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LATEST ARTICLES - PAGE 2

Apple Music Replay Gets Expanded Highlights

Jason Tate

John Voorhees, writing at MacStories:

Many of the statistics you’ll see as part of your latest Replay will be familiar, but there’s a new twist too. For the Replay 2022, Apple has added a Highlights Reel, which is a video of cards animating on and off-screen with highlights of the music you listened to in 2022. As the cards animate on and off your screen, the music that defined your year plays in the background. Replay’s highlights are only available on the web, and the Highlights Reel looks best on an iPhone, but it can be viewed in any web browser.

This is pretty cool and a big step up from what they had before. Being able to share the stats as images is nice, but I wish I could share the full reel, or a better “recap” of the entire year in one compact image. The closest is probably that last image in the reel. (They must not be counting anything listened to in your downloaded library, because there are two albums I played more than the one they have here, but both racked up a lot of plays as advances. Yet another reason I (and a few others) still use Last.fm.)

And, while I know I’m basically alone on this island, the year isn’t over so none of these count yet.

The 1975 on Zane Lowe

The 1975
Jason Tate

The 1975 talked with Zane Lowe about “Happiness” and working with Jack Antonoff:

“I love Jack’s work, and those Lana [Del Rey] records, in particular, like, some of my favorite stuff. So we were talking about that. We became friends talking about production and what I was doing and what he was wanting to do and what I was wanting to do. And then I kind of just thought, ‘Well, this is like a really nice new energy.’ I don’t… because we are so closed, me and George [Daniel], we’ve always been so closed. “Why don’t you like come down to the studio and see what happens?” And then he did. And, then, ever since, we were just great, great friends.”

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Apple Music Adds Anniversaries Feature

Jason Tate

John Voorhees, writing at MacStories:

Apple Music was quietly updated today with a new feature: Essentials Anniversaries. The new Apple Music section features landmark albums from artists organized by their anniversaries, from five-year anniversaries all the way to 65-year-old albums.

The first featured anniversary is OK Computer by Radiohead, which celebrates its 25th anniversary tomorrow, May 21, 2022. The new Essentials Anniversaries section includes Radiohead’s album, a handful of music videos, and something new: an episode of a Apple Music radio show also called Essentials Anniversaries. The first episode is hosted by DJ Matt Wilkinson, who introduces most tracks, providing context and commentary and interviewing people involved in the production of OK Computer.

The iPod is Officially Discontinued

Apple
Jason Tate

Apple:

“Music has always been part of our core at Apple, and bringing it to hundreds of millions of users in the way iPod did impacted more than just the music industry — it also redefined how music is discovered, listened to, and shared,” said Greg Joswiak, Apple’s senior vice president of Worldwide Marketing. “Today, the spirit of iPod lives on. We’ve integrated an incredible music experience across all of our products, from the iPhone to the Apple Watch to HomePod mini, and across Mac, iPad, and Apple TV. And Apple Music delivers industry-leading sound quality with support for spatial audio — there’s no better way to enjoy, discover, and experience music.”

I remember my very first iPod. 10 GB. Black and white. And I loved it.

The xx Launch New Apple Music Show

The xx
Jason Tate

The xx will be debuting their new monthly Apple Music radio show on March 10th.

We’ll be taking turns to host each episode and get in to the things that inspire us individually. An hour of music, guests and sneak peeks of what we’re all up to on our own and together.

Nick Heer on Apple Music and Last.fm

Jason Tate

Nick Heer nails what I’ve been thinking for a while about what Apple Music should learn from Last.fm:

So: Last.fm. There are a few things I like about it. First, it seems to take into account my entire listening history, though it does give greater weight to recency and frequency. Second, it shows me why it is recommending a particular artist or album. Something as simple as that helps me contextualize a recommendation. Third, its suggestions are a blend of artists I am familiar with in passing and those that I have never heard of.

Most importantly, it feels free of artificial limitations. Apple Music only shows a maximum of eight similar artists on my iPhone, but there are pages of recommendations on Last.fm. Echo and the Bunnymen has twenty-five pages with ten artists each. I can go back and see my entire listening history since I started my account there. Why can I only see the last forty things I listened to on Apple Music?

There are so many things Apple could learn from Last.fm’s recommendation approach, and I wish it would. Right now, its approach is somewhere between inconsequential and unhelpful. It does not have to be this way, and it should not be this way.

Maybe part of my appreciation comes from my nostalgia for the mid-2000s internet era. They are memories of shiny, colourful logos, wet floors everywhere, and new social networks for every conceivable interest. These websites encouraged centralization and many were ultimately destructive to privacy, but there were also gems like Last.fm. It was built around a simple premise: track your music listening history for better recommendations.

Sorry for quoting so generously, but this really gets to the heart of one of the reasons I dove back into Last.fm with such vigor last year. Being able to see what I’ve been listening to, get the stats behind it, visualize that data, and get recommendations based on my entire streaming history is a cherry on top of it helping me with my weekly newsletter. There’s a whole lot I think Apple Music should be doing to make their service better.

Apple Music’s New Mood and Activity Playlists

Jason Tate

MacStories has compiled a list of all the new Apple Music playlists added:

What we found was over 250 playlists each designed to fit a mood or activity that use animated cover art with simple line drawings to set them apart from Apple’s other playlist. Although they were announced as Siri playlists during the event on Monday, anyone with an Apple Music subscription can view and play the new playlists in the Music app like any other playlist in the service’s collection.

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Apple Music’s Record Label Pages

Jason Tate

Zane Lowe talked with Rolling Stone about Apple Music’s new record label pages:

“We want to highlight labels that are really hyper-focused on building great quality. The labels we’re partnering with here are the ones where I want to search for their logo on the back of the record and would buy music unheard because I trust that,” Lowe says. “That to me is really the culture that we’re trying to represent from a label point of view here. In a way, this is an opportunity for us to reestablish the concept of a label as something more than just a bank. To look at the label system again as more than just a distribution model or an investment model, but actually as a place where music, art and culture is fostered in a really deliberate and very thoughtful way.”

Where’s my Drive-Thru Records page, Zane?

Eddy Cue on Why Spatial Audio Is the Future of Music

Jason Tate

Billboard:

One of the first people that told me about Dolby Atmos was Adam Levine. I happen to know him, and we were in the same place, so he was like, “Have you listened to this?” And he sends me this song and he was really excited. He said, “I can’t believe what I can do with this.” It’s going to be really exciting to see how this evolves, and all of what artists are going to be able to do with this, and how exciting it is for fans and listeners to be able to do this.

So we went after the labels and are going to the artists and educating them on it. There’s a lot of work to be done because we have, obviously, tens of millions of songs. This is not a simple “take-the-file that you have in stereo, processes through this software application and out comes Dolby Atmos.” This requires somebody who’s a sound engineer, and the artist to sit back and listen, and really make the right calls and what the right things to do are. It’s a process that takes time, but it’s worth it. […]

To me, when I look at Dolby Atmos, I think it’s going to do for music what HD did for television. Today, where can you watch television that’s not in HD?

One of the advantages music has over television is you can’t take an old TV show and truly up-res it to HD because it was shot on low-quality cameras. But in the case of audio, all these things were recorded on multiple tracks, and so it’s possible to go back to a lot of the songs and be able to do this.

The full article can be read via Apple News. I’ve only just started listening to various songs mixed in this way, and some of them are downright incredible. Others, either don’t sound great to my ears, or I’ve heard the original mixes so many times something just sounds off. I am very excited to see various artists experiment with what is now unlocked in this space, however.

Apple Rolls Our Spatial Audio and Lossless Tracks

Jason Tate

MacStories:

Yesterday, not long after Apple’s opening WWDC keynote, the company activated Spatial Audio and lossless playback for Apple Music. The company followed up with a press release in which Zane Lowe, Apple Music’s co-head of Artist Relations and radio host, explains the new feature and how he feels Spatial Audio will affect music.

They have also released a playlist showcasing the Spatial Audio feature. Some have been sharing songs they’ve found that really take advantage of the format.

A Cool Now Playing Widget for Your Desktop

Apps
Jason Tate

Beautiful Pixels:

Sleeve is a beautifully crafted app for macOS that displays your currently playing track as a tiny widget on your Desktop. Made by Hector Simpson and Alasdair Monk from Replay, it works with Apple Music or Spotify and comfortably lives on your desktop without getting in your way. We’ve only been playing around with it for a day, but can confidently say that Sleeve is the ultimate example of a really polished and delightful app.

Sleeve shows the album artwork, track name, artist name, and album name on the Desktop. It’s not an interactive widget, so you can’t control playback using Sleeve (not that we want to). It works natively with the Apple Music and Spotify apps and doesn’t require your account details.

Sleeve is $5 and available here.

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Apple Music Announces Spatial Audio and Lossless Audio

Jason Tate

Apple:

Apple today announced Apple Music is bringing industry-leading sound quality to subscribers with the addition of Spatial Audio with support for Dolby Atmos. Spatial Audio gives artists the opportunity to create immersive audio experiences for their fans with true multidimensional sound and clarity. Apple Music subscribers will also be able to listen to more than 75 million songs in Lossless Audio — the way the artists created them in the studio. These new features will be available for Apple Music subscribers starting next month at no additional cost.

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