Post-punk group Ancestors Index will release their sophomore album, Ghost, on November 16th, but today I’m excited to premiere the album’s lead single, “Check My Pulse.” If you like the song pre-orders are up on Bandcamp.
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Recently I had the chance to sit down for a phone interview with Sean Huber of Steady Hands (and ex-Modern Baseball) and discuss what went into making his new album, Truth in Comedy. The album is available via Lame-O Records everywhere.
I blame Federico Viticci over at MacStories for going on a deep dive of playing around with Siri Shortcuts all week. Once I start down the path of automating things or organizing my phone, I always end up going overboard. Still, it was a fun way to spend a few nights.
In this week’s roundup, I look at a few new apps I’ve been using and explore the Siri Shortcut stuff I’ve been playing around with. I also share my first thoughts on the upcoming album from Saves the Day, go through my usual media diet from the past week, and share ten songs I loved this week. There’s been lots of Halloween and fall-themed entertainment in our household recently. The supporter Q&A post can be found here.
Bakersfield, CA, post-hardcore band If It Kills You will release their debut LP Infinite Hum on October 27th, but I’m excited premiere the album’s opener, “We Don’t Belong Here,” today. Check it out and below and, if you’re into it, be sure to pre-order the album.
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Typesetter recently signed to 6131 Records and announced their sophomore record – it’s called Nothing Blues and it’s a masterclass in anthemic punk rock. I spoke to Alex Palermo, bassist/vocalist, and Marc Bannes, guitarist/vocalist, about writing the album and what the band did in the four years since their debut. Nothing Blues is out October 26 and is available for preorder through 6131’s store.
Bring on the weekend! We’re moving into “pumpkin-spice-everything” territory, and I’m getting excited to start watching some of my favorite Halloween movies, breaking out the festive beers, and making all kinds of warm foods in the ‘ol Crock Pot.
This week I rank albums from Andrew McMahon, give the first impression on the new Laura Jane Grace album, share a playlist of ten songs I loved this week, share what I’ve been working on behind-the-scenes, and go through my weekly media diet. Some outstanding albums out this week you shouldn’t sleep on. The supporter Q&A post can be found here.
Halloween Unmasked is my kind of podcast. I’m three episodes in on it, and it feels like a new take on film podcasts. Usually, I’m listening to pop culture podcasts that are discussion-based (and mostly hosted by dudes). I listen to shows like Fatman On Batman (now branded Fatman Beyond), The Watch, and Channel 33, which has a lot of sub-shows within its feed. I listen to a lot of shows from The Ringer.
In March, Spanish Love Songs put out my favorite album of 2018 so far, Schmaltz. While they’ve spent the entirety of the year since touring in support of the album, I didn’t get the chance to catch a show until Wednesday, October 3rd, 2018, but it was well worth the wait.
When Matt Nathanson started writing his new record, he had a vision. He wanted it to be political. He wanted it to be uplifting. He wanted to inspire his listeners to see a brighter future.
The songs that came out of him had other plans.
Sings His Sad Heart, the follow-up to Nathanson’s 2015 LP Show Me Your Fangs, is personal instead of political, sad instead of uplifting, and lost in thoughts about the past instead of looking forward to the future. It is a complete contradiction of the album that Nathanson wanted to make. And yet, it’s also the most at home he’s sounded on a record since 2010’s breezy Modern Love.
Then again, Nathanson has always been an artist defined by his contradictions. He’s a riotously funny and jovial live performer who makes crushingly sad records. He’s a guy who exudes confidence and charisma onstage but admits he isn’t very confident as an artist. And he’s a songwriter who’d name the happiest song on his record “Sadness.”
When I spoke to Nathanson in August, I called him “the most nostalgic guy in the room.” It’s a role I often find myself playing: the guy who digs through TimeHop every day and sends pictures and “remember this?” messages to old friends, or the guy who spends entirely too much time thinking about people he lost touch with, wondering if they ever think of him too.
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Today we’re excited to bring you New York indie rock band Elephant Jake’s newest single “Kjerstin.” If you’re a fan of bands like Modern Baseball or Nervous Dater, you’ll want to check out this ear worm of a track. Guitarist/vocalist Sal Fratto had this today about the song:
The song’s about the melancholic feelings associated with a troubled relationship. Disagreements, distance, and dissension take a toll on both parties, and both must move forward with a positive mindset and aspirations for the future. I needed a two syllable name for the chorus, and thought of a woman I consider to be another mother to me, Kjerstin. She is the mother of my high school best friends, my mother’s best friend, and the amount of love that she spreads is incomparable. Thank you for everything that you do for me. I realized that the song expresses a sense of distaste and anger, but those are the opposite of what anyone can feel toward Kjerstin. I think that’s funny.
Check it out below.
A conversation in the Thrice album thread got me thinking this morning. Does hype around an album even matter anymore? In the past, the idea of a hyped release meant that a lot of people would be anticipating, talking about, and building “buzz” for the release. The thinking went that the more hype around a release, the better it’d sell, then there’d be more people out on tours, you’d get bigger and better tours, and then you’re on your way. The time between announcing an album and releasing it into the world seemed to, in theory, be built around coordinating and focusing this hype as you built toward release week and getting those first week sales. But here, in 2018, does this hype really mean anything and can we measure its success?
Over the past few months I can’t think of many rock bands that had more buzz, or “hype,” than the most recent Foxing release. All the right publications were talking about it. All the right “taste makers” liked it. Premieres on all the right websites. Features were written. Cool, unique, campaigns. Awesome podcasts. And it was all backed by, in my opinion, one of the best albums so far released this year. It came, it was released into the world, and it sold just fine in the first week. (Around 3,500 copies.) So, by quite a few of the metrics we’ve always used to define what a good album rollout looks like, this one had it all. It had the buzz. It had the “hype.” It had our forums anticipating the album from announcement all the way up to the day it was released into the world. The question I started asking myself this morning was centered on if this was actually effectively better than the Thrice album rollout — which seems to have die-hard fans upset because there isn’t enough to keep them interested. And, furthermore, how do we adequately measure “hype” and if it matters in the rock or alternative music world today?
Hey, look what we have here, a new podcast episode. On this week’s episode of Encore I am joined by Craig Manning to discuss the ten year anniversary of one of my favorite albums of all time: The Gaslight Anthem’s The ’59 Sound.
I recently had the opportunity to chat with Washington, DC-based band, Black Dog Prowl, in their practice space in the heart of Maryland. They will be releasing a new series of EPs this Fall, and will headline the DC Music Rocks Festival on August 18th at the legendary 9:30 Club. In this interview, we chatted about each of the four band members’ influences, touring plans, and what this next gig means to them.
I went out and talked to a variety of people and bands at Warped Tour this year. I also had some fun with some of the artists and had them respond to YouTube comments and, for fun, sing some public domain songs as well. I’ve broken up all of these interviews for your viewing pleasure.
I had the opportunity to interview a few people at Emo Nite Baltimore last Saturday.
First up is Frank Zummo, drummer of the legendary band Sum 41, and he talks about inspiring young people through the “Drum Tour,” meshing genres in his set at Emo Nite, and new music from Sum 41.
I also spoke with William Beckett, formerly of The Academy Is…, and he talks about his band’s legacy in emo, making new music, and crushing on The Cure.
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