No Guilt, Just Pleasure (Encore Episode 120)

Encore 120

This week’s episode of Encore looks at the first week of the website and how things are going so far, then we tackle a bunch of upcoming movies (Star Wars, Fantastic Beasts, Civil War) and give some thoughts on Batman v Superman. This leads to a little talk about comic books. Then we dive into this week’s main topics: Record Store Day, do we believe in “guilty pleasures” for art, our thoughts on buying albums when they’re on sale from a label, and if a bad album from a band can ruin future albums for us. We end by talking about if we’d leave our jobs for “The Ringer” and, of course, talk about Blink-182 finishing their new album.

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The Used Live in Denver, CO (Throwback Thursday)

The Used

As I talked with Jason about the transition from AbsolutePunk to Chorus, I started thinking about the impact that website had on me over the years. I thought about all the shows I shot under that little heart banner. As I sat looking at a pile of boxes filled with old film and prints from the past, I realized how sad it would be if these only lived in the cardboard coffins and were never shared with the world. So, I’m going to be posting some pictures from of my favorite shows over the next few weeks.

I’m stealing the “throwback Thursday” moniker, because, why not? This week I’m excited to share some images I captured of The Used at the Fillmore Auditorium in Denver, CO on April 12th, 2015.

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A Chorus.fm Forum Tribute to Motion City Soundtrack

Motion City Soundtrack

One of my favorite things about the forums is watching talented and motivated people come together to make awesome things. Today I’m excited to feature the latest in the “member compilation” series that has been taking shape in our music forum — a tribute to Motion City Soundtrack. Below you’ll find a stream of the 17-track cover album all dedicated to the awesomeness that is, that was (insert sad face), Motion City Soundtrack.

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HARPS – “Let Me In” (Live Studio Video)

HARPS

HARPS will be releasing a remastered version of their EP, Marvelous Cheer, on vinyl via Rocket Heart Records on May 19th. Today we’ve got an exclusive live studio video of the band performing “Let Me In,” and I think the best way to describe this sound is lush, punchy, and full bodied. The plan is to bring you a new live video once a week leading up to the EP release. Head below to watch the video and if you like what you hear make sure to pre-order the album.

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One Week in the Books

Chorus.fm

I wanted to title this, “It’s been one week …,” but the moment I even think that sentence I’ve got Barenaked Ladies stuck in my head the rest of the day. You’re welcome for that. However, now that it’s the weekend, it means we have officially gone through our first week on the new website. I wanted to take a moment and thank everyone for the incredible response we’ve seen over the past seven or so days. I’ve been blown away by the outpouring of support, kind words, and all the amazing write-ups and tweets I’ve read remembering AbsolutePunk. I’ve compiled some of the articles from current and former staffers alike into a little round-up below, and put together some first week stats on the site as well.

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One Song for Twenty Years

For this week’s playlist I asked everyone in the staff Slack chat to pick one song that came out between 1996 and 2016 (roughly the time that AbsolutePunk was sort of a thing). It didn’t have to be their favorite song from that time period, but it had to mean something to them and be special for some reason. I’ve compiled all the tracks that were submitted and put together a playlist on Apple Music and Spotify for your weekend listening pleasure. Below you’ll find a more extended break down of who picked what song. You get one song — what would you pick?

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chorus.fm (Episode 119)

Encore 119

It was difficult finding something to talk about on this week’s episode of Encore. We almost thought about just continuing our little hiatus because we just weren’t sure if we had any good topics. We ended up settling on one and pretty much spend an hour or so discussing this new website, what led to its creation, some of the decisions made along the way, and what we hope the future holds. This episode is kinda like The Format’s “I’m Actual” and I feel a little awkward spending the whole time talking about me, but, we got it out of the way. Next week we’ll be back with a more regular episode about news and answering questions and stuff. Feel free to hit up the comments (click the little quote button on this post) and let us know if you have anything you’d like us to touch on. Thanks for dealing with our little break — we’re really excited to be back.

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Interview: Jason Isbell

Jason Isbell

I had a chance to chat on the phone with Americana star, Jason Isbell, about his album release, Something More Than Free. We talked about his philosophy on songwriting, the challenge of following up his magnum opus (2013’s Southeastern), the prospect of him becoming a father, his opinion on why women make better artists than men, the role producer Dave Cobb plays in creating his records, and the idea of blending fiction and non-fiction for songs that always strike a chord.

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Interview: Matt Nathanson

Matt Nathanson

I got to speak on the phone with the ever-amusing and ultra-talented Matt Nathanson. In our interview, Nathanson described the disjointed but ultimately satisfying nature of his brand new album, Show Me Your Fangs. We also discussed the unpredictable audience-request format of Nathanson’s current tour, how some of the best records have “great topography” instead of being thematically or musically cohesive, and how elements of hip-hop and R&B have slowly crept into Nathanson’s singer/songwriter-oriented music.

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Interview: Brian Fallon

I recently had the chance to sit down and chat on the phone with the great Brian Fallon. The interview runs a range of topics, including the inspiration behind Fallon’s folk-heavy new solo album Painkillers (due March 11th), working with Butch Walker, the uncertain future of The Gaslight Anthem, favorite Springsteen songs, and the intriguing possibility of an Elsie: Part II.
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A Hello, A Goodbye

I started writing online by uploading HTML files to some free server in 1996. Angelfire? Geocities? Something like that. I was playing around with this relatively new thing called “the internet” and had no idea what I was doing. I created a little “about me” page that talked about how much I loved Blink-182, MxPx, and the comic Foxtrot. I’ve been doing some variation of this for over 20 years. When I first picked the name “AbsolutePunk.net,” it was because I saw a vodka magazine ad, I thought it would show up first in an alphabetized Yahoo! directory, and my adolescent brain thought I was a little punker. At the time I had no idea that this would end up being my career or that I’d gradually shift the website into an online alternative music publication that would cover thousands of artists, have hundreds of contributors, and be read by millions. The growing pains were tough. The servers couldn’t handle the traffic we were seeing, the overhead cost of running this website from my parents’ basement or my dorm room became almost unsustainable, and a little band called Fall Out Boy exploded into the mainstream and brought millions more searching for the exact kind of music we were talking about in our little corner of the internet. Searching for answers and help, I ended up selling the business I had created in my teens.

I think it’s safe to say that didn’t quite play out as I thought it would. However, the love for the music outweighed it all. In many ways running the website became the very job I had tried to avoid. Stress. Anger. Depression. A frustration brought on by the feeling of a constant cycle of defeat. But, so many of you still read my quirky sarcasm in the news. People still talked with the staff about music, life, and pop-culture. You’ve still read our features, read our incredible reviewers, pored over our articles, and listened to Drew, and Thomas, and I talk on podcasts. People still wanted to know what Jesse Lacey had for dinner. I had started my first business, AbsolutePunk, LLC, as a teenager with cargo shorts and puka shells. I started my second, Chorus, LLC, in my early thirties — an online consulting business that included running that very same website I had started when we all wanted to look like Kenny Vasoli. Today I’m writing to announce that my second company is buying back my first.

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The Great Tank Top Purge (Episode 118)

On this week’s episode of Encore we start by talking a little about the Academy Awards, do some follow-up on last weeks “best 10 albums of the last 15 years,” and then tackle some reader questions. Thomas recounts his history with Set Your Goals, we give some updated thoughts on The Wonder Years’ last album, and we look at how we’ve changed or matured how we handle conversations on the forums. We talk a bit about “where to start” with different forms of art by well known musicians or authors or filmmakers and then get into some of the big news over the last week: Transit have broken up, Yellowcard are back with Hopeless, and The Hotelier have released the track listing and album art for their new album. We end with some talk of Rolling Stone’s top 40 emo albums and The 1975 aiming for that number one spot on two charts. And there’s the return of the siren. Rejoice.

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Ten Albums, Last Fifteen Years (Episode 117)

So what are your ten favorite albums of the last fifteen years? That’s the question that makes up the main topic of this week’s episode of Encore. The rules are simple: favorite albums, 2001-2015, there can be only ten. We’d love to see your lists in the replies where you’ll find our super-sized episode goes into detail on how we picked the albums on our own lists. This was way harder than I expected. This week’s episode also covers some news on Kanye West and his new album, some first impressions of The Hotelier’s new album, and a discussion around walking into a very anticipated album or band for the first time. Oh, and of course there’s our usual random banter about life and things. We went long on this one to make up for last week! Hope you enjoy it. You’ll find show notes, ways to subscribe, and links to stream and/or download this episode by hitting read more.

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More Pineapple Drinks Please (Episode 116)

It’s coming out late, damn has it been a long day, but this week’s episode of Encore is here. This week we discuss Thomas going on a cruise, some about the Super Bowl and the half-time show, and the internet’s reaction to the halftime show, and some about the commercials. We then tackle the main topic this week: Discussing albums we don’t like in the most productive way, how our feelings on an album may be swayed by someone else’s impassioned defense or take-down of an album, and how this may or may not be related to the new Say Anything album. We finish up with a few questions about long distance relationships, noise-canceling headphones, and Thomas being in early on The Front Bottoms.

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