Cold Years Talk with Kerrang!

Cold Years talked with Kerrang! about their new album:

“I think Against Me! were the last punk band who got a million-dollar deal,” he ponders. “If you look at how major labels invest in bands, a lot of the time the money’s in pop music or hip-hop or viral sensations off TikTok. The days of punk bands getting deals like that are gone. We all work normal jobs because we want to do this – I want to be able to pay my bills so I can go on tour assured that I have a wage to come home to. Brexit’s killed it for Europe and we have a lot of upfront costs now, so it’s not a viable living anymore unless you’re doing it 365 days a year, because record sales aren’t what they used to be. So it’s a hard life, but it’s also an amazing life, because I get to experience things not a lot of other people experience. I wouldn’t change it for the world.”

The Starting Line Talk With Variety

Jason Tate 3 days ago

The Starting Line talked with Variety about the Taylor Swift shoutout:

“You know, it’s been sort of a point of conversation of, how much do you lean into something like this?” Vasoli admits, a little cagey even with himself about how much to be seen as taking advantage of it. “Because something like this is not something you really plan for in your music career,. The reverberations have been very big and we’re just sort of trying to accept it with gratitude at this point, sitting back and just seeing what happens from it.”
Although the singer says those two concert dates “are it for now, there’s gonna be more that’s coming down the pike and more that’s getting booked. The vast majority of the band has day jobs that keep them obligated to stay home a little bit, more than some of the other bands. So we don’t hit the road for too long on a regular basis, but we’re trying to get into a rhythm where we can do more of it.”
“There’s been an uptick in us playing together, and a really great interpersonal dynamic between the band members recently that has been very creative and inspirational, playing together recently. So we’ve been into a creative process writing new music since last year. We’re just collecting everything and figuring out the best way to get that out there. But we’re generating music and have been for a bit of time. With us trying to get back into a more usual pace with the band, after all this time, it’s nice that we’re getting a little bit of light on us at this moment, especially given that we’re engaging more than ever since like 2007, when we kind of let our foot off the gas.”

Update from Adam of Fenix TX

Jason Tate 3 days ago

Adam from Fenix TX has posted an update on GoFundMe:

Everyone always asks what can they do to help or what do I need and I always say the same thing: “I’m fine just keep praying for me and my family.” Well, now I need all the help I can get as I begin a new fight. I’m unable to work and provide for my family at this time and seeing my family having to take on the extra stress breaks my heart. I must travel to the east coast for a brand new treatment and I pray that this will be the one that finally helps me, because if not, I’m pretty much out of options.

Jason Tate 7 days ago

Paramore are featured/interviewed in the latest issue of the Brooklyn Vegan digital magazine.

“We’ve always thought there’s not really any limitation,” she continues. “We can keep doing this as long as we want or we can put it to bed and go away. We’ve always tried to have that mindset about it–that this is a passion, we try to not treat it like a job–but I think the cool thing about now is that it really is, there are no deadlines on the table, there’s no anything really in front of us other than like, open sky, and it feels exciting. It’s overwhelming and also inspiring at the same time.”

Remove

Spotify Plans New Remixing Tools

Jason Tate 7 days ago

Wall Street Journal:

The audio streaming company is developing tools that would allow subscribers to speed up, mash up and otherwise edit songs from their favorite artists, according to people familiar with the discussions. It is a bet on the future of music consumption that Spotify hopes will deepen user engagement and appeal to young users, while generating new revenue for artists.

Kinda hate this.

Jack Antonoff Writing Music for ‘Romeo + Juliet’ Reimagining

Jason Tate 7 days ago

The Wrap:

Rachel Zegler (Steven Spielberg’s “West Side Story) and Kit Connor (Netflix’s “Heartstopper”) will star in a new Broadway musical version of Shakespeare’s “Romeo and Juliet,” a reimagining with the modern political environment in mind that will premiere this fall.
Directed by Tony winner Sam Gold, the production — stylized as “Romeo + Juliet” — will feature music by multiple-Grammy-winning songwriter and producer Jack Antonoff. Tony winner Sonya Tayeh is writing the movement.

Geoff Rickly Talks With Vulture

Jason Tate 2 weeks ago

Geoff Rickly of Thursday talked with Vulture about their musical return:

In 2019, we started writing and it was really contentious. We were tossing demos back and forth, and nothing was happening. We let them sit for a while. With the last one, everyone was like, “This one has an amazing chorus. How can you not like that?” And I was like, “I just feel like it’s too much the same thing over and over again.” Stu Richardson, who plays bass for us on tour and is an amazing producer, was like, “That’s an easy fix.” Stu slowed down the beginning, took out the drums, and added some keyboards and then I sang a totally different thing over it, and it was like, “Oh! Suddenly I love this song!”
The funny thing is, I don’t know what will come next from us, but now that the Band-Aid is off, it feels a lot easier to write together. Since we got back together eight years ago, this is the biggest the band’s been. Every night we’re going out and the audience makeup is tilting toward younger fans instead of people that have been with us the whole time.

Behind the Collapse of Vice

Jason Tate 3 weeks ago

Elizabeth Lopatto, writing at The Verge:

Sometimes certain lines of business weren’t told about the revenue goals they were expected to fulfill. Meanwhile, the company’s actual accounting and expense controls were messy. For instance, Vice’s digital division had expenses from NetJets — a private jet service — on its profit and loss statement, two sources told me. (A third confirmed the NetJets account existed without saying which balance sheet it was on. Two sources took credit for eventually canceling the NetJets account. “Since at least 2021, Vice has not had a NetJets account,” according to Vice spokesperson Samira Sorzano.) One executive source alleged that the digital division was funding a production executive’s $350,000 salary — an executive who the source claims did virtually nothing. Another exec heard, to their shock, that someone had reportedly spent $24,000 on a one-way ticket from New York to London.

Spotify to Raise Prices in 2024

Jason Tate 3 weeks ago

Bloomberg:

The streaming giant will increase prices by about $1 to $2 a month in five markets by the end of April, including the UK, Australia and Pakistan, according to people familiar with the matter. It will raise prices in the US, its largest territory, later this year, said the people, who asked not to be identified discussing confidential plans.

Remove

Matt Farley Tries to Match Every Search Term on Spotify

Jason Tate 4 weeks ago

Brett Martin, writing for the New York Times:

Largely, though not entirely, on the strength of such songs, Farley has managed to achieve that most elusive of goals: a decent living creating music. In 2008, his search-engine optimization project took in $3,000; four years later, it had grown to $24,000. The introduction of Alexa and her voice-activated sistren opened up the theretofore underserved nontyping market, in particular the kind fond of shouting things like “Poop in my fingernails!” at the computer. “Poop in My Fingernails,” by the Toilet Bowl Cleaners, currently has over 4.4 million streams on Spotify alone. To date, that “band,” and the Odd Man Who Sings About Poop, Puke and Pee, have collectively brought in approximately $469,000 from various platforms. They are by far Farley’s biggest earners, but not the only ones: Papa Razzi and the Photogs has earned $41,000; the Best Birthday Song Band Ever, $38,000; the Guy Who Sings Your Name Over and Over, $80,000. Dozens of others have taken in two, three or four digits: the New Orleans Sports Band, the Chicago Sports Band, the Singing Film Critic, the Great Weather Song Person, the Paranormal Song Warrior, the Motern Media Holiday Singers, who perform 70 versions of “We Wish You a Merry Christmas,” substituting contemporary foods for figgy pudding. It adds up. Farley quit his day job in 2017.

New Interview with Dave Baksh

Jason Tate 4 weeks ago

Dave Baksh of Sum 41 talked with Rodeo Magazine:

“I always think of [All Killer No Filler] as a boot camp in songwriting, and how to play guitar,” Dave recalls. “We had a producer on that record named Jerry Finn. I think the biggest mistake we made in our career was not working with him on every single record. He had such a great vibe in the studio and was such a great teacher. He sat me down and told me I was a garbage guitar player and I needed to get better. He taught me the art of treating every section – whether it be four bars, twelve bars, whatever – as a composition in itself, and you deliver that performance in whatever pocket that is.”

Tennessee Signs ELVIS Act

Jason Tate 1 month ago

Tennessee has unveiled the ELVIS act, aiming to protect the voices of artists as a protected personal right:

Present law provides that every individual has a property right in the use of that person’s name, photograph, or likeness in any medium in any manner. This bill adds to the present law by providing that an individual also has a property right in the use of that individual’s voice. […]
This bill adds to the present law by providing that any person who knowingly uses or infringes upon the use of an individual’s voice, in any manner directed to any person other than such individual, for purposes of advertising products, merchandise, goods, or services, or for purposes of fundraising, solicitation of donations, purchases of products, merchandise, goods, or services, without such individual’s prior consent, or, in the case of a minor, the prior consent of such minor’s parent or legal guardian, or in the case of a deceased individual, the consent of the executor or administrator, heirs, or devisees of such deceased individual, is also liable to a civil action.

The goal is to protect musicians against unauthorized AI usage.

Pitchfork Lived and Died by the Internet

Jason Tate 1 month ago

Nick Heer:

If your music listening experience is mostly driven by playlists and suggestions, you might be less interested in reviewers and critics. That is not a denigration of how anyone listens to music, mind you — I am not a prescriptivist about this kind of stuff. You should experience art in the way you choose.
But streaming music is ultimately just a catalogue into which anyone can dive. It reduces the bar to entry and, on the other side of the same coin, reduces the cost of exiting. If you do not like an album, there is not a $20 sunk cost compelling you to keep going. But you also do not need to spend $20 to experiment with something you are unsure if you will like.

Spotify Experimenting With Online Video Courses

Jason Tate 1 month ago

Jon Porter, writing for The Verge:

Spotify’s UK users are getting access to a fourth category of content to sit alongside its existing library of songs, podcasts and audiobooks: online courses. The company is today launching a new experiment that’ll see video-based lessons from BBC Maestro, Skillshare, Thinkific, and PlayVirtuoso made available via Spotify’s apps on mobile and desktop. The experiment is running in just the UK, and there are currently no guarantees that it’ll get a wider more permanent launch.

Remove

Sum 41 Talk With Kerrang

Jason Tate 1 month ago

Sum 41 sat down with Kerrang to talk abut their final album:

“It was the music that told me,” Deryck says of the tipping point. “I thought, ‘This is the moment. This is the best idea that Sum 41 has ever had for a record.’ It straddles that line between heavy music and pop-punk that I feel like only we have done over the years. I felt this was the record that I could walk away and hang my hat on. Musically, it’s our evolution, while the title, Heaven :x: Hell, represents our journey. If there’s one record that defines who we are, it’s this one.”