Cloudflare Announces Privacy-First DNS Service

Cloudflare:

Cloudflare’s mission is to help build a better Internet. We’re excited today to take another step toward that mission with the launch of 1.1.1.1 — the Internet’s fastest, privacy-first consumer DNS service. This post will talk a little about what that is and a lot about why we decided to do it.

Lucas Matney, writing at TechCrunch:

The company says that the new service will help keep some data out of ISPs’ hands and that they won’t keep data in their hands for long either. Cloudflare has pledged to both never write users’ IP addresses to disk and that they’ll purge all logs from their system after 24 hours.

You can find out how to use this service on different devices here.

Amazon’s Music Storage Shutting Down in April

amazon

Nick Statt, writing at The Verge:

We’ve known since last year that Amazon Music was planning to shut down its dedicated cloud music locker. Now, we have a date for when that process will begin. In an email to Amazon Music users, the company says uploaded songs will be removed from a user’s library on April 30th, 2018. You can however keep any music in the cloud by proactively going to your Music Settings and clicking the “Keep my songs” button.

The (Not Great) Business of Streaming Music

Pandora

Keith Nelson Jr. sat down with Pandora’s vice president of global content licensing, Elizabeth Moody, to talk about streaming services, the future of music licensing, and the inherent issues these services are seeing trying to turn a profit:

I think that it’s going to take a shift in the structure of the industry to really allow digital services like Spotify or other competitors to have a fully sustainable business. You see pure-play services like Spotify and Pandora suffering while there are companies like Amazon and Google and Apple that can use music as a loss leader for other services. […] I mean, right now, the record labels (and then the music publishers) are really taking the lion’s share of the revenue. You know, sometimes the artists or others will argue it’s getting stuck at the labels. I think it’s a more complicated problem than just saying, “Oh they’re not paying the artists.”

Brian Fallon Talks With Dying Scene

Brian Fallon sat down to talk with Dying Scene:

The problems we have in America right now are giant problems that are not easily fixed. But one thing I am behind is the people that are saying things about mental health and about talking. You know, you’re not a spoiled brat if you’re in a band to say “hey, my band got really famous and I’m not sure how to handle that and it’s kinda messing with my personal life and I’m developing anxiety disorders and depression. It’s not what I thought it was going to be.” You’re not being a whiny brat. What you’re doing is mismanaging your emotions. Or maybe – maybe – you have something wrong inside that it took this to come out. I probably had issues with anxiety my whole life and didn’t know it until the catalyst of the band getting huge.

Spotify Is Killing Song Titles

Michael Tauberg, writing on Medium:

With the death of record stores, radio, and to a lesser extent, iTunes, the unit of music delivered to customers has shrunk. From the album, to the song, to now, the stream, music has been disentangled from it’s larger context. As such, we would expect that the names of albums and songs are uncorrelated to their musical success. One way to measure this is the number of unique words in a song title. Although there does appear to be an art to naming a hit song (or say book), the longer tail of music means more random song titles chosen by artists instead of record executives.

An interesting dive into music data.

How Losing Religion Saved Underoath

Underoath

Underoath sat down with Revolver to talk about their upcoming album:

“One of the best things we ever did was when we agreed not to be a Christian band anymore,” Chamberlain tells Revolver. “And when we made this record the [phrase], ‘that’s not Underoath enough,’ was not allowed to be said because those two things fucking ruined our band in the first place.”

Mike D of the Beastie Boys Featured in Vulture

Beastie Boys

David Marchese, writing for Vulture:

The filters are still there, though. They’re just different. When I was 15, getting into the Clash exposed me to reggae. I’d see that they covered a song by Junior Murvin or that they had a single produced by Lee Perry and dig from there. My younger son does the same thing but in newer ways. He comes home from school in Bali and starts to make a song using his laptop, and he’s looking up what samples Kanye used and that opens the door for him to dig. The tools he has are immediate. He’s not having to go out. It’s so different from how I did it.

Thomas Erak Starts GoFundMe for Solo Album

Fall of Troy

Thomas Erak (The Fall of Troy, Chiodos, and a million other side projects) has started a GoFundMe for a new solo album:

I have been working towards putting together a solo record for the last year or so and need to raise money for studio time/travel/housing while I finish and record the album. Also would like to be able to self release. Looking to record mid-April and hoping to release ASAP after it’s all done!

Blog: Clueyness: A Weird Kind of Sad

Tim Urban:

At the time, my dad didn’t think much of it—pretty normal day in their lives. But later on, he found himself remembering that day, and he always felt bad about it. He pictured his father sitting there at the table, now alone, with all the cards and pieces laid out. He pictured him waiting for a little while before accepting that it wasn’t gonna happen today, then collecting all the pieces and cards he had laid out, putting them back in the box, and putting the box back in the closet.

Pretty random story for my dad to tell me, right? The reason he did was because it was part of a conversation where I was trying to articulate a certain thing I suffer from, which is feeling incredibly bad for certain people in certain situations—situations in which the person I feel bad for was probably barely affected by what happened. It’s an odd feeling of intense heartbreaking compassion for people who didn’t actually go through anything especially bad.

I do this all the time.

Blog: The Intellectual We Deserve

Nathan J. Robinson:

Jordan Peterson appears very profound and has convinced many people to take him seriously. Yet he has almost nothing of value to say. This should be obvious to anyone who has spent even a few moments critically examining his writings and speeches, which are comically befuddled, pompous, and ignorant. They are half nonsense, half banality. In a reasonable world, Peterson would be seen as the kind of tedious crackpot that one hopes not to get seated next to on a train.

But we do not live in a reasonable world.

What Happened to Side One Dummy Records?

Side One Dummy

Dan Ozzi, writing at Noisey, looks at the collapse of Side One Dummy Records:

Many SideOneDummy artists who spoke to Noisey were reluctant to comment publicly on their situations since their futures with the label are currently being determined. Some have pre-existing contract renewal options under evaluation, others are in the process of obtaining rights to their back catalog from the label, and those with recent or future releases are working with the label on promotional strategies going forward. And since SideOneDummy has largely been home to small to mid-level acts that largely don’t employ lawyers or managers, most have been left to navigate negotiations on their own, and lack the business acumen to do so.

There’s an Online Harassment Campaign Underway Against People Advocating for Diversity in Comics

Comic Books

Rachael Krishna, writing for Buzzfeed:

An online harassment campaign and culture war called #Comicsgate is underway against people pushing to diversify the comic book industry, with trolls and their influential enablers targeting those calling for increased representation for women, different races, and the LGBT community.

Several comics superfans and creators are calling it a dark evolution of the Gamergate controversy that targeted women participating in video game culture with abuse.

The Making of 7 Iconic Movie Posters

Tony Pierce looks at seven iconic movie posters designed by Tom Martin and tells the story behind them:

While at Universal, one of the most unique design challenges Martin faced came from Jurassic Park director Steven Spielberg.

The assignment? Create a logo that could brand both the movie and the fictional theme park in it.

“We visited the set during the production and saw some of the dinosaurs and props,” says Martin. “They were actually going to have branded products, merchandise in the store in the film. They needed a logo to put on the items in the gift shop.”