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Trump Fires Top US Copyright Official

Jason Tate

Ashley King, writing at Digital Music News:

“Donald Trump’s termination of Register of Copyrights, Shira Perlmutter, is a brazen, unprecedented power grab with no legal basis,” said Morelle. “It is surely no coincidence he acted less than a day after she refused to rubber-stamp Elon Musk’s efforts to mine troves of copyrighted works to train AI models.”

Morelle also linked to a pre-publication draft of a US Copyright Office report released last week—the third part in a longer report—that focuses on copyright and artificial intelligence. The report outlines that, while each case’s outcome cannot be pre-judged, there are limitations on the amount that AI companies can count on “fair use” as a defense when training their large language models (LLMs) on copyrighted work.

Blog: ‘Anxiety Is an Expensive Habit’

Linked List
Jason Tate

Ryan Holiday:

Anxiety, I’ve come to realize, is a very expensive habit. It has cost me so much. A lot of misery, a lot of frustration, countless hours of sleep. It’s caused me to miss out on a lot of things that are important to me. How many family dinners have I ruined by letting my mind wander to what could go wrong? How many minutes of vacations have I missed out on because I was preoccupied, lost in spirals about things that hadn’t happened? How many opportunities have I passed up because I was too caught up in my own fears? How many nights did I waste lying awake at night, worrying about what might or might not happen?

Underoath Talk With Revolver

Underoath
Jason Tate

Underoath sat down for a lengthy chat with Revolver:

“Every record we’ve ever done, people find a way to hate it,” he continues. “When an artist makes something that I don’t understand right off the rip, especially if it’s an artist that I love, I want to listen to it and understand why. Not until all five of us are stoked does a song make it out of the studio. That’s how it is every time we make music … Whatever you [eventually] hear in your speakers is exactly what excites Underoath at this moment.”

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The All-American Rejects Discuss Future

All American Rejects
Jason Tate

The All-American Rejects talked with Variety:

The Rejects decided to leave Interscope on their own terms. “We weren’t dropped,” notes Ritter. “We negotiated our way out of that building because it didn’t feel like it was a home for us anymore. They had Imagine Dragons records.” The band continued to tour relentlessly, and the burnout set in. “We did a couple of tours in that break and they just didn’t feel right at all,” says Gaylor. “By the end of them, we were like, I don’t want to do this. Packing on the bus to go home like…” He widens his eyes as if stunned, staring into the abyss.

Turnstile Talk With NYT

Turnstile
Jason Tate

Turnstile sat down with The New York Times to talk about their upcoming album:

“There is something exciting about being able to make music in a way where there’s no formula, there’s no expectation,” Yates, 35, said. The band’s 2021 album, “Glow On,” propelled it from the upper echelons of the underground into a dramatically larger landscape that included TV commercials, Grammy nominations and a spot opening for Blink-182’s arena tour. With a new album, “Never Enough,” due June 6, Turnstile is pushing its sound further, and the stages are set to get even bigger, leading to an inevitable question: Can the group retain its magic (and its mission) as it grows?

Vinyl, Me Please In Trouble

Jason Tate

The Denver Post:

“It seems VMP has stopped shipping records entirely and they’re still charging for memberships that promise new releases,” he continued, echoing more than 100 complaints reviewed by The Denver Post across Reddit, social media, YouTube, and VMP’s Discord server. “There has been zero communication and no response from customer support for over a month now.”

Spotify Stock Drops on Latest Earnings Report

Jason Tate

Bloomberg:

Spotify Technology SA shares tumbled on Tuesday after the streaming company gave a muted outlook for profit and subscriber growth in the current quarter. 

The Stockholm-based company forecast gross profit margins of 31.5% in the second quarter, missing analysts’ average estimate for 31.6% according to data compiled by Bloomberg. Spotify sees monthly active users rising to 689 million, less than the 694.4 million analysts expected.

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The All-American Rejects Talk New Single

All American Rejects
Jason Tate

Tyson of The All-American Rejects talked a little with Stereogum about their new single:

To be able to walk away from it for a second was — a lot of people are afraid to do it. I mean, I was afraid to do it, but I was so burnt out. There’s a big difference between a crafter and an artist. People that craft put in their 10,000 hours and they excel at their work. I felt like we were turning it into a craft as opposed to an artistry. I know that might sound silly coming from a guy who wrote “Dirty Little Secret,” but I was 22 when I wrote that. I think now being on the other side of 30, I have a perspective that I didn’t have when I was younger. Having this ability to inherently be able to craft a song is something that a lot of people lean on and just keep pumping out and serving the beast and shaking the purse strings for a commerce as an end result.

Warner Music Group Files Lawsuit Against Crumbl Cookies

Legal
Jason Tate

Warner Music Group is suing Crumbl Cookies:

“Defendants have misappropriated at least 159 of the most popular and valuable sound recordings and musical compositions in the market, using those creative works to build [Crumbl’s] brand profile and drive massive sales to Defendants without any compensation to [WMG],” the lawsuit reads.

“The audio track generally runs the full length of the Crumbl Videos and includes the most familiar portion of the sound recording and underlying musical composition, such as the hook or chorus,” WMG claims. The music giant cites examples such as Lil Mosey’s “Blueberry Faygo” played over a video promoting blueberry cheesecake cookies, another promoting yellow sugar cookies to Coldplay’s “Yellow,” and a third promoting Kentucky butter cake to BTS’ “Butter.”

Blog: “Why I Left the Attention Economy”

Linked List
Jason Tate

Joan Westenberg:

At some point, every creator hits a wall – it’s not burnout exactly. It’s misalignment. You find yourself fluent in a language you no longer believe in, you know how to hack the algorithm, when to post, what to say, how to craft the dopamine-hooked headline. You’ve learned to manufacture the kind of work that gets rewarded, but somewhere in the process you forget why you started making it at all.

The economy of attention doesn’t ask what you think; it asks how fast you can say it, how loud, and how often. And if you play long enough, you stop making anything for the people you care about and you start making it for the feed. The result is a race to the bottom with a leaderboard, a machine that needs to be fed even if it’s chewing up your integrity.

Preach.

The other byproduct of having been in that “game,” is you start seeing it everywhere. Numbers will go up, numbers will go down. Authenticity is the only thing that will last.

AI Generated Music Is Hard for Humans to Detect

AI
Jason Tate

Deezer reports that around 18% of new tracks uploaded to their platform are AI generated:

“AI generated content continues to flood streaming platforms like Deezer, and we see no sign of it slowing down,” said Aurelien Herault, Chief Innovation Officer, Deezer. “Generative AI has the potential to positively impact music creation and consumption, but we need to approach the development with responsibility and care in order to safeguard the rights and revenues of artists and songwriters, while maintaining transparency for the fans. Thanks to our cutting-edge tool we are already removing fully AI generated content from the algorithmic recommendations.”

Meanwhile, a new study says humans aren’t great at detecting AI generated music:

“The average score was 46%,” O’Donnell reveals. “And for a few genres, especially instrumental ones, listeners were wrong more often than not.” O’Donnell says when he watched people take the test, he noticed that qualities they confidently flagged as AI compositions—fake-sounding instruments, weird lyrics—were not always right.

“Predictably, people did worse in genres they were less familiar with; some did okay on country or soul, but many stood no chance against jazz, classical piano, or pop. Beaty, the creativity researcher scored 66%, while Brandt, the composer, scored 50%.” With just a few text prompts, O’Donnell created music that humans couldn’t pick out of a line-up as AI generated. “A few could have been easily played at a party without raising objections, and I found two I genuinely loved, even as a lifelong musicians and generally picky music person,” he shares.

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Spotify Back Up After Outage

Jason Tate

Spotify is back online after a widespread outage.

The outage seemed to have begun around 6:20 AM ET, with outage reports appearing to peak after 9:30 AM ET, with around 48,000 people reporting issues. Spotify said it was “back up and functioning normally” by 11:45 AM ET. In the early afternoon, around 1,500 outage reports remained. Users across the US and parts of Europe appear to have been affected.

While Spotify did not specify what might have caused the outage, the company was quick to stamp out rumors that a security hack was to blame. The Stockholm-based streamer says reports of that nature are “completely inaccurate.”

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