Review: Beach Bunny – Tunnel Vision

Beach Bunny - Tunnel Vision

The third full-length record from Chicago Alt Rock band, Beach Bunny, is a breezy set of songs that play out well from front to back. Tunnel Vision is the band’s first release since the departure of guitarist Matt Henkels, and sees Beach Bunny getting into a comfortable groove as a three-piece band. The band’s primary songwriter, Lili Trifilio (vocals/guitar), remains as captivating as she’s ever been, and Beach Bunny re-establish themselves as a key artist to watch in the Alternative Rock scene. Over the course of the ten songs found on Tunnel Vision, Beach Bunny firmly showcase why they have such a strong and loyal following of fans with their slick songwriting, paired with memorable and plentiful hooks.

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Review: Luke Spiller – Love Will Probably Kill Me Before Cigarettes and Wine

Luke Spiller - Love Will Probably Kill Me Before Cigarettes and Wine

The debut solo album from The Struts frontman, Luke Spiller, is a vulnerable collection of songs about falling in and out of love, and documents his experiences about when he first moved to Los Angeles. Love Will Probably Kill Me Before Cigarettes and Wine is filled with great string arrangements, slick production, and a 70’s flair that mirrors early James Bond scores. Luke Spiller’s star shines ever so brightly on his first venture away from The Struts to create a record that is both a departure from the sound that he established with his bandmates, and a welcomed throwback to an era of smoke-filled jazz clubs that featured captivating singers.

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Review: Acceptance – Phantoms

Acceptance - Phantoms

The debut album from Acceptance will be turning 20 over the weekend, so it’s only fitting for us to take another look at the cult favorite record known as Phantoms. The band’s strength came from the great partnership between lead guitarist Kaylan Cloud and dynamic vocalist Jason Vena, and their ability to convey a wide range of emotions through their unique brand of rock. The set was produced by veteran hit-maker Aaron Sprinkle, who leaves his great blueprint all over this shimmering album. The promotion cycle Phantoms included only two singles, “Different” was the lead single, while the more upbeat “Take Cover” followed up on the modest success of the debut single. The band would follow the release of Phantoms with tours with bands like Vendetta Red, Head Automatica, Anberlin, Saosin, and more to work on their live show that had steadily improved since Acceptance formed in 1998. Acceptance would take a lengthy hiatus in 2006, only to reunite and re-capture their spark in 2017’s equally great Colliding By Design. Phantoms signaled a key moment in Acceptance’s rise in the crowded emo scene, and it’s a shame that the record didn’t take off as much as it clearly should have.

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My Life In 35 Songs, Track 5: “Kill” by Jimmy Eat World

My Life in 35 Songs

I can’t help it baby, this is who I am; sorry, but I can’t just go turn off how I feel.

You can’t make me leave. You can’t, you can’t, you can’t.

In October of 2004, for two weeks that felt like a lifetime, my parents briefly entertained the notion of uprooting our family and moving us somewhere new. I know that’s something that a lot of kids have to deal with growing up, but it had never even been on my radar before that fall. I’d lived in the same town since I was three years old, and I’d been with the same group of classmates since first grade. I’d also watched my older siblings go through the local high school, and I already had a lot of ideas for how I wanted to follow (or diverge from) their footsteps when I got there. It never occurred to me that my immediate future might be spent anywhere other than this town.

There was also a girl – the first girl from school I’d ever developed a real, yearning, aching kind of crush for. I probably thought I was in love with her, because what else do you do with those kinds of feelings when you’re 13 years old and you’ve never experienced anything like them before? What’s love if not those fluttering butterflies you feel in your stomach every time you see that other person? I definitely wondered whether there could be some big, grand future in store for me and her, somewhere down the road.

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Review: Joywave – How Do You Feel Now?

Joywave - How Do You Feel Now?

It seems like just yesterday I was finding out about a band named Joywave. My initial introduction to the band was through a friend of mine who lent me a copy of How Do You Feel Now?, and I was immediately taken back by Joywave’s cool swagger, slick production (by band members Daniel Armbruster and Sean Donnelly), and the overall package brought forth on this electric debut. Many others first got wind of Joywave through their breakthrough single/collaboration with Big Data called “Dangerous” that was bound to be successful with it’s bass-heavy delivery and great vocal performance from Armbruster. What made Joywave so charming and utterly infectious on this debut record was their ability to blend electronic and indie rock elements into their ever-evolving sound that they tinkered with on their preceding two EPs. While Joywave would go on to release four more full-length records in the ten year span that has passed since How Do You Feel Now? was first released, this album remains their strongest and most creative statement to date.

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Review: Superheaven – Superheaven

Superheaven - Superheaven

The first studio album in ten years from the Pennsylvania grunge rockers, Superheaven, is a self-titled effort that finds the band leaning heavily on their strengths to further their artistic direction. After a lengthy hiatus from their 2015 LP Ours is Chrome, Superheaven would periodically reunite to play some shows. During this process of playing one-off shows, the band connected with veteran producer Will Yip during a charity concert he put on in December 2017. This partnership seemed to have stuck, as Yip has produced the band’s third studio album, Superheaven, that released today via Blue Grape Music. Superheaven have released three singles leading up to the self-titled record in “Long Gone”, “Numb To What is Real”, and most recently “Cruel Times.” Superheaven have clearly used the momentum and chemistry from each of these reunion concerts to create a record that is worthy of the band’s past legacy.

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Review: Joeyglo – “Galaxy”

Joeyglo - "Galaxy"

After taking a year and a half hiatus from music after a family tragedy, Joeyglo has returned with a vibey new single called “Galaxy” that honors his late wife, Angela. The song is a passion project from the songwriter/producer, who admitted to started writing this song nearly five years ago. The guitar parts in the track were performed by Samuel Clayton, and Cory Kassmeier mastered the single. Joeyglo shared, “This is a special song to me. Took me a long time to even want to work on music again after losing Angela and Indie…She didn’t believe it was for her initially because the lyrics (at the time) mostly talked about bending time and black holes. Ya know…nerdy shit.”

With a songwriting style that fits somewhere in the realm of Glass Animals, paired with the smooth R&B of The Weeknd, and put on blend with a crisp vocal performances similar to Mac Miller, Joeyglo has crafted something truly special here on “Galaxy.” By putting a brave step forward by releasing new music, Joeyglo is honoring his family in the best and most honest way possible with this gorgeous song about connecting with that one person who makes our universe seem a little less alone.

Interview: Wounded Touch

Wounded Touch

Recently I was able to connect with the Michigan-based metalcore band, Wounded Touch, to discuss what went into the process of their Smartpunk Records sophomore LP, A Vivid Depiction of Collapse. The band’s publicist had a cool idea of having two of the band members interview each other to get some rich insight on what make’s the band tick, so I was all for it! Kyle Maddock interviews Wounded Touch drummer Jeremy Schultz below. If you’re enjoying the band member vs. band member banter, please consider pre-ordering A Vivid Depiction of Collapse before it releases on May 16th here.

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My Life In 35 Songs, Track 4: “Wheel” by John Mayer

My Life in 35 Songs

And if you never stop when you wave goodbye, you just might find if you give it time, you will wave hello again…

I was a man on a mission. I had about 20 minutes to myself in the local mall while my mom and sister went off to shop for something, and I knew I was going to need every one of them to accomplish my task.

Walking briskly, I dodged around families with young children and groups of lackadaisical teenagers, making my way across this crowded retail mecca to find my destination: FYE, with its rows and rows of pristinely shrink-wrapped CD and DVD cases. The album I was looking for had just dropped that week, so it was right there at the front of the shop, just waiting for me to pick it up off the shelf. Then, I made my way to one of the listening stations, where you could scan the barcode of the CD you were thinking about buying, put on a pair of communal over-the-ear headphones (in retrospect, eww!), and sample the tracks. A quick listen through various clips from the album confirmed that it had more to offer than the lead single I’d had stuck in my head for weeks. And so, convinced, I marched up to the checkout counter and handed the cashier $15 or so of my hard-earned cash. It was the first CD I’d ever bought with my own money.

The date was Sunday, September 14, 2003, and the album was Heavier Things, John Mayer’s sophomore follow-up to the 2001 smash Room for Squares. At most, I’ll say I’d been a casual fan of Squares: I liked most of the songs, but none of them had become obsessions in the year or two since my sister had gotten a copy of the CD for one of her birthdays. But “Bigger Than My Body,” the lead single from Heavier Things, had absolutely become an obsession since it had dropped on August 25. That song had a dynamite earworm chorus and some of the coolest guitarwork my 12-year-old ears had ever heard on a pop single, and I was tired of holding my breath and hoping I’d hear the on the radio or catch the video while flipping channels after school. I needed to be able to hear “Bigger Than My Body” whenever I wanted, and it led me to do something I’d never done before, but would do many, many, many times in the decades to follow; it led me to buy the album.

For the next two months, I listened to Heavier Things every single day when I got home from school. It was just part of the routine: get home, fire up my portable CD player, hear those opening piano strains of “Clarity,” and do my homework while the album played. I loved Heavier Things right away, but I came to develop an extremely meaningful bond with it over the course of that fall, as I listened over and over again. I was particularly taken with a pair of songs in the second half: “Split Screen Sadness” and “Wheel.” Both are ballads and both are songs about goodbyes – albeit, different kinds of goodbyes.

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My Life In 35 Songs, Track 3: “Hide” by Creed

My Life in 35 Songs

Let’s leave, oh let’s get away, get lost in time/Where there’s no reason left to hide

The first CD I ever owned was Creed’s Human Clay. I got it for my 12th birthday. The second and third CDs I ever owned were Creed’s other two albums, My Own Prison and Weathered, which I got a month later for Christmas. I was not at all aware at the time that Creed were one of the most derided bands of their era, and I’m glad for that. One of the great things about loving music when you’re young is that you do so without pretense or insecurity. Those things come later. What comes first, at least from my experience, is a fierce connection to the words and the melodies and the way the songs make you feel. Such was the case, for me, with Creed, especially in the winter of 2002-03 when those three albums – Weathered in particular – became the soundtrack to a particularly fraught period in my young life.

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Review: All Time Low – Future Hearts

All Time Low - Future Hearts

The sixth studio album from pop-punk band All Time Low found them working with a ton of outside collaborators/writers and showcased a slick sound led by production from veteran producer John Feldmann. Future Hearts is now celebrating its tenth birthday today, and each of the 13 songs found on the record featured an outside writer on it. This type of collaboration was new to the band, as they had typically composed the majority of their material in-house. Future Hearts was one of All Time Low’s most successful LPs at launch date, debuting at #2 on the Billboard 200 upon its release and selling over 80,000 copies in its first week. The band took their major label misfire (2011’s Dirty Work) in stride and would quickly follow this up with Don’t Panic and their final Hopeless Records record in Future Hearts. While the band would reach their creative peak on 2020’s Wake Up Sunshine, Future Hearts is filled with a ton of great pop-punk tunes that deserve another look.

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Record Store Day 2025 Countdown

CD, Record Store

This year’s Record Store Day occurs this Saturday, April 12th, 2025. Get your lists ready and prepare to dive into the key vinyl releases for this celebration of indie record stores. The Record Store Day “Ambassador” for ’25 is Post Malone, and he shared in a press release:

What an honor, I can’t believe I was chosen to be Record Store Day’s Ambassador for 2025. Record Store Day is so important and I really hope to do my part to keep it alive. We love hitting local shops when we’re on the road, seeing all the crazy artwork, the whole energy in a record store is just super inspiring. I feel at home. It’s really an unexplainable feeling to hit up a shop and dig through crates, just see what grabs your eye. You can be looking for something super specific and end up finding something totally different. It’s the best. Keep supporting y’all and let’s keep records and these local shops going strong. Happy Record Store Day everybody!”

In this article, I’ll be providing some tips & tricks for navigating this year’s Record Store Day observance, plus some early previews of some of the key titles. You can also check out my initial RSD ’25 preview here.

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Review: Momma – Welcome To My Blue Sky

Momma - Welcome To My Blue Sky

After the breakthrough success of Household Name, indie rock band Momma have returned with their highly anticipated fourth record called Welcome To My Blue Sky. The new album was produced by Aron Kobayashi Ritch, who also contributed on bass, and showcases the rapid improvements in Momma’s already-dynamic sound. The vibrant feelings come oozing through the speakers early on in vulnerable songs like the opening track of “Sincerely” that helps set the tone for the rest of the album. Led by the two primary songwriters/vocalists/guitarists in Etta Friedman and Allegra Weingarten, Momma tighten up their songwriting while still presenting songs that are both catchy and relevant. Momma shared in a recent interview that Welcome to My Blue Sky is “an open letter to those who have come in and out of our lives,” and this particular letter is well-received and invites wider audiences to sing along to every lyric and connect with this band on a deeper level.

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My Life In 35 Songs, Track 2: “Hanging By A Moment” by Lifehouse

My Life in 35 Songs

Desperate for changing, starving for truth/I’m closer to where I started, I’m chasing after you.

One thing to know about the way I consume music is that, by and large, I do not care about the charts. While knowing what songs have gone to number 1 over the years makes for fun trivia, it has little to no bearing on what music I love or find value in. But for one summer when I was 11 years old, I became obsessed with chart-watching, and this song was the reason why.

It’s been long enough since the summer of 2001 that I don’t really recall what initially inspired me to turn on the clock radio in my bedroom on some stray Sunday morning and tune in to Casey Kasem’s American Top 40 countdown. As far as I can remember, that show kicked off at 8 in the morning and ran until lunchtime. It was not, in other words, the kind of thing you’d expect a preteen boy to find himself enmeshed in during the summertime, when more interesting engagements like sleeping in or playing video games were options. Plus, AT40 was loaded with commercial breaks and packed with songs that I, as someone who did not have much of a taste for the R&B-flavored pop that was dominant at the turn of the century, actively disliked. Why did I subject myself to four hours of this nonsense when I could have been doing literally anything else?

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Review: Mumford and Sons – Rushmere

Mumford and Sons - Rushmere

The fifth studio album from Mumford & Sons, and the band’s first new album in nearly seven years, called Rushmere, gets its name from the pond located at Wimbledon Common in London, where the band first met and began the process of wanting to make music together. The band looked towards their beginnings to find a spark in their music, and create their first new taste of music since Delta. The overall sound of Rushmere recounts the humble beginnings of Mumford & Sons on 2009’s Sigh No More, with more experience under the band’s belt in crafting their desired artistic direction. The set was produced by veteran hit-maker Dave Cobb (Sturgill Simpson, Jason Isbell) and was recorded partly in Nashville, and also in the band’s home studio in Devon, England. Rushmere takes all of the stage and life experiences that the band members have had, and gets the ship pointed in the right direction. The next phase of Mumford & Sons career looks bright.

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