Review: Bleachers – Bleachers

Bleachers - Bleachers

The atmospheric rise of Jack Antonoff continues on the latest full-length record by Bleachers. The same man that kicked his career off with Steel Train, showcased his songwriting prowess with fun., re-established himself as a solo artist with Bleachers, and along the way became a Grammy winning producer, Antonoff is certainly no stranger to the bright lights. The pressure seemed to be on this ultra-talented artist on Bleachers (his first album on Dirty Hit), and yet Antonoff delivers in more ways than one in his most fully realized record to date. With a sound that feels like a modern take on Bruce Springsteen, paired with the atmospheric elements found in the brooding synths of The 1975 and The Midnight, Bleachers does the near-impossible task of paying homage to where he came from while simultaneously moving the needle forward in his artistic growth. Jack Antonoff is a man of many talents, and they are all on full display on the fourth studio album from Bleachers.

Read More “Bleachers – Bleachers”

Review: Luke Middleton – nothing ever after

Luke Middleton - nothing ever after

The debut EP from Luke Middleton, a rising Alternative singer-songwriter, tackles heavy themes such as depression and mental health, while still navigating towards the light. nothing ever after was produced by Nathan Darmody (Allstar Weekend), and rocks along with great pacing and memorable moments. This EP, in particular, draws from Middleton’s time as an infantryman in the US Army and tackles some pretty heavy topics ranging from the process of him readjusting to life post-service, the emotional trauma and mental health challenges that he’s faced and has been working to overcome. With a sound that ranges somewhere between the brooding rock of Stabbing Westward paired with the vocals of Post Malone, Luke Middleton’s future looks incredibly bright.

Read More “Luke Middleton – nothing ever after”

Review: Laura Jane Grace – Hole In My Head

Laura Jane Grace - Hole In My Head

Against Me! frontwoman Laura Jane Grace has never been afraid to push the envelope in her music and artistic growth. Hole In My Head gets its title from Grace taking it upon herself to tattoo the last remaining part of her body she had yet to ink up, and that was her head. The artwork showcases an explosion of colors and images from Grace’s scalp, and it’s fitting, since she paints with wide and vivid colors on her latest LP. The topics found on Hole In My Head range from her mental health, to the early days of her music career, all the way to coming to terms with her gender identity. Grace’s ability to tell vivid stories over an acoustic (or electric) guitar, and remain captivating, is a remarkable talent not to be taken lightly in a songwriter. It’s a gift that keeps on giving to her fans both old and new, and Hole In My Head ends up being Grace’s finest work since the instant classic of Transgender Dysphoria Blues.

Read More “Laura Jane Grace – Hole In My Head”

Review: Amigo The Devil – Yours Until The War Is Over

Amigo The Devil - Yours Until The War Is Over

The latest album by Danny Kiranos (aka Amigo The Devil) called Yours Until The War Is Over is a great exploration of what it means to live through the hardest of times. While Amigo The Devil is known for its “murderous folk rock,” given the violent nature of the lyrical material, what shouldn’t be lost in the message is the powerful songwriting being brought forth. This album tackles a tragic fight between good and evil and all of the casualties that can get in the way of the bloodshed of war. Kiranos is a top-notch storyteller, and each song plays out like a chapter in a book meant for a bigger purpose than itself. These tracks are sequenced together majestically, purposefully, and sound like a mix between the epic storytelling of Coheed & Cambria, paired with the obscure folk rock of Modest Mouse, and set on blend with the lyrical wit of The Decemberists. Amigo The Devil is showcasing his brilliance in more ways than one on Yours Until The War Is Over.

Read More “Amigo The Devil – Yours Until The War Is Over”

Review: Talker – “Easygoing”

The latest single from LA-based singer-songwriter, Talker, the project from the mind of Celeste Tauchar, called “Easygoing” is a brilliant mix of pop-guitar chords paired with intricate songwriting. The single was co-written with Jake Finch and Collin Pastore (boygenius, Lucy Dacus, illuminati hotties, Katie Pruitt), and showcases the continued improvements by this artist on a lofty ballad. Talker shared, “This is my personal favorite song I’ve ever written, and one of the scariest to release. I tried for so long to fit myself into the comfort zones of other people, to make dynamics work that maybe just weren’t for me. People pleasing and not asking for what I needed. I wish I could say this song was written from a place of ‘I don’t care what you think of me’ but in reality it came from a really insecure place, where I felt like because I actually, you know, have needs, I was destined to push people away and be too much.” It’s a stunning admission from this artist, and the single is only that much more powerful given the place that it came from.

Read More “Talker – “Easygoing””

Review: Middle Kids – Faith Crisis Pt. 1

It’s a funny feeling when your heart and mind are going in different directions. Middle Kids tackle this concept head on with grace and poise on Faith Crisis Pt. 1, that finds the Sydney-based indie rockers exploring the limits of their sound. While their vision came fully-formed on their sophomore LP, Today We’re The Greatest, Faith Crisis Pt. 1 is a small departure in the direction I would have liked for them to go. But hey, that’s music. Hannah Joy remains as captivating as she’s ever been, and checks all the boxes for what you’d want in an interesting lead vocalist. The band chemistry she shares with Tim Fitz and Harry Day pays off more often than not here. The album was produced by Jonathan Gilmore (The 1975, Beabadoobee) and he does an admirable job of honing in on the band’s strengths.

The album is largely inspired by Joy’s conflicts with her faith during the writing process of the band’s third studio album, and features a duo of interludes paired with a noteworthy song on each side of the record. The themes on Faith Crisis Pt. 1 range from euphoria, to self-doubt, all the way back to taking the listener on a journey through Joy’s headspace. Middle Kids are at their best when they trust their instincts and block out the rest of the outside noise in this world. This task is easier said than done, but their lyrical commentary remains top notch.

Read More “Middle Kids – Faith Crisis Pt. 1”

Review: Yellowcard / Hammock – A Hopeful Sign

Remix albums can be a bit of a mixed bag. They exist sometimes to fulfill a contractual agreement between an artist and a label, to give new takes or perspectives on songs, or in the best case scenarios, to re-imagine songs in a way that makes it feel like you’re hearing the tracks for the first time all over again. Yellowcard have paired up with the ambient music duo of Marc Byrd and Andrew Thompson, better known as Hammock, to re-imagine some of their classic hits, as well as some noteworthy deep cuts, for a compilation affectionately titled A Hopeful Sign. Given the fact that Yellowcard’s latest EP, Childhood Eyes, featured several key collaborations, it makes perfect sense for them to continue down this path in their musical journey. Ryan Key shared, “Yellowcard is in a new place where we are collaborating with other artists more than ever before. I have found Hammock in my top three most played artists every year for nearly a decade now. Hammock are one of the defining and most pioneering artists in the post rock and ambient space. We have taken so much inspiration from their work over the years so first becoming friends, and then unexpectedly getting to work together on new music were dreams come true.” By taking a brave step forward in their partnership with Hammock, Yellowcard remain “top of mind” in these re-imagined tracks that breathe a new and fruitful life into some of their most beloved songs.

Read More “Yellowcard / Hammock – A Hopeful Sign”

Review: MORGXN – “BEACON”

Leading up to the release of his latest offering of music, called BEACON, MORGXN felt a burst of creativity. With over 100 songs written, this talented pop artist began pairing them down, to the ten most powerful and meaningful songs found here, with the help of producer Marshall Altman. MORGXN explained, “This album is a journey, and a reminder that we’re always on that journey. Where I’m at might be the end, but it’s actually the beginning.” This Nashville-based artist has transcended genre lines and has toured with noteworthy bands like X Ambassadors, Skylar Grey, and Smallpools, all of which he’s learned something along the way that he can put back into his own music. BEACON is a remarkable achievement of creativity that showcases MORGXN’s dedication to his craft.

Read More “MORGXN – “BEACON””

Review: Incubus – A Crow Left Of The Murder…

I can vividly remember my excitement for the fifth studio album by Incubus called A Crow Left of the Murder… since the band was on a legendary run of successful records. The started to break through in the nu-metal scene with S.C.I.E.N.C.E., established themselves as Alt Rock heavyweights on Make Yourself, and showcased their experimental side on Morning View. Even after the departure of longtime bassist Dirk Lance, in favor of Ben Kenney (The Roots), it seemed like nothing could derail the trajectory of one of my favorite bands of all time. A Crow Left of the Murder… found Incubus working with veteran producer Brendan O’Brien, whose credits include some of the biggest rock bands of all time, and their trust in his style paid off on this record that still sounds as refreshing and exciting as I remember from 20 years ago listening to it in full for the first time.

While some critics thought that Incubus were getting ultra-experimental, for the sake of being adventurous, after the success of their earlier albums, guitarist Mike Einziger clarified in a 2004 interview that, “we’ve never felt we didn’t have that freedom. We’ve always done what we wanted. It’s kind of self-serving, but that’s how we do it. We try not to pay attention to anything but each other.” By putting that trust back into their musical product, Incubus delivered the goods on what I consider to be some of the best work to date.

Read More “Incubus – A Crow Left Of The Murder…”

Review: Charlotte Sands – Can We Start Over?

It’s a little hard to believe that Can We Start Over? is the debut album by Charlotte Sands. Why? For a myriad of reasons. Charlotte Sands has been on the tip of the tongue for several marquee artists like The Maine, Taking Back Sunday, and Sleeping With Sirens for lending her vocals in guest spots on their singles. Additionally, Sands has been self-releasing music since 2018, and with her electric charged debut finally arriving this year, this blue-haired warrior shows little signs of slowing down anytime soon. Coming off of the success of her last EP, called Good Now, Sands is poised for sustainable success by adding ten bulletproof songs on Can We Start Over? to her repertoire.

Sands shared, “The inspiration behind the title can we start over? came while writing a song for the album about the idea of restarting a relationship, and the idea of beginning again or reintroducing yourself to someone. I’ve changed so much over the last few years personally and in my career and I love the concept of starting over as who I am now with the information and knowledge I’ve gained. It’s not about forgetting the past or regretting our choices but more so letting go of the previous version of ourselves and meeting each other where we are at this moment in the phases that we’re currently in. I think this album for me represents exactly that, standing firmly where I am as the person I am today.” By putting her strongest and best foot forward, Charlotte Sands is taking full advantage of her moment.

Read More “Charlotte Sands – Can We Start Over?”

Review: Green Day – Saviors

Green Day - Saviors

The 14th studio album by pop-punk legends, Green Day, called Saviors, lives up to its title as it very well may have saved the band from going down the unfortunate path that has haunted so many other legendary bands in their careers. While some bands have had trouble living up to the legacy of their past work, Green Day were getting dangerously close to this label after a bit of floundering after American Idiot. Sure, there were a few nuggets of gold to be found every now and then, but looking at the large body of work after American Idiot was a bit of a mixed bag. You had the strong 21st Century Breakdown record, followed by the hit or miss trilogy of ¡Uno! ¡Dos! ¡Tré!, then 2016’s decent Revolution Radio, only to be succeeded by arguably the weakest LP in Green Day’s discography, 2020’s Father of All Motherfuckers.

Read More “Green Day – Saviors”

Interview: Sean Scanlon of Smallpools

Smallpools

Recently I was able to schedule a Zoom call with Sean Scanlon, the lead vocalist/keyboardist of Alt Rock band, Smallpools, to discuss everything that went into their great new single called “Night Shift.” In this interview, I asked Sean about how the band typically does most of their writing, his favorite songs in Smallpools’ discography, as well as the upcoming touring plans. Smallpools will be touring the U.S. with Grayscale starting this April and tickets are currently on sale.

Read More “Sean Scanlon of Smallpools”

Review: Definitely Maybe – “Are We Having Fun Yet?”

The latest single from Chicago pop-punk band, Definitely Maybe, called “Are We Having Fun Yet?” embraces the chaos of chasing your dreams head on. The band found moderate success with their last single, “One More Night,” and Definitely Maybe continue the momentum gained on this electric track. Singer/lyricist Courtney Clinkert remains as captivating as she’s ever been on this single that sounds reminiscent of the sound that Charlotte Sands and Yours Truly have gone for recently, with equally pleasing results here. The band shared, “’Are We Having Fun Yet?’ is a relentless exploration of the toll ambition takes on the soul. Delving into the highs and lows of chasing dreams, it offers an unfiltered look at the exhaustion and self-discovery that comes with the journey.

Read More “Definitely Maybe – “Are We Having Fun Yet?””

Review: Cassie Dasilva – “Part of the Club”

It’s always nice to hear new voices in the music scene. Whether it’s a new band taking the world by storm, or in the case of Cassie Dasilva, an indie-pop artist that has a sugary sweet delivery to make you take notice. “Part of the Club” is a great introduction to the sound and world that Dasilva is creating with her music. As she puts it, “‘part of the club’ is my anti-love love song. I’ve always had an aversion to conventional relationships – specifically marriage – but this song is about finding the person who makes you stop and think, ‘I can see why people might do all this.’” By taking a long hard look at why relationships can be so complex, Cassie Dasilva makes a memorable step in the right direction with her latest single.

Read More “Cassie Dasilva – “Part of the Club””

Interview: 2:00 AM Wake Up Call

2am Wake Up call

Recently I was able to schedule an interview with 2:00 AM Wake Up Call, the solo project from Micah Leith, to discuss the band’s latest single called ”No Nostalgia.” In this interview, I asked Micah about what went into the process for creating the visualizer video for the new track, how Micah does most of the songwriting for this project, and the opening of 2:00 AM Wake Up Call’s new merch store. If you’re enjoying the new single, please consider supporting this artist here.

Read More “2:00 AM Wake Up Call”