My first thought when I heard “The View” – the second track on Basking in the Glow but first in earnest, with a full band and a chorus (the latter of which will prove to be very important on this record) – was that it sounds like it’s from 2003. A pop-punk song from 2003; from a major label band, and a song that would have stuck. We’d still know all the words today.
I guess whether this is a compliment or not depends on your feelings about 00s mall punk, but I absolutely mean it as one. More importantly, it seems that Jade Lilitri – the man behind Oso Oso – would take it as one, or at least isn’t afraid of hearing it. The harmonies, the bouncy chorus, the bridge that drops into half-time, they all feel crafted with such deliberate nostalgia, reverence even, for that era of punk. That’s the common musical thread of the record, all the way through – I hear, at different times, flashes of Dashboard Confessional, Saves The Day, All-American Rejects. (These are less cool influences than the ones I’ve seen critics assign to Oso Oso in the past, like Death Cab For Cutie and Built To Spill; then again, the way that nostalgia cycles means a whole generation listening to this is probably more attracted to the former than the latter.) Perhaps oxymoronically, though, it doesn’t feel like we’ve heard it before – it’s not a copycat, and most of the time you can’t pin it down to whom exactly it sounds like. It would have been an entry in the canon of that time in its own right, and it deserves the same in its own time too.