Stephen Egerton on the Descendents’ Enduring Legacy

Descendents

Stephen Egerton of the Descendents talked with the local Tulsa paper:

Somewhere in the mid-90s, All — which is the same band as the Descendents but with a different singer — were playing a little festival in Phoenix, as I recall, and these two young guys come running up to me and they’re just really hyper. They said, “Wow, you guys are our favorite band. We started a band just because of you guys.” I thought they were really funny guys. I watched their set, and they were very charismatic. So, I hit it off with Tom (DeLonge) and Mark (Hoppus) immediately.

StubHub Hit With Class Action Lawsuit

Legal

Ashley King, writing for Digital Music News:

A shareholder class action lawsuit has been filed against StubHub following its post-IPO stock price plunge. The lawsuit alleges the company made materially false or misleading statements, failing to disclose “material adverse information” regarding its business and cash flow.

The complaint, filed in New York federal court on Monday, is one of at least three lawsuits stemming from StubHub’s lackluster quarterly earnings report. It was filed by investors who bought into StubHub’s $758 million initial public offering (IPO) in September. At least four other law firms have announced that they’ve opened their own investigations into StubHub’s numbers.

Slipknot Sells Music Catalog

Slipknot

Slipknot has sold the majority stake in their music catalog:

Neither Slipknot nor HarbourView disclosed financial details of the agreement regarding how much HarbourView paid or what their specific stake in the catalog is, though the company confirmed the partnership includes both publishing and recorded royalties. 

The deal had been rumored for months; Billboard reported on the deal in August, reporting at the time that the deal was worth approximately $120 million.

Survey Says Users Want AI-Music Disclosure

AI

Reuters:

The study found that 73% of respondents supported disclosure when AI-generated tracks are recommended, 45% sought filtering options, and 40% said they would skip AI-generated songs entirely. Around 71% expressed surprise at their inability to distinguish between human-made and synthetic tracks. Deezer, which has 9.7 million subscribers, has seen daily AI music submissions rise to more than 50,000 — about a third of total uploads, up sharply from 18% in April. 

AI-Generated Country Artists Climbing Charts

AI

Digital Music News:

This week, Breaking Rust landed the top spot on Billboard’s Country Digital Song Sales chart for the second week in a row with the song “Walk My Walk.” But Breaking Rust is not a real person or a real band. It’s an AI project credited to songwriter Aubierre Rivaldo Taylor, but the mysterious “artist” has over 2 million monthly listeners on Spotify.

Another AI-generated country singer, Cain Walker, also dominated the Country Digital Song Sales chart this week with tracks in the third, ninth, and eleventh spots. Billboard distinguishes both Walker and Breaking Rust’s music as “virtual acts,” which offers some degree of transparency that the artists and/or the art is AI generated.

We really don’t have to do this.

New York Times Profiles Setlist.fm

The New York Times

Marc Hogan, writing for the New York Times:

Setlist.fm can seem at once ubiquitous and inconspicuous. Few reports about its origins are readily available online. According to Live Nation Entertainment, Setlist.fm’s parent company, the site was founded in 2008 by Molindo, a media agency based in Austria that also developed Songtexte, a German-language site that compiles song lyrics. “They’re giant music fans and big data nerds,” said Joe Fleischer, the publisher of Setlist.fm and head of a Live Nation studio that produces marketing content for major brands.

Live Nation acquired Setlist.fm in 2010, although the entertainment giant did not announce the deal until two years later. Fleischer, a former music journalist, joined in 2011, when Live Nation bought BigChampagne, a music data company he helped found.

The entire point of the site, he said, is being useful: “That’s all it’s ever been, is about increasing utility, increasing our usefulness for fans.”

AI Artist Getting Spins on US Radio Stations

AI

Ashley King, writing for Digital Music News:

If you thought only streaming platforms were feeling the onslaught of artificial intelligence-created (AI) artists and generated music, think again. Even radio stations aren’t safe from the budding industry of AI-generated content. According to Billboard, an AI singer called Xania Monet has become the first known AI artist to earn enough radio airplay to debut on a Billboard radio chart.

You know, we don’t have to do this…

Fall Out Boy Talk FUTCT With Rolling Stone

Fall Out Boy

Fall Out Boy talked with Rolling Stone about the anniversary of From Under the Cork Tree:

One of the things that has always been important to me, and speaks to the longevity of this record, is that we never really stopped playing any of those songs. I never wanted to. There are records that tanked, and it was really hard to play those songs because it hurt to think about ‘em. But in general, I never like to pretend a record didn’t happen. I never like to play a show without touching a record. Ever since Cork Tree came out, our sets have a substantial amount of the album. I have more respect for the album now than I did when I was a kid. Now, when I play those songs, I care about ’em a lot more than I did in 2007 because I understand what it means to people. It creates this responsibility.

Spotify Won’t Stop ICE Recruitment Ads

Consequence:

“This advertisement is part of a broad campaign the US government is running across television, streaming, and online channels,” Spotify said in a statement. “The content does not violate our advertising policies. However, users can mark any ad with a thumbs up or thumbs down to help manage their ads preferences.”

Spotify users began noticing ICE recruitment ads earlier this week offering $50,000 signing bonuses, prompting a wave of boycott calls across social media. “I get an ad and it starts with, ‘millions of dangerous illegals are rampaging the streets. Join ICE today,’” user miss.mia777 posted on TikTok. “I don’t pick up my phone while driving. I picked up my phone with a quickness and deleted the app.” On reddit, boycott threads have quickly climbed to the top of r/music.

Blog: Don’t Worship the Grind

Linked List

Joan Westenberg:

Worshipping the grind is a side effect of status anxiety. If you don’t have credentials, or a network, or a novel idea, then you need to show you’re serious. And what better way than by staying in the office when everyone else goes home and tweeting about it? It’s peacocking: look how hard I’m trying. But effort is not value. Hours are not outcomes. Work is not the same as progress.

If your only edge is effort, you’re replaceable. There is always someone who can work longer. Someone younger, hungrier, more desperate. There is no long-term moat in exhaustion. And if you do somehow win that way, you might not like the prize. You’ll have built a system that only functions when you’re suffering.

This whole piece is great but these two paragraphs? Chef kiss.

Ireland Makes Basic Income for Artists Program Permanent

Money

Ashley King, writing for Digital Music News:

After launching a trial in 2022, Ireland is due to make its basic income for artists program permanent starting in 2026. Under the program, selected artists receive a weekly payment of approximately $350, for around $1,500 per month. Applications are due to open in September 2026, with 2,000 spots available. Eligibility criteria has yet to be announced, but the Irish government expressed that it may expand the program to additional applicants in the future, if funding permits.

Yellowcard Talk With LA Times

Yellowcard

Yellowcard talked with the LA Times about their new album:

Key says he was initially intimidated singing in front of Barker in the studio and had a few moments where negative, self-conscious thoughts were getting the better of him in the vocal booth during recording. Instead of getting annoyed, he says Barker helped ease his anxiety with a few simple words.

“Travis came into the booth, closed the door, put his hand on my shoulder, and he said, ‘You’re gonna do this as many times as you need to do it. I’m gonna be here the whole time.’” Barker was truly speaking from experience. He told Key at the time that he’d just recorded 87 rough takes of his parts on “Lonely Road,” his hit song with Jelly Roll and MGK. “That was a real crossroads for me,” Key said.

Andrew McMahon Developing TV Series

Andrew McMahon

Paris Hilton and Andrew McMahon are teaming up for the romantic comedy series Aught to Be.

Amazon is currently developing the romantic comedy series “Aught to Be,” Variety has learned exclusively. 

The half-hour series hails from the Tornante Company, with Paris Hilton attached to executive produce under her 11:11 Media banner. Andrew McMahon, the front man of bands like Jack’s Mannequin and Something Corporate, will also executive produce, as the show is inspired by his hit song “Konstantine.”

RIAA Singles Out Discord and Telegram

Legal

The RIAA has singled out Discord and Telegram as “notorious markets” for pre-release piracy:

“Messaging platforms Telegram and Discord have become the primary mechanisms through which pre-release music is distributed without authorization,” wrote the RIAA. “Through private and semi-private communities, organized, global groups engage in hacking, social engineering, and other methods to obtain pre-release music and, in many cases, sell this illegally obtained material for thousands of dollars.”

Blog: Thank You For Being Annoying

Adam Mastroianni:

I think annoyance, like cholesterol, has a good kind and a bad kind. The bad kind makes you want to flee: backed-up traffic, crying babies on planes, colleagues who say they can use Excel when really they mean they’ve heard of Excel. But the good kind of annoyance draws you in rather than driving you away. It’s that feeling you get when there’s something you can and must make right, the way some people feel when they see a picture frame that’s just a bit askew, except a lot more and all the time. 

Whenever I fix the thing that’s annoying me, it does feel “fun”, I guess, but it’s not fun in the way that, say, going down a waterslide is fun. It’s a textured pleasure, the kind of enjoyment I assume that whiskey enthusiasts get from drinking extremely peaty, smoky scotch—on the one hand, it burns, but on the other hand, I kinda like how it burns.

Good annoyance is, I think, the only thing that keeps people coming back for more, indefinitely. There is nothing that a human with a normally-functioning brain can do for eight hours a day, every day, for their whole career, that feels “fun” the whole time, or even a large fraction of the time. We’re just too good at adapting to things. And thank God, because if we never got bored, we never would have survived. Our ancestors would have spent their days staring doe-eyed and slack-jawed at, like, a really pretty leaf or something, and they would have gotten eaten by leopards. Fun fades, but irritation is infinite.

I feel the urge to quote this whole thing.