Interview: Dr. Elvis Francois

Dr. Elvis Francois

Recently I was able to connect with the “Singing Surgeon,” Dr. Elvis Francois, to discuss his new holiday-themed single called “Sound of Christmas.” With joyful melodies and festive lyrics and heartwarming moments under the mistletoe, the song captures the magical sounds of Christmas—from caroling voices to the laughter of family. The feel-good anthem arrives just in time for the holidays. I asked Dr. Elvis Francois about the inspiration behind the holiday single, plus what he likes best about this time of year. This artist will also have a new EP, called Alignment, releasing soon as well.

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Review: Career Day – I’ll Always Be This

The debut EP by Queens, New York-based emo band, Career Day, called I’ll Always Be This tackles a wide variety of themes such as the current working environment, substance abuse, mental wellness, and dealing with it all one day at a time. During the span of four crisp songs that span just twelve hard-hitting minutes, Career Day quickly highlight their band’s strengths with a sound that strays somewhere between The Starting Line, Motion City Soundtrack, and Hawthorne Heights. The band is Ryan Maguire (drums), Robbie Levin (bass), Jacob Cutler (guitar), and Desmond Zantua (vocals) and were formed during the pandemic. By leaning into their core influences, Career Day are starting their musical journey on the right foot.

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Record Store Day Black Friday 2024 Preview

CD, Record Store

Turkey day is happening this week, so that means that Record Store Day Black Friday is right around the corner. This year’s celebration of indie record stores occurs on Friday, November 29th, 2024, and features a fresh slate of new vinyl reissues, exciting exclusives, and in some cases, the first pressings of many key titles. The full list of RSD Black Friday releases can be found here, but be sure to check in with your local indie record store to see what they will be carrying this Friday. In this preview, I’ll be diving into some of the most sought after releases and offer some tips for newcomers to secure these titles.

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Review: Bush – Sixteen Stone

The 6x Platinum debut by English rock band, Bush, is getting a comprehensive vinyl reissue today in honor of Sixteen Stone’s 30th anniversary. You probably know the hits by heart. “Everything Zen,” “Little Things,” “Comedown,” “Machinehead” and “Glycerine” were the five massive singles released from this album that still stand the test of time today. The album was recorded at Westside Studios, London with producers Clive Langer and Alan Winstanley, and marked the breakthrough of legendary Alt Rock frontman, Gavin Rossdale. Through his gritty vocal performance throughout Sixteen Stone, Rossdale captivated audiences far and wide on this record that if you didn’t own it yourself, you likely knew someone nearby who did. Bush had recently celebrated the 30th anniversary of Sixteen Stone with a comprehensive Greatest Hits tour that coincided with a singles compilation and put their decades-long career back into focus.

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Interview: The Afro Nick

The Afro Nick

This past week I was able to connect with the frontman of a new solo indie rock project, The Afro Nick, to discuss his electric new single and video for “Get There Before Noon.” Nick, who’s signature, ‘wild and expressive hair,’ matches his unique, carefree sound, is releasing the feel-good triumphant anthem this Friday the 22nd. This track is a hypnotic melody with psychedelic, powerful guitar riffs and Nick’s rich and soulful vocals. In this interview, I asked Nick about his process for writing new material, and the collaborations put forth on his new music.

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Review: Circus Trees – This makes me sad, and I miss you

It is my utmost pleasure to introduce everyone to Circus Trees, a relatively new emo band comprised of Finola (vocals/guitars), Edmee (bass) and Eoghan (drums/guitars) McCarthy, who are already making their mark on the indie scene. The band has been releasing music since 2018, and their latest release called This makes me sad, and I miss you is a solid collection of post-rock, grunge and lo-fi music. The record was produced by Eoghan and Finola, and it showcases their growth as musicians and artists with a clear vision for their music. Their sound is similar to the punk brashness of Bully, the lyrical depth of Soccer Mommy, and the indie emo of Momma and Snail Mail. Circus Trees may just be the next great undiscovered band, but they won’t be hidden for much longer if this album is any indication of their future plans.

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Review: Linkin Park – From Zero

After the tragic passing of longtime front-man Chester Bennington in 2017, Linkin Park were faced with an impossible decision. Should they retire the band, or find a way to carry the LP flag with a different vocalist? From Zero has a dual-meaning: Xero was the first name of the band and From Zero also refers to the re-birth of Linkin Park with two new band members in Dead Sara vocalist Emily Armstrong and drummer Collin Brittain. The new album was produced by vocalist/guitarist/band leader Mike Shinoda, and it has a familiar sound and feel, even with a lot of new elements injected into the band. Armstrong and Brittain each make their presence felt throughout the record that is filled with stadium-ready anthems that borrow key sections of past Linkin Park albums all with a renewed focus towards the future.

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Interview: SOLAK

SOLAK

Recently I was able to catch up with lo-fi indie pop artist, SOLAK, to discuss everything that went into his latest single called ”Pandora.” Not to be out-shined by the new track, SOLAK has also released a new album called Atlas today. In this interview, I asked this talented artist about the themes expressed on Atlas, his experience working in the studio on the new LP, as well as what he hopes his listeners will take away from his music.

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Review: Zebrahead – I

The countdown is complete for Zebrahead and they have finally released the exciting, concluding chapter in their trilogy of EPs, called I. I is the follow-up to the III (2021) and II (2023) EPs, completing the band’s III.II.I. series. “Finally, the last EP is here… this series represents where our heads have been during and since COVID,” shares bassist Ben Osmundson. “It’s been a trying time for everyone, and now it’s time for fresh starts. See you on tour!” Having already released a good number of singles leading up to I, culminating in today’s single release of “Puppet Stringers,” the band continues to be armed with an arsenal of slick tunes to take on the road. By getting back to the core values of what makes this band so damn special, Zebrahead leaves just the right taste in our mouths on this electric EP filled with passion and breakneck energy.

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Review: Koyo – Mile A Minute

The new EP from Koyo comes hot off the heels of their well-received debut LP, Would You Miss It?, and features two re-imagined songs from their catalog, plus a new song indicating where they can take their sound in the future. Mile A Minute impresses by showcasing what this band is capable of creating when they strip away most of the energy behind their songs and get to the core of what makes Koyo unique. “Ten Digits Away (Deluxe)” kicks off the record with an acoustic guitar-based approach, and vocalist Joey Chiaramonte dials back his trademark growl to a smoother approach that took me back a bit in its crisp delivery. The expanded song comes from a previous EP of the same name, and acts as a great companion piece to the original, while adding in some piano and other backing instruments to round out their sound.

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Interview: David Steinhart

David Steinhart

Recently I was able to catch up with folk-pop artist, David Steinhart, to discuss everything that went into his new single called “Row.” The track comes from Steinhart’s newly announced LP, Released, that is out everywhere music is sold on January 10th. With a warm vocal approach, complemented by picturesque guitar playing, Steinhart shows how he maintains a loyal following over his impressive career.

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Interview: Dose of Adolescence

Dose of Adolescence

A couple weeks back, I was able to schedule a Zoom call with Jimmy and Timmy Brown of Dose of Adolescence to discuss what went into the writing and recording process of their new album, Zircon Ave. The band has toured extensively with bands like Anberlin, Dirty Heads, Switchfoot, and more, and this latest record is their first full-length album in nearly a decade. Zircon Ave hits music platforms this Friday, but you can pre-save the album here.

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Interview: Nona Invie

Nona Invie

Recently I was able to connect with Minneapolis-based singer/composer, Nona Invie, to discuss her latest single and video for “Forget My Name.” I also asked about her forthcoming LP called Self-Soothing that releases on February 28th via Boiled Records, and what went into the visuals behind the latest music video. Nona Invie will also be touring the U.S. in support of her new record this Spring.

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Review: The Cure – Songs Of A Lost World

The Cure are back, and it’s a dark and beautiful thing. Songs of a Lost World is the first new music from the band in roughly 16 years, and the long-awaited new LP doesn’t disappoint. In many ways, this new record feels like the direct successor of 1989’s Disintegration, what most fans consider The Cure’s finest work, and the comparisons in stylistic choices and the artistic direction can be felt on this concise 8-song album. The set of songs was composed entirely by goth rock icon, Robert Smith, and was co-produced by Smith and Paul Corkett (Tori Amos, Placebo). Each of these tracks are brooding with long intros to set just the right tone before Smith’s trademark vocals break through the wall of sound with veteran ease. Robert Smith sounds as confident and strong as he’s ever been, while his bandmates rally around his every word. On the opening track of “Alone” Robert Smith shared, ”It’s the track that unlocked the record; as soon as we had that piece of music recorded, I knew it was the opening song and I felt the whole album come into focus. that was the moment when I knew the song – and the album – were real.” By letting everything come flowing through him, Smith and The Cure have delivered a late-career masterpiece.

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