Dreamville have the number one album in the country this week:
Revenge of the Dreamers III opens at No. 1 on the Billboard 200 chart, earning 115,000 equivalent album units in the U.S. in the week ending July 11, according to Nielsen Music.
Of that sum, 23,000 were in album sales. The multi-act 18-track hip-hop project boasts the Dreamville label’s roster of acts, including Dreamville chief J. Cole on eight songs.
The singer R. Kelly, already under indictment in Chicago on state charges of aggravated sexual assault and abuse, was arrested Thursday night by federal agents on charges related to child pornography and other federal crimes, officials said.
I would say this one is the most up-tempo. All the other songs… people will see more of what we went through, because it goes so much more in-depth. I think the songs get a lot more emotional – I think it’s important for us to take people on this journey of what we are calling ‘Stages’. The EP is going to be called ‘Stages’. It’s going to cover everything that you go through during a break-up: anger, guilt, jealousy, loneliness. It’s going to a special journey for people who are going through these things, and hopefully help them in the way that it has helped us.
Mad Magazine, the irreverent and highly influential satirical magazine that gave the world Alfred E. Neuman, will effectively cease publication some time later this year after 67 years, The Hollywood Reporter has confirmed.
Sources tell THR that after issue 9, Mad will no longer be sold on newsstands and will only be available through comic book shops as well as mailed to subscribers. After issue 10, there will no longer be new content save for the end-of-year specials. Beginning with issue 11, the magazine will only feature previously published content — classic and best-of nostalgic fare — from its massive vault of material from the past 67 years. DC, however, will continue to publish Mad books and special collections.
Yours truly is the guest on the latest Wasting Time Podcast. This was a lot of fun, we talked about the early years of AbsolutePunk.net and what it’s like running this website now and how it compares.
“Adam’s Song” still resonates a lot with me. I still struggle with dark times and that song is a statement about that. Going back and replaying all these songs and relearning these songs I still feel like they’re a statement as relevant today as it was back then. I feel like Enema Of The State was really when Blink found its legs and found our sound with the addition of Travis. Jerry Finn being our producer really helped us focus and try and write great songs instead of just trying to write fast songs. And it felt like everybody was really firing. I look back to the rehearsal spot in San Diego we wrote this record in and everybody came in every single day with just throwing ideas out, “What about this? What about this?” And it was everybody’s best work at the same time. So I love it.
Proceeds from the auction, which ends on July 8, will benefit The Trevor Project — the leading organization providing crisis intervention and suicide prevention services to lesbian, gay, bisexual, transgender, queer & questioning (LGBTQ) young people. Mark will also donate an additional $5,000 on top of the winning bid.
I want one.
Just one last reminder if you’d like to pick up some chorus.fm merch with the limited edition pride logo, you should do it this week. I’ll be taking the design down on Friday.
Users who “pre-save” an upcoming release to their Spotify accounts may be sharing more personal data with the act’s label than they realize.
To pre-save music, which adds a release to a user’s library as soon as it comes out, Spotify users click through and approve permissions that give the label far more account access than the streaming giant normally grants them — enough to track what they listen to, change what artists they follow and potentially even control their music streaming remotely.
Spotify is ending their direct upload program:
Almost a year ago, we started to beta test a feature that lets independent artists upload their music directly to Spotify. Today, we notified participating artists about our decision to close the beta program, along with how we can help them migrate their music to other distributors over the next month.
For years I asked, pleaded for a chance to own my work. Instead I was given an opportunity to sign back up to Big Machine Records and ‘earn’ one album back at a time, one for every new one I turned in. I walked away because I knew once I signed that contract, Scott Borchetta would sell the label, thereby selling me and my future. I had to make the excruciating choice to leave behind my past. Music I wrote on my bedroom floor and videos I dreamed up and paid for from the money I earned playing in bars, then clubs, then arenas, then stadiums. […]
This is my worst case scenario. This is what happens when you sign a deal at fifteen to someone for whom the term ‘loyalty’ is clearly just a contractual concept. And when that man says ‘Music has value’, he means its value is beholden to men who had no part in creating it.
Capitalism is destructive to most industries, but it’s always felt specifically exploitative to me in the arts.
Jony Ive, the famous designer at Apple, is leaving the company after thirty years. I thought Gruber’s take on the whole thing was pretty good:
Third: This may be good news. Ive is, to state the obvious, preternaturally talented. But in the post-Jobs era, with all of Apple design, hardware and software, under his control, we’ve seen the software design decline and the hardware go wonky. I don’t know the inside story, but it certainly seems like a good bet that MacBook keyboard fiasco we’re still in the midst of is the direct result of Jony Ive’s obsession with device thinness and minimalism. Today’s MacBooks are worse computers but more beautiful devices than the ones they replaced. Is that directly attributable to Jony Ive? With these keyboards in particular, I believe the answer is yes.