Review: Counting Crows – Recovering the Satellites

Few trends scream “nineties” more loudly than the “rebellion against fame” album. Nirvana made In Utero. Pearl Jam made Vitalogy. R.E.M. made Monster. Nowadays, it’s hard to imagine a rock band ever becoming famous enough in the mainstream to then justify the creation of a “rebellion against fame” album. For awhile there, though, making this type of album—usually a louder, more abrasive follow-up to a cleaner, more tasteful, massively successful predecessor—was a rock ‘n’ roll rite of passage. Few bands ever steered into the skid quite as much as Counting Crows did on Recovering the Satellites.

It’s difficult, from the vantage point of 2021’s pop music status quo, to describe how absolutely massive Counting Crows were in the mid-90s. The band’s debut, 1993’s August & Everything After, is certified seven-times platinum in the United States and has sold well north of 10 million copies worldwide. The flagship single, “Mr. Jones,” made it to number 2 on the Billboard Mainstream Top 40 chart. Ironically, “Mr. Jones” was a song about wanting to be famous; to be “big, big stars.” “When I look at the television I wanna see me/Staring right back at me,” frontman Adam Duritz sang in the song.

Be careful what you wish for, Adam.

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Review: Counting Crows – Saturday Nights & Sunday Mornings

Counting Crows - Saturday Nights & Sunday Mornings

Going platinum eleven times in less than fifteen years is an admirable feat for any recording artist, but Counting Crows have made it look cool. Dreadlocked lead singer Adam Duritz became sort of a poet of a generation, appealing to both young and old with his heartfelt lyrics and soothing vocals. The band’s newest creation, is the split-level Saturday Nights & Sunday Mornings. The so-called “Saturday Nights” section is a seedy romp through debauchery and confusion, posing more questions than answers as frontman Adam Duritz puts himself all the way out on a limb for listeners. The “Sunday Mornings” portion experiences a bit of twisted nostalgia, as the singer replays and then comes to terms with his faults.

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