When Modest Mouse’s The Moon & Antarctica turned 20 last year, I was so excited to learn that many contributors here loved the band as much as I do. Now that we all assemble like The Avengers from time to time to take on new releases like Olivia Rodrigo’s SOUR, it only made sense for us to put our heads together for Modest Mouse’s new album The Golden Casket. I was lucky to be joined by Aaron Mook and Mary Varvaris as we dove headfirst into the band’s first new full length since 2015. Here we broke down all that we enjoyed, any potential hiccups and took a big picture look at the band as whole.Read More “The Golden Casket is Good News For People Who Love Modest Mouse”
To paraphrase the timeless Forrest Gump, Modest Mouse albums are like a box of chocolates; you never know what kinds of songs you’re gonna get.
You could have a beautiful song with an epic ending like “Talkin’ Shit About a Pretty Sunset,” a wild, weird 11-minute jam like “Trucker’s Atlas,” or a chaotic song like “Breakthrough” that makes you want to shout like singer Isaac Brock and bounce around the room.
All of these traits are on display on Modest Mouse’s 2000 album The Moon & Antarctica, their first on a major label. Despite the jump to a bigger label with Epic Records, Modest Mouse only continued to grow into one of the greatest bands in indie rock. While some bands might drastically change their sound when they make the jump, Modest Mouse instead put together one of the greatest works in their career. They created an album where you don’t have to skip a single song, making each track feel like they’re all connected and are as important as the next one up the track listing.Read More “Modest Mouse – The Moon & Antarctica”
Aimee Green, writing for The Oregonian:
A 41-year-old Portland city employee struck by the SUV of local rock star Isaac Brock — who said he fell asleep at the wheel — filed an $865,000 lawsuit Wednesday against the Modest Mouse lead singer.
The lawsuit, filed by city employee Cassidy Kane, claims Brock — the frontman of the indie rock band — was “impaired” when he slammed his 2004 Land Rover into the back of Kane’s City of Portland pickup truck at 9:20 a.m. on Aug. 3, 2016.
“Isaac’s good at creating worlds—whether that’s on an album, the interior of a space or an exterior,” Brown says. “He has a god-given talent for landscaping. So Isaac’s role will be to create what this thing looks and feels like; I want it to be one of his worlds. I took the architect and the designer to his warehouse and it blew their minds—it’s weird, ethereal, otherworldly, and a little jokey. The architect said, ‘If we can just have a 20th of the items in the warehouse, we’re set.'”