Matty Healy shared a new version of the famous The 1975 box logo artwork with the caption “Music for Cars,” speculation is that it might be the artwork for a final boxset release, but as of now speculation is all we have.
John ventures up to Spitfire Audio to meet with Matty and George from The 1975 to talk about how the album A Brief Inquiry Into Online Relationships was recorded and produced.
Somewhat bleary eyed after a massive night at the Brits (scooping two awards), the boys reveal the inner workings of The 1975’s production methods and writing techniques. We’re treated to demo versions and extensive track breakdowns from their award winning album showing what it takes to create a 1975 hit.
Here’s the Overcast link.
n just under an hour, the topic switches from albums – specifically the next one they’re releasing before August, Notes On A Conditional Form. “We’re at a time now when people enjoy that level of emotional investment, as long as it’s rewarding. And I make albums. I don’t make singles. So I’ve just got to make another album. Also, to feel like I have a purpose, because otherwise what the fuck am I doing?” To social media, “Awful stuff happens and great stuff happens every second and we wake up in the morning and tune in to this algorithm that keeps us informed on every single bit of chaos that happens until we go to bed.”
“The 1975 extended their deal with Dirty Hit, The 1975 are with Dirty Hit for a long time,” said Oborne. “They are Dirty Hit, so of course they’d extend. The 1975 had a three-album deal and they’ve extended it for another three albums, which is amazing. Myself and the boys, we were so happy.
People get confused, they can’t understand why a lad their age wouldn’t be wanting to be in The Courteeners or be in a punk band more than my band. It’s because it’s done, lads, it’s done. We’ve done it. It was great but we’ve done it. It’s like, white men shouting has been done so many times and the interesting perspective in punk is where women are. But that’s why there are interesting bands like Idles who deal with stuff like fragility and toxic masculinity. If there’s meaning, it’ll resonate.
As I sit here looking at a blank page, pondering about how I’m going to approach writing about The 1975’s gargantuan third album, A Brief Inquiry Into Online Relationships, I turn to my dear friend procrastination and flick open Twitter on my iPhone. After a few minutes of scrolling through an endless timeline, disgusted and amused simultaneously, I had the belated (and probably way too obvious) realization that A Brief Inquiry Into Online Relationships is an exploration of our codependency of the things – whether it’s drugs, sex, the internet – we use to temporarily numb the sting of loneliness.
Much has been written about The 1975’s leader Matty Healy decision to spend six weeks in a rehab facility in Barbados to fight his addiction to heroin – a stint that helped Healy reflect not only on his life, but the lives he was affecting. His decision to get clean came shortly after the band started writing A Brief Inquiry Into Online Relationships, so unsurprising a lot of the lyrical content is derived from the recovering addict’s time spent in therapy.
Instead of posting each individually, here’s a roundup of The 1975 content from around the internet today. Some interviews, some reviews. This should keep you busy through the weekend.
Counter-culture will always exist. If loads of teenagers see grown-ups screaming into the internet then they’re probably going to go, ‘I’m not going to do that, because that’s for grown-ups.’ That’s kind of how cultural movements work. There’s a reason that every single teenager has a Polaroid camera now, and we sell vinyl at a rate that hasn’t been as big since the 80s. There’s this reversion to tactility and authenticity, and it’s a counter-cultural movement that’s really interesting.
“Is this record better than the first record?” Matty asks himself, thinking out loud. “It depends. It depends what your gauge is. My intention was always to soundtrack the lives of young people, or myself and by proxy the lives of young people. So, if your barometer of success or quality is how much it’s done that, then the first album is better. The first album is more nostalgic and wrapped up in peoples adolescence and journey, so it is kinda silly of me to sit here and boringly say ‘this is our best record’ because it’s a bit of a cop-out. It’s just an easy answer to sound confident.”