Vocalist Aaron Weiss unpacks the apocalyptic imagery inside mewithoutYou’s newest release Pale Horses, why he likes to explore each album from a different perspective, and how that left him at his most unguarded while trying to reconcile his love/hate relationship with religion.
Jon Foreman discusses his new solo undertaking The Wonderlands, the challenges of writing a song for each hour of the day and working with 24 different producers, why embracing the chaos in life is important, and what’s next on the horizon for Switchfoot.
Guitarist Eli Maiman discusses how Walk the Moon’s sophomore album, Talking Is Hard, differs from the band’s debut, what attracts them to the ‘80s, and why they pride themselves on their live show.
Last week, I got a chance to chat extensively with a personal hero of mine, Butch Walker. We talked about Butch’s new album, Afraid of Ghosts, including how the recent loss of his father inspired a new direction for his music, why he decided to have Ryan Adams produce the disc, and why his trademark sarcasm and upbeat songwriting is nowhere to be found. We also touched upon Walker’s back catalog, the woeful reasons why no one should be expecting to find Letters on vinyl anytime soon, whether or not The Black Widows will be making music again in the future, and why Butch’s protege Jake Sinclair took over most of the production duties on the new Fall Out Boy LP.
On December 2nd, 2014, I had the chance to sit down and talk with Aaron Marsh of Copeland about their new album Ixora, the band’s future, and what it was like to get back together.
I love most genres of music, but I have a special place in my heart for hardcore music – Terror, Hatebreed, etc. You know who else loves hardcore music? Chad Gilbert from New Found Glory. I thought it would be cool to sit down and talk about one of his favorite hardcore bands, Madball. So we went to Starbucks in Portland, OR and talked about exactly that – Madball, and memories he’s had with them. If you’ve never listened/heard of Madball before, definitely give this a read and check them out.
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Frontman Nathan Willett talks about getting loose and chaotic again on Cold War Kids latest record Hold My Home, not overthinking during the writing process, what’s he’s learned from side project French Style Furs, and how a high work ethic has kept the band going strong for 10 years.
Andrew Hozier-Byrne talks about his No. 2 charting debut album, performing on Saturday Night Live, his Irish background, and reflecting on the human experience as honestly as possible.
Lead singer Jordan Pundik discusses New Found Glory’s transition to becoming a four-piece, the cathartic nature of latest album Resurrection, and what still excites him about making music after 17 years.
Andrew McMahon explains why his new Wilderness project is the most focused thing he’s done in years, touches on the themes of storytelling and fatherhood, and unpacks his lifelong obsessions with dreams and the sky.
My relationship with Yellowcard begins over a decade ago and the musical connection and ensuing friendship now runs deeper and longer than many of my “in real life” relationships. On October 7th, 2014 the band will be releasing their most ambitious album to date, Lift a Sail. I had the chance to sit down and talk with lead singer Ryan Key about everything that went into crafting this album, the stories and inspiration behind the musical direction, and so much more.
Frontman Mike Kerr talks about the natural origins of Royal Blood, how not having a guitarist is similar to making a pizza, and what the band’s first time in the studio was like recording their debut.
Jean-Philip Grobler chats about his lifelong musical journey, from a boys choir in South Africa to commercial writing in New York City to then starting St. Lucia, as well as the tension of his ‘80s influences and what his version of perfection sounds like.
Kimbra discusses the unusual influences behind her second record The Golden Echo, why songwriting is like making a tapestry, and the importance of balancing the technical with the creative.
Guitarist Randy Strohmeyer talks about reuniting for Finch’s first album in over nine years, why he doesn’t like What It Is to Burn being referred to as nostalgic, and how the band always tries to keep things mysterious and tongue in cheek.