An Update from Bandcamp

Bandcamp

Bandcamp founder, Ethan Diamond, has posted an update on the status of the music service:

Bandcamp grew by 35% last year. Fans pay artists $4.3 million dollars every month using the site, and they buy about 25,000 records a day, which works out to about one every 4 seconds (you can see a real-time feed of those purchases on our desktop home page). Nearly 6 million fans have bought music through Bandcamp (half of whom are younger than 30), and hundreds of thousands of artists have sold music on Bandcamp. Digital album sales on Bandcamp grew 14% in 2015 while dropping 3% industry-wide, track sales grew 11% while dropping 13% industry-wide, vinyl was up 40%, cassettes 49%… even CD sales grew 10% (down 11% industry-wide). Most importantly of all, Bandcamp has been profitable (in the now-quaint revenues-exceed-expenses sense) since 2012.

An area I’d like to see Bandcamp expand into: podcasts.

In a Room With Radiohead

Radiohead

Adam Thorpe, writing for Times Literary Supplement, after visiting Radiohead while they recorded their recent album:

This is all layers as well, a millefeuille of epochs and moments, and seems perfectly attuned to Radiohead’s methods. We wander out into the grounds: tree-surrounded lawns, large swimming pool, further courtyards and barns, decayed cottages and a softly roaring mill-race. In one of the larger granges, numerous canvases display abstract explosions of colour. The barn’s speakers are wired up to the recording studios: the band’s resident artist Stanley Donwood reacts in acrylic to what he hears, the results to be modified and manipulated on computer for the LP’s cover.

Donkey King Score Achieved

Nintendo

Wes Copeland has broken the all-time record high score for Donkey Kong.

It’s how he took the title, though that’s so staggering. Copeland did not lose a single Mario in the game. He took his first life all the way from the first level all the way to the end, cashing in the extra lives to obliterate all comers.

“This will be my last record score,” Copeland wrote on Facebook. “I don’t believe I can put up a game any higher than this.” Copeland had set 1.2 million as his ultimate goal in Donkey Kong, and said he’d retire from competition if he could reach that.

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Kesha’s Billboard Music Awards Performance Blocked

Kesha

Joe Lynch, writing for Billboard, on how Dr. Luke’s record label, Kemosabe Records, is blocking Kesha from playing the Billboard Music Awards:

“Kesha accepted an invitation to perform on the show and she received written approval from Dr. Luke’s record label, Kemosabe Records,” dick clark productions said in a statement. “Kemosabe subsequently rescinded its approval following a media report on Wednesday May 11 regarding Kesha’s appearance on the BBMAs. Unfortunately, Kesha and Kemosabe have since been unable to come to an agreement for Kesha to perform on the show.”

Utterly ridiculous.

Update: The performance is now back on with the following statement from the label:

Kesha’s performance on the Billboard Music Awards was always approved, in good faith. Approval was only suspended when Kemosabe learned Kesha was to use the performance as a platform to discuss the litigation. Now that Kemosabe has obtained assurances, that it is relying upon, from Kesha, her representatives and Dick Clark Productions that neither Kesha nor her supporters will use the performance as such a platform, the approval has been restored.

I repeat: utterly ridiculous.

Remembering ’90s Swing Music

Stereogum

Tom Breihan, writing for Stereogum, with a remembrance of the late ’90s swing revival:

Looking back, it’s hard to figure out how all this shit happened, but there are some threads to pick at. After grunge began to pass out of favor, this stuff seemed like its polar opposite: sharp rather than slovenly, crisp and efficient rather than wild and intuitive, knowingly silly rather than deadly self-serious. Within the rapidly atomizing alt-rock universe, there was a hunger for something smooth and sophisticated. A few years before the grunge revival popped off, there was the deeper-underground but just as silly lounge revival, with Combustible Edison releasing music on Sub Pop and a ton of Esquivel reissues coming out. But if you’re looking to blame the swing revival on anyone, blame Hollywood.

Sinéad O’Connor Found Unharmed in Chicago

Sinead O'Connor

This morning there was a missing-person search for Sinéad O’Connor but thankfully local police tell The Hollywood Reporter that she was found, unharmed, in a Chicago suburb.

On Monday morning, a statement from the Wilmette Police Department said officers are “seeking to check the well-being of Sinead O’Connor. O’Connor reportedly left the Wilmette area for a bicycle ride yesterday at 6:00 a.m. and has not returned. A caller has expressed concern for her well-being, and no other information is available at this time.”

Twitter to Not Count Links and Photos in Character Limit

Twitter

Sarah Frier, reporting for Bloomberg, that Twitter will no longer be counting images or links in their 140-character limit:

The change could happen in the next two weeks, said the person who asked not to be named because the decision isn’t yet public. Links currently take up 23 characters, even after Twitter automatically shortens them. The company declined to comment.

Good, finally, still feels like a half-measure.

A Moon Shaped Pool of Money

Radiohead

M.G. Siegler, writing on Medium, about the release of Radiohead’s new album and the idea of “up-selling” to your die-hard fans:

But the Radiohead release points to another way forward. One I’m far more excited about as a fan. Distribute broadly, upsell deeply.

That is, put your album out there for all (or most) to hear, but then pull in your truly die-hard fans to buy exclusive content at a premium. That is a natural extension of what Radiohead did in 2007 with In Rainbows. You know, the “pay-what-you-want” album. The clever call out to a soon-to-be-dying model was even more ingenious in hindsight. Now this reality is here.

Why do all old statues have such small penises?

Ever wonder? How To Talk About Art History has the answer.

Firstly, they’re flaccid. If you compare their size to most flaccid male penises, they are actually not significantly smaller than real-life penises tend to be.

Secondly, cultural values about male beauty were completely different back then. Today, big penises are seen as valuable and manly, but back then, most evidence points to the fact that small penises were considered better than big ones

The More You Know™

Torn Between Two YouTubes

YouTube

Shira Ovide and Leila Abboud, writing for Bloomberg, on the music industry’s love/hate relationship with YouTube:

More than half of Internet users in the U.S. listen to music on YouTube — by far the most popular access point — but YouTube is responsible for only 4 percent of revenue to the industry, according to a music industry trade group. The biggest record labels say Google should pay more, and they want more control over music that is responsible for what Bernstein Research estimated is one-quarter of all YouTube videos watched.

Julien Baker Believes in God

Julien Baker

Rachel Syme, writing for The New Yorker, with a really great piece on Julien Baker:

There is equal humility and precocity to these statements, a duality that kept popping up in my conversation with Baker. She called me “ma’am” with a soft drawl, and apologized often when talking about her creative process, worrying that she was being “conceited or indulgent.” Onstage, she offers aw-shucks-ish disclaimers before launching into particularly gloomy refrains, saying, “I’m sorry for bumming everyone out.” At shows, she sometimes wears a T-shirt that says “Sad Songs Make Me Feel Better.” And yet, despite any outward embarrassment, Baker’s lyrics are bold and unapologetic—about having big, bloody emotions, about the kind of epic feels that come in tsunamis and do not abate. Though Baker sings about God, she is not explicitly a Christian artist; instead, whether or not a supreme being exists is just one of many questions she has about the way the world works, and about the mechanisms available to us to process pain.

My Father, Woody Allen, and the Danger of Questions Unasked

Ronan Farrow, writing for The Hollywood Reporter, about his father, Woody Allen:

But the old-school media’s slow evolution has helped to create a culture of impunity and silence. Amazon paid millions to work with Woody Allen, bankrolling a new series and film. Actors, including some I admire greatly, continue to line up to star in his movies. “It’s not personal,” one once told me. But it hurts my sister every time one of her heroes like Louis C.K., or a star her age, like Miley Cyrus, works with Woody Allen. Personal is exactly what it is — for my sister, and for women everywhere with allegations of sexual assault that have never been vindicated by a conviction.

Instagram Redesigns, Gets New Icon

Instagram

Instagram has finally updated their icon to go along with a new layout. The icon’s not my favorite (I think it would look better reversed), but the new layout is well conceived.

Today we’re introducing a new look. You’ll see an updated icon and app design for Instagram. Inspired by the previous app icon, the new one represents a simpler camera and the rainbow lives on in gradient form. We’ve made improvements to how the Instagram app looks on the inside as well. The simpler design puts more focus on your photos and videos without changing how you navigate the app.

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Budweiser Renaming Beer “America”

Budweiser are renaming their “beer” America for the summer.

The campaign is Budweiser’s plea for attention — and it’s working. (You’re reading this article, after all.) But the fact that it’s needed at all shows how much American beer-drinking habits have altered in the past few decades. Tastes have changed several times, and each change has pushed Budweiser further down on America’s list.

This feels straight out of a Futurama plot.