Deafheaven have announced they’ll be releasing a 10th anniversary live album:
As part of our 10 year tour, we planned to record sets in Chicago toward a live album for fans while we work on new music. However, the last 24 hours since the tour cancelation have been a whirlwind while we rearrange our year and take these losses. Touring is our sole livelihood, but we have to move forward through the unexpected. We’ve made some phone calls, gotten some exciting people on board and are going to give fans a glimpse of what we originally had in mind for the year while we work to reschedule tour dates. We will be live recording a set of material from all our albums and releasing it digitally. In addition, we have started a pre-order for a special Double LP release on vinyl of this material slated for later this year, along with merchandise that was to be sold on the tour. We don’t even have an album cover yet. There’s no press release. All I know is we’re moving this into immediate action and turning this massive set-back around. We don’t ask for handouts, but are hoping this special session can help generate some good energy while we all wait for the rescheduling.
Heavy rock may not be what most attendees think of when they create their line-ups at Bonnaroo, but Deafheaven is definitely not a band to miss. These rockers talk about the evolution of the music scene and much more in this interview at Bonnaroo.
After a storm comes the calm. Yes, the violent winds and heavy rains of a ghastly disaster will disrupt the life surrounding it, but the calm always follows and prevails. Deafheaven’s fourth full-length album, Ordinary Corrupt Human Love, is that reprieve following the pulverizing storm of 2015’s New Bermuda. Unforgiving in its scope, New Bermuda was a devastating album that encapsulated all of the darkness surrounding the band after breaking through with 2013’s Sunbather. Ordinary Corrupt Human Love sets out to find the humanity within that devastation. So then maybe it’s not incredibly surprising that OCHL opener “You Without End” begins not only with striking grand piano flourishes but also with actress Nadia Kury sober reading of a short story about Oakland. In fact, George Clarke’s simmering vocals don’t enter until three minutes in, taking a backseat to Kerry McCoy’s arena-ready Queen-sized soaring guitar riffs. It’s a proper reintroduction to Deafheaven in 2018, a band that’s wiser, kinder, and more grateful than ever.