Sum 41

Sum 41

Sum 41 Talk With Kerrang

Sum 41 talked with Kerrang about their new album:

Lyrically, this is a weird record for me. I never know in advance what I’m going to write about – it’s a case of getting those first couple of lines out, and then I get the gist of where I’m going with it. I have a very stream-of-consciousness way of doing things. With this album, though, I didn’t want to go down the path that my subconscious was leading me, and I tried to fight it. I was reluctant to make a sociopolitical album, but it’s really hard to ignore everything that’s going on in the world – you can’t not have an opinion on things. I was trying to stop myself from writing anything that sounded politically ‘of the times’, but every time I tried to change the lyrics it all stopped making sense.

Interview: William Beckett and Frank Zummo (Video Interview)

I had the opportunity to interview a few people at Emo Nite Baltimore last Saturday.

First up is Frank Zummo, drummer of the legendary band Sum 41, and he talks about inspiring young people through the “Drum Tour,” meshing genres in his set at Emo Nite, and new music from Sum 41.

I also spoke with William Beckett, formerly of The Academy Is…, and he talks about his band’s legacy in emo, making new music, and crushing on The Cure.

Sum 41 Talk “Still Waiting” Video 15 Years Later

Deryck Whibley of Sum 41 talked with MTV about the making of their video for “Still Waiting” and poking fun at The Strokes:

“Everyone else had kinda disappeared, and it’s now like 9 in the morning, so it’s one of those kinda parties,” Whibley said. “Julian and I [were] in the lobby drinking, and I just told him, ‘We got this idea for this video. What do you think? Do we have your blessing or do you hate it?’ And he was dying laughing. He goes, ‘Please do it! You have to do it.’ So we said, alright, cool, we have his blessing.”

“The way we looked at it was how quickly genres can come and go, and you can be the It band of a genre, and all of a sudden, a year later, it’s a whole new thing,” Whibley said. “That’s why the intro was so important to us because it set up that we’re making fun of ourselves. We’re irrelevant now because of all these new bands that are the new cool thing.”