a touring musician can be simultaneously joyous and difficult.
Lead singer Stephen Christian discusses Anberlin’s final album Lowborn, the excitement of the first two records, how being in the band taught him not to be scared to fail, and why leaving behind a legacy of responsibility is important.
Drummer Nate Young explains why 2014 will be Anberlin’s last year, sheds light on those weird album covers, reflects upon Cities and New Surrender, and talks about how starting in the band at the age of 15 molded him into the man he is today.
Frontman Bear Rinehart explains the personal struggles behind Needtobreathe’s fifth effort Rivers in the Wasteland, why this is their most vulnerable album yet, and the irony in seeing the music industry come to embrace the folk-rock Southern sound.
Frontman Daniel Layus provides an inside look into Augustana’s new album Life Imitating Life, describes his decision to zero in on sincerity, wrestles with the cyclical nature of human existence, and explains the benefits of going back to writing with pen and paper.
On March 18th Taking Back Sunday releases its sixth full-length record so we got on the phone with vocalist Adam Lazzara to learn more about it.
When did you start writing this record?
We started writing not too long after the self-titled record came out. Just because we all live in different states, whenever we got home from tour we would get together to write and find a place that was kind of out of the way so there weren’t many distractions.
This time I noticed you went with two producers, Marc Hudson and Mike Sapone, instead of returning to Eric Valentine like you did with the self-titled.
That kind of happened haphazardly because we had done a round of demos in Michigan with Marc Hudson and then we did another round of demos in New York with Mike Sapone. When it came time to actually record the record we thought things went so well when we were demoing with those guys, so if it ain’t broke, don’t fix it. We’ve had a relationship with Mike Sapone since the band started so that is one reason we went back. As for Marc Hudson he’s been touring with us for years so it was just two guys we felt really comfortable with because they were our friends first. There really wasn’t much of an outside influence.
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This best of list was put together by the AbsolutePunk.net staff in 2013. It used an old system for ranking albums, but has been brought over to Chorus.fm for posterity.
I’d like to formally welcome you all to the end of 2013. We thought we’d celebrate by unleashing our AbsolutePunk.net Top 30 albums of the year. Compiled from all of the AP.net staff’s EOTY lists (which will be revealed on January 6th, 2014), we’ve once again released one of the most complete and eclectic lists you’ll see from any publication. From death metal to indie to defend pop punk to #emorevival, we have it all. So I’ll shut up now and let our list do the rest of the talking – check it out in the replies. As always, your thoughts, opinions, and disagreements are welcomed. 2013 was a great year for the music world once again – here’s to 2014.
Read More “AbsolutePunk.net’s Top Albums of 2013”
Incubus singer Brandon Boyd discusses his new musical project Sons of the Sea, working with producer Brendan O’Brien, curating his stream of consciousness writing style, and looks back on his career so far.
Mark Hoppus touches on a little bit of everything – including life in the U.K., the next Blink-182 record, the future of (+44), a new musical project with Chris Holmes, his obsession with the octopus, the differences between him and Tom, exploring dark lyrics, and why he thinks he will never write another good song again.
You either care about the current A Day to Remember vs Victory Records court case or you don’t, and if you do, odds are you are a little confused about just what the fuck is going on. I’m going to be speaking with the band shortly for a longer piece about the new album and the ongoing legal stuff, and we’ve already read the statements from Victory. After pouring over countless court documents, talking to a variety of legal sources, and caring way too much about this (yeah, this stuff fascinates me, in another life, I wanted to argue in a courtroom instead of a message board all day) — I’ve begun piecing together what we currently know.
Read More “Looking at the a Day to Remember Court Case; What Does It Mean?”
This interview took place on October 7th, 2013 with Jeremy McKinnon, the lead singer of A Day to Remember. The band’s new album, Common Courtesy, is now available online.
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Lead singer Dan Marsala reflects upon the 10th anniversary of Page Avenue, reimagining the record on Ten Years and Counting, and the crossroads Story of the Year currently finds itself at.
Another year, another 100 bands hand-picked by the AbsolutePunk staff for you to check out. Seeking out and discovering new music is one of my favorite things to do – not only as a writer but also as a passionate fan of the art form. Last year we introduced to you some bands that are tearing up 2013 thus far (Pity Sex, Chelsea Wolfe, and Pentimento for example) and we are poised to do the same in 2013. It’s kind of like having a jumbo book of Where’s Waldo?, only in this case our list is the book and Waldo is your new favorite band. We don’t buy into buzz, hype, or whatever – this is a list of one hundred musical acts that we as a staff truly love and support. Enjoy this year’s list (revealed in four parts over four weeks) and let us know which ones are your new favorites.
Read More “The Absolute 100 (2013)”