David Marchese, writing for Vulture:
The filters are still there, though. They’re just different. When I was 15, getting into the Clash exposed me to reggae. I’d see that they covered a song by Junior Murvin or that they had a single produced by Lee Perry and dig from there. My younger son does the same thing but in newer ways. He comes home from school in Bali and starts to make a song using his laptop, and he’s looking up what samples Kanye used and that opens the door for him to dig. The tools he has are immediate. He’s not having to go out. It’s so different from how I did it.