Some Users Disappointed with Spotify Wrapped

Sarah Perez, writing for TechCrunch:

Chief among the complaints are that Spotify prioritized the inclusion of an AI podcast for Wrapped over the other, clever and creative data stories that it typically offers — like those that identify your music personality, match you to a town that shares your musical tastes, describe your “audio aura,” or turn your listening history into a game you can share with friends, among other things. Others are upset over the lack of more detailed stats and the exclusion of information they’ve come to expect, like top music genres and top podcasts. Spotify declined to clarify how they decided which features to include.

Pete Wentz Interviewed by Anti-Matter

Pete Wentz

Pete Wentz of Fall Out Boy talked with Anti-Matter:

This is something me and Patrick [Stump] and the band have talked about on a bigger level, but for me, specifically, I grew up in the suburbs of Chicago. The Breakfast Club was my high school; it was literally the high school I went to. Every one of those movies took place in that town. Also, I am mixed race. My mom’s parents are from Jamaica and my dad’s white, and they were super liberal and we were in a pretty conservative area. So I think I just didn’t really know where I fit in. I kind of didn’t really feel like I fit in anywhere.

Sky Ferreria Variety Interview

Sky Ferreira

Sky Ferreira talked with Variety about her upcoming song and going independent:

They waited until the 10-year anniversary of Night Time, My Time to drop me via an automated message that got forwarded to me. And it was a weekend! After months of not hearing back from them! It was pretty—I’m still trying to figure out the words I can use to talk about it that won’t get me in trouble. But I also don’t really care about getting in trouble, because what else can they really do to me at this point? My relationship with them was obviously a bit fraught, and it’s never been very simple to explain. But to let me know I’ve been dropped from the label in such an impersonal way was clearly so personal.

It was their way of saying: “You can have fans write ‘Free Sky’ in the clouds with an airplane, but we still own you.” They kept me from putting out new music for 10 years as a way of making me look like I’m incapable of it, like it was my fault that I don’t technically own anything I record. I was already dreading the 10-year anniversary of my album because it’s sad. I should be able to celebrate something like that because as long as this album has been around, people still care about it. I’m able to do a song for an A24 film after all this time because that album clearly meant something to people, and I am proud of that. But it shouldn’t have to remind me of another year of being trapped in a mess that I didn’t create. They want me to look responsible by dragging it out and blocking me from releasing music even after already being blocked from so many other opportunities because of them.

Lauren Mayberry Profiled in New York Times

Chvrches

Lauren Mayberry of Chvrches has a new profile in the New York Times:

“I had an overly romantic notion of being in a band, this kind of ‘Goonies’ mentality,” Mayberry said, referring to her role since 2011 as frontwoman for the Glaswegian synth-pop trio Chvrches. “I was very conscious of not wanting to be perceived as disloyal.”

Despite her hesitation to step out on her own, “If the only reason you’re not doing something is because of how it might make other people feel,” she continued, “you’re going to people-please yourself to death.”

Dan Campbell Talks with Anti-Matter

Dan Campbell of The Wonder Years is interviewed in the latest issue of Anti-Matter.

After The Upsides, people were talking to me after shows and they’d ask, “How did you cure your depression?” And I would be like, “I am deeply depressed right now. Right now. Things are bad for me at this exact moment” [laughs]. That’s where that line in “Local Man [Ruins Everything]” comes from: “I’m not a self-help book / I’m just a fucked-up kid.” It’s to say I don’t have the answers. All I can tell you is that you need to try. I can give you some techniques I’ve used, I could tell you that I am not a professional and you could maybe seek some therapy, but I don’t have this magic bullet for it. It’s just going to be about effort and consistency and accepting that there will be low days.

Fake AI Albums Flooding Spotify

Elizabeth Lopatto, writing at The Verge:

To understand how this works, you need a sense of the mechanics. Streaming platforms like Spotify don’t work like your Facebook page — Mena and other artists aren’t logging in and adding albums to their accounts directly. Instead, they go through a distributor that handles licensing, metadata, and royalty payments. Distributors send songs and metadata in bulk to the streaming services. The metadata part is important; it includes things such as the song title and artist name but also other information, such as the songwriter, record label, and so on. This is crucial for artists (and others) to get paid. 

But this whole process effectively works on the honor system.

And:

“It was super weird,” says Marcos Mena, Standards’ lead songwriter and guitarist. “I thought, ‘Oh, this is something Spotify will take care of.’” After all, Standards has a verified artist page. But when a fake album was posted on September 26th, it didn’t budge. Mena emailed Spotify to tell them there’d been a mistake. The streamer responded two weeks later, on October 8th: “It looks like the content is mapped correctly to the artist’s page. If you require further assistance, please contact your music provider. Please do not reply to this message.” As of November 8th, the fake Standards album was still right there under the band’s verified, blue-checked name. It was finally removed by November 11th.

Cool, I definitely don’t see this continuing to be a massive problem.

Forums Are Alive and a Treasure Trove of Information

Technology

Chris Pearson, writing at Aftermath, highlights what many of you probably already know: forums are alive and awesome.

When I want information, like the real stuff, I go to forums. Over the years, forums did not really get smaller, so much as the rest of the internet just got bigger. Reddit, Discord and Facebook groups have filled a lot of that space, but there is just certain information that requires the dedication of adults who have specifically signed up to be in one kind of community. This blog is a salute to those forums that are either worth participating in or at least looking at in bewilderment.

Some great picks here. I, obviously, have an affinity for these kinds of smaller yet vibrant communities.

UMG Acquires Indie Label Group PIAS

Billboard

Billboard:

In an announcement on Tuesday (Oct. 15), Kenny Gates said he and his [PIAS] co-founder Michel Lambot were selling their shares to UMG, which acquired a 49% stake in the company in 2022, to “allow us to offer a truly global distribution and services platform to the independent music community.”

New Robert Smith Interview

The Cure

Robert Smith of The Cure talked with The Times:

“Our songs always had a fear of mortality,” he says. “I don’t feel my age at all but I’m aware of it and when you get older that fear becomes more real. Death becomes more everyday. When you are younger you romanticise death, but then it happens to your family and friends. I am a different person to the last record and I wanted to put that across. It can be trite. People could say, ‘Oh, we’re all going to die — surprise me!’ But I try to find some emotional connection to that idea.”

Howard Benson Talks Early My Chemical Romance

My Chemical Romance

Howard Benson talked with Grammy.com about working on My Chemical Romance’s Three Cheers for Sweet Revenge:

Nobody wanted to produce them because their record before mine was a thrash record. My manager said to me, “You need to meet these guys. Something is going on with them.” [When] I met them, [they had] no songs [to play for me]. But I looked the singer [Gerard Way] in the eye and I’d done enough at that point in my life where I had this feeling about this kid. He was going to be a star. 

I asked him, “Are you worried about the 3,000 fans you have? Or do you want to have 300,000,000 fans? Which kind of record are we going to make?” He goes, “F— the 3,000 fans.” I was like, “Okay, we can do business.”

Their A&R guy Craig Aaronson called me up one night and goes, “At the end of one of these cassettes is a lyric that goes, ‘I’m not okay.'” I remember going to rehearsal and saying, “We have to write a song around that.” [Gerard] wrote the song literally overnight, came back the next day with a half-written song. From then on, the record took shape. 

Deryck Whibley Alleges Sexual Abuse by Former Manager

Sum 41

Deryck Whibley of Sum 41 alleges he was sexually abused by the band’s former manager Greg Nori:

Whibley has talked about these challenges in interviews before. But there are key details about his life he’d shared only with a few people, revelations that he poured into the book. “I don’t know how to tell the real story without getting into some of this stuff, because it’s all intertwined with my life, intertwined with the music and in the band,” says Whibley. “It’s just such a big part of it.”

Throughout the pages of “Walking Disaster,” Whibley describes a fraught and frightening relationship with Sum 41’s first manager, Greig Nori, whom the singer alleges groomed and sexually and verbally abused him for years, starting when he was 16 and Nori was 34.

The Lasting Power of “All The Small Things”

Enema of the State

Spin did a profile on Blink-182’s “All the Small Things” as it turns 25:

Blink didn’t jump at the idea. “I remember Mark saying, ‘I don’t think this is funny,’” recalls Siega. “And when I told Tom, ‘You’re gonna run down the beach with a dog chasing you’ [parodying Britney Spears’ “Sometimes” video], he went, ‘I don’t get it.’ The biggest challenge was getting them to understand what they were making fun of. They were hesitant. We had to really rehearse those dance sequences.”

An Argument for Streaming Services to Label AI Music

Technology

Ed Newton-Rex, writing for Music Business Worldwide:

First up, it’s worth saying that I don’t think DSPs should ban all AI music. There are clearly good use-cases for AI in music creation; if training data is licensed, these use-cases are worth supporting, at least in my book. (I do think a music streaming service will emerge that does explicitly reject all AI music, as Cara has done in the image space. And it will probably do well. But there are good reasons for most DSPs not to take such a blanket approach.)

As table stakes, DSPs should follow the example of other media platforms – Instagramand TikTok, for example – and label content that is generated by AI.

That way, music fans can at least choose what they listen to, and, therefore, what they support. Require uploaders to label AI music they upload, and introduce a post-upload moderation process for tracks that slip through the cracks. This is perfectly feasible. You hope that most uploaders will be honest – in general, people tend to prefer to be – and, for those who aren’t, there are a number of third-party systems that can detect AI music with a high degree of accuracy.

StubHub Sued for Inflating Ticket Prices

Legal

ABC News:

The attorney general for Washington, D.C., sued StubHub on Wednesday, accusing the ticket resale platform of advertising deceptively low prices and then ramping up prices with extra fees.

The practice known as “drip pricing” violates consumer protection laws in the nation’s capital, Attorney General Brian Schwalb said.

“StubHub intentionally hides the true price to boost profits at its customers’ expense,” he said in a statement. 

The company said it is disappointed to be targeted, maintaining its practices are consistent with the law and competing companies as well as broader industry norms. “We strongly support federal and state solutions that enhance existing laws to empower consumers, such as requiring all-in pricing uniformly across platforms,” the company said in a statement.

The 1975 Sued by Malaysian Festival

The 1975

Variety:

The organizer of Malaysia’s Good Vibes Festival has filed a lawsuit against the 1975 and all its members individually following frontman Matty Healy’s protest against the country’s anti-LGBTQ laws during the event last July. The festival is seeking £1.9 million ($2.4 million) after the band’s antics resulted in the festival being shut down.

In court documents filed by festival organizers Future Sound Asia in the U.K. High Court, they claim that the 1975 and their management team were aware of the numerous prohibitions the band had to abide by in order to perform.