Review: Boys Like Girls – Sunday At Foxwoods

The momentum that Boys Like Girls had going into their fourth studio album, Sunday At Foxwoods, was probably a bit more positive than the band could’ve expected. Having not released any music as a band since 2012, Boys Like Girls could’ve gone in a number of ways, creatively. The Night Game was keeping lead vocalist Martin Johnson busy with a project after Boys Like Girls went on a hiatus, and this 2023 version of the band feels like a marrying of styles and sounds between everything the band members have done (both as solo artists, and as a creative unit). Sunday At Foxwoods is a thrilling return to form for a band that found some early success with their self-titled debut, peaked commercially with Love Drunk (that had a key song feature with a young artist known as Taylor Swift), and they experienced some creative growing pains on Crazy World. The vinyl reissues of Boys Like Girls and Love Drunk seemed to reinvigorate fan interest in the band’s fourth studio album, known as Sunday At Foxwoods, that is kicking off the next phase of this talented pop-rock band.

After a brief, atmospheric introductory song on the title track, Boys Like Girls rock with veteran poise on “The Outside.” It features a stomping, anthemic chorus of, “It’s okay, it’s alright / Baby welcome to life on the outside / Sleep all day, ride all night / Yeah we’re living it up on the outside,” that reminds longtime fans of the band of the magic that happens when these four musicians get together to create music. While longtime lead guitarist Paul DiGiovanni is no longer a part of the band, Jamel Hawke does the band justice by taking over the reins on guitar.

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Martin Johnson Talks About New Music Project

Martin Johnson spoke with Billboard about his new project The Night Game and the future of Boys Like Girls:

“I was trying to find love for music by making it for other people, and it wasn’t working for me,” he says. “You get older and it becomes about maintenance, maintaining what you’ve made in your life. I had to start almost completely from scratch and write a couple of very left-of-center, sad songs to help me discover what I wanted to say.”

And from New York City Monthly:

I don’t think you need to close one door to start to open another necessarily. It’s not like I’m in two marriages. I’m creating some music, putting it out there, seeing if people like it, playing some tunes. I’m trying to express myself in that way, and it’s like I still have a group of best friends that I played music with for a really long time. The past is fun, though.