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Lynn Gunn Talks With Playboy

PVRIS

Lynn Gunn of PVRIS sat down with Playboy ahead of Coachella:

But Gunn is no superhuman: that confidence, to “hone her more masculine side”, hasn’t come easily or all at once. “It’s still being discovered,” she admits. And it’s that bravery to share her vulnerable journey that has earned her both a commanding presence in a flooded industry. While reminiscing about how she got to where she is today, Gunn looks back to her childhood as a girl dressed in boy’s clothes—before puberty happened: “[In] middle school and high school I felt pressured to dress more feminine.”

It’s Playboy, so it’s NSFW.

HIRS Stream New Album

Hirs

HIRS’ new album is streaming over at NPR.

The HIRS Collective has a unified purpose: to defend, examine and extol the survival of trans and queer outcasts. After a series of several 7″s and cassettes, its proper debut album, Friends. Lovers. Favorites., the band with an anonymous and fluid membership focuses its mission.

Apple Music Hits 40 Million Subscribers

Apple Music has hit 40 million subscribers:

The service still has a ways to go before it surpasses Spotify, which currently has 70 million paid Premium subscribers. A report in The Wall Street Journal earlier this year suggests that Apple Music’s quicker growth rate (five percent versus Spotify’s two percent growth) could mean it surpassing the Swedish streaming service as soon as this summer, however.

Spotify and Hulu Team Up for Joint $12.99 Plan

Janko Roettgers, writing for Variety:

Hulu and Spotify unveiled a new subscription bundle for avid streaming fans Wednesday: The plan, “Spotify Premium, now with Hulu,” combines a full Spotify a la carte subscription with Hulu’s entry-level on-demand service for $12.99 per month.

Bought individually, both plans would have a combined price tag of close to $18. The new bundle is initially available only to existing Spotify Premium subscribers in the U.S., who also get a chance to try out Hulu for three months for just 99 cents.

You can sign up here.

The Weeknd Tops the Charts

The Weeknd has topped the charts with his surprise release:

The surprise release, which arrived on March 30 via XO/Republic Records, earned 169,000 equivalent album units in the week ending April 5, according to Nielsen Music — the biggest week for an R&B album in over a year, since his own last album. Of that sum, 68,000 were in traditional album sales.

Also:

Singer Kacey Musgraves collects her third top 10 album, as her seventh studio album Golden Hour bows at No. 4 with 49,000 units (with 39,000 of that sum powered by traditional album sales).

The Lawrence Arms Talk Greatest Hits

The Lawrence Arms

Brendan Kelley of The Lawrence Arms talked with Dying Scene about their recent release:

Ever the businessman, Fat Mike of course had a method to his madness. Says Kelly: “He made a good point, or at least I’m attributing this point to him. (He said) ‘the way people consume music these days is that they just go on Spotify and check something out. Wouldn’t you like to have a bunch of good songs in one place so everybody can just go there and you can make sure they’re not getting something that’s not that representative of your band? A greatest hits record is a great way to do that!”

mewithoutYou Aiming for Fall Release

mewithoutYou

Chris Payne of Billboard talked with the bands on Paramore’s Parahoy tour and revealed that mewithoutYou are working on a new album with Will Yip that will see a fall release:

Mazzotta: “We finished a banger with [producer] Will Yip. It bangs! I’m pretty hyped on it. It took a long time to make, too. It took over a year… It’s still not 100% done, I’m going back into the studio the week we get home.”

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Upgrade Your Forum Account, Become a Supporter

When you upgrade your forum account you gain access to exclusive content, Dark Mode, an ad-free browsing experience, and you’re helping support this website.

Don’t have a forum account but want access to Dark Mode and an ad-free experience on the main website? Become a patron for only $3 per month (or $25 annually) and you’ll get the perks while also helping us maintain our independence as a publisher.

I’m hoping that we can convince about 200 more of you to become supporters in the next few months, which will put us in a position that we will have full independence to operate this website for the foreseeable future. This will let me be able to focus more on content and bringing in new writers and voices, and continue to improve the forum experience and platform for everyone.

What About ‘The Breakfast Club’?

Molly Ringwald, writing at The New Yorker:

I made three movies with John Hughes; when they were released, they made enough of a cultural impact to land me on the cover of Time magazine and to get Hughes hailed as a genius. His critical reputation has only grown since he died, in 2009, at the age of fifty-nine. Hughes’s films play constantly on television and are even taught in schools. There is still so much that I love in them, but lately I have felt the need to examine the role that these movies have played in our cultural life: where they came from, and what they might mean now. When my daughter proposed watching “The Breakfast Club” together, I had hesitated, not knowing how she would react: if she would understand the film or if she would even like it. I worried that she would find aspects of it troubling, but I hadn’t anticipated that it would ultimately be most troubling to me.

‘High Fidelity’ TV Series With Female Lead in Works

Disney

Deadline is reporting that a new TV series based on Nick Hornby’s High Fidelity will be coming to Disney’s new streaming service:

I hear a romantic comedy TV series inspired by Nick Hornby’s 1995 novel High Fidelity and the 2000 feature starring John Cusack is in early development for Disney’s upcoming direct-to-consumer service. The project, a gender-swapped take on the classic title, comes from writers Veronica West and Sarah Kucserka (Bull, Ugly Betty), the Midnight Radio producing team and ABC Signature Studios (SMILF), the cable/streaming division of ABC Studios.