I personally really love [British bands] like Bring Me the Horizon and Foals. There’s definitely a future in rock, but it will probably be more fusion-oriented, like rock that uses 808s. Twenty One Pilots is kind of like that – it’s sort of rock, but the sound is hip-hop. You know all those songs on [the Smashing Pumpkins’] Mellon Collie and the Infinite Sadness that almost sound like Lorde or something? I feel like that vibe has not been explored.