Jack Antonoff on the Dark Secrets of Good Pop Music

Bleachers

Sam Schube, writing for GQ:

This is new. Antonoff, now 33, used to be a secret weapon. He started touring the country at 15, was signed to legendary pop-punk label Drive-Thru at 18. And then he linked up with some old touring pals to write world-eating pop jams as Fun. You remember the songs—“We Are Young,” “Some Nights”—because they destroy at weddings, bar mitzvahs, graduation parties, and bars. Along the way, he became something of a pop guru—not a gun for hire, but the rarest kind of collaborator. Armed with his own sonic signature, forged in vans and clubs and small theaters and bedrooms, he also had a willingness—a need—to be a true partner.

Jack White Banning Cellphones From Tour

Jack White

Jack White has banned cellphones from his upcoming tour:

We think you’ll enjoy looking up from your gadgets for a little while and experience music and our shared love of it in person.

Upon arrival at the venue, all phones and other photo or video-capturing gizmos will be secured in a Yondr pouch that will be unlocked at the end of the show. You keep your pouch-secured phone on you during the show and, if needed, can unlock your phone at any time in a designated Yondr Phone Zone located in the lobby or concourse.

Analytics Come to Apple Music for Artists

Melinda Newman, writing for Billboard:

Today Apple launches Apple Music for Artists, a dashboard designed to provide acts with hundreds of data points giving deep analytical insight into their fans’ listening and buying habits. […]

The easily navigable dashboard’s home page provides artists with their current number of plays, spins, song purchases and album purchases. The user can specify the time period ranging from the past 24 hours to the 2015 launch of Apple Music.

An Insights panel showcases key milestones via bullet points that highlight such information as all-time number of plays and purchases for specific songs or cumulatively.

Travis Barker Working on Documentary

Travis Barker

Travis Barker of Blink-182 revealed on Kevin & Bean that he is working on a new documentary as a counterpart to his autobiography. He also mentions this is why he was hanging out with Tom DeLonge recently:

So four people were interviewed to create this trailer. It was Mark Hoppus, my dad, and Tom Delonge.

I haven’t really said anything. It’s been in the works. It’s the same people who did Steve Aoki’s documentary. We started talking with them a while back about being inspired by the book but then digging deeper.

Camila Cabello Tops the Charts

Camila Cabello has the number one album in the country this week:

Camila Cabello debuts atop the Billboard 200 chart with her first solo effort, Camila, earning 119,000 equivalent album units in the week ending Jan. 18, according to Nielsen Music. Of that sum, 65,000 were in traditional album sales. Cabello is the first woman in three years to hit No. 1 with her debut full-length album.

The Color Morale Go on Hiatus

The Color Morale

The Color Morale have announced a hiatus:

This is where you start to assume that this is The Color Morale announcing it’s break-up. When Steve and I started this band the goal was never to sell thousands of records, be on magazine covers, or even leave the midwest. The goal, along with the rest of my band mates was to have fun making art with my best friends. It always started there, in a garage across a field from a little restaurant in the middle of nowhere. In the middle of nowhere is exactly where you discover who and why you are. Within the expanse of that idea, The Color Morale could never break up. If it broke, it was only because it wasn’t ours anymore.

Julia Louis-Dreyfus Returns to Work in August

Julia Louis-Dreyfus

Veep will be returning in 2019 and Julia Louis Dreyfus will be returning to work in August after completing chemotherapy:

“Veep is on hiatus, we’ll start filming in August and it will air in 2019,” Walsh said. “We’ve known for about a month. We’ve seen [Julia], she’s done some table reads, she’s doing well, she’s finished her last chemo, she’s in recuperation. Her prospectives have remained excellent throughout. She’s very well loved; she’s a tremendous person.”

Abuse of Power and the Legacy of Jesse Lacey

Emily Driskill, writing on Medium:

My biggest fear now is that Brand New will tour again in 2018. Quite frankly, in any other job, in any other industry — Jesse would have been fired and blacklisted. But this is the music industry and Brand New clearly doesn’t have a fucking HR department. […]

How do we change any of this? I know holding yourself and others accountable is paramount. I know supporting Women Of Color and LGBTQ artists in the music and touring communities is of the utmost importance. I know boycotting or picketing shows of artists who don’t speak out against abuse of power in the industry is necessary.

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Spotify Launches Spotlight, a Multimedia Take on Podcasts

Megan Farokhmanesh, writing for The Verge:

Spotify announced today that it’s expanding its audio slate to include “visual podcasts” about news, politics, and entertainment. These shows, available in playlist form, will feature a multimedia component that includes text, video, and photos as part of a new format that Spotify is calling “Spotlight.”

Meh, I listen to podcasts while doing other things and have my phone in my pocket, not sure I need “multimedia content” with my podcasts. Spotify should instead open up their directory of podcasts to everyone. The beauty of podcasting is that virtually anyone can do it and share it with the world through an RSS feed. Spotify’s podcast section shuts out thousands of independent publishers.

Brian Fallon Talks With Uproxx

Brian Fallon

Steven Hyden sat down with Brian Fallon over at Uproxx:

We had call, and we were just like, ‘Hey, are we gonna just ignore this?’ I know we’re on hiatus — we’re not doing anything, everybody’s off doing their own thing, and everybody’s fine. But if we let this go, that says something. That would come across as apathetic to me. I was like, ‘I don’t feel apathetic about this. How do you guys feel?’ They didn’t feel apathetic at all. They felt like, yeah, we should probably do something.

Then we thought, ‘if we play some shows, what happens? Do we have to start the whole thing up again?’ What realized, well, no, because of this record, we can do what we did in the beginning, which is [anything] we wanted.