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Review: Jason Isbell – Southeastern

Jason Isbell - Southeastern
Craig Manning

I needed to hear something new.

That’s how I felt in the summer of 2013, when I was just a few months out of college and already felt like I’d fucked up my whole life.

My first post-graduation “job” had been an unmitigated disaster, and my lack of employment (not to mention my dwindling bank account) had me feeling like a crash-and-burn failure. I’d felt so confident coming out of school, so sure I was bound for success. But the economy was still in tatters from the Great Recession, and jobs were hard to find – especially jobs for a green wannabe professional writer whose resume consisted solely of student jobs and internships. Days of sending out job applications and cover letters yielded no payoff, and I could sense that my girlfriend – a year ahead of me in school and already securely and gainfully employed – was getting worried about my prospects.

It was a low time in my life, made lower by the fact that the one thing I’d usually turn to during times of crisis – music – didn’t seem to be working like it used to work. Every song or album just reminded me of better times, times when I’d felt more hopeful, more happy, more alive. Every familiar artist that had once felt like an old friend now felt like someone who was mocking my ineptitude at finding a way to get on with my life.

So, I needed to hear something new. I needed to discover artists who would be new companions for this particular chapter of my life, artists whose music would help inspire me for a new fight without reminding me so much of where I’d been. I was a “grown up” now – whatever that means – and my new movie needed a different soundtrack from the old ones. Who would be the artist to break down the wall and make me feel something again, other than a bitter-tasting pill of nostalgia?

Enter Jason Isbell.

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Review: Another One Down! – A Bitter Descent

Adam Grundy

The deluxe version of A Bitter Descent by Providence, Rhode Island-based band, Another One Down!, offers a nice glimpse into the maturity shown in the band’s dedication to their craft. “A Bitter Descent means a lot to us because it marks growth and progression for our band. For a long time we felt like we were seen as sort of a throwaway easycore act and we really wanted to prove that we have so much more to offer with this record,” the band shared. “One of our main goals going into the writing process was to tackle more mature subject matter, primarily overcoming mental health issues which is something each member of the band has struggled with in the past and we feel is important to discuss. Another goal was to explore a wide variety of sounds and vibes while still creating a cohesive record. We’ve always been inspired by bands who are not afraid to give individuality to each song rather than write the same song 12 times, especially when they’re able to do that and still create a well-flowing record. We truly believe that we achieved these goals with A Bitter Descent and we are so proud of how the record came out.” The sound of the band fits somewhere between The Starting Line, Midtown, and Allister, with the punchy production of Hit The Lights. By honing in on their songwriting, while still remaining committed to putting their best foot forward, Another One Down! have made a great, hard-hitting pop-punk record just in time for the beginning of Summer.

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Review: STMNTS – “Handpainted” (featuring Patrick Williams)

Adam Grundy

STMNTS (pronounced Statements) is a 5-piece emotive pop-punk outfit from Baltimore, Maryland. Formed in 2022, the band consists of vocalist Liam King, rhythm guitarist Jamie Black, lead guitarist Drew Chiodo, bassist Josh Pelc, and drummer Shawn Smyth, and their band chemistry is already firing on all cylinders. With a sound that can be found somewhere between the hardcore guitar groove of Four Year Strong, the wonderful lyrical wordplay of The Wonder Years, and the emotion of Bayside, STMNTS are making a solid name for themselves on their debut single “Handpainted.” The single comes from their upcoming EP Tendencies, and features a guest collaboration from Patrick Williams.

What the band does well on this single is to keep the song emotionally charged throughout and still allows for the melodic parts to come through in the mix to make for a memorable track. The crunchy guitar riffs in the verses are complemented by Liam King’s crisp vocal cuts to keep the song balanced in its delivery. The last gasp of a scream on the final lyric of “I feel so alone” finds the band tinkering with a great combination of emo, screamo, and the melodic elements of pop-punk. STMNTS may have just lived up to their name by making a welcomed invitation to the genre.

Review: Out of Service – “Folk 1”

Adam Grundy

On the latest offering from emo rock band Out of Service, called simply “Folk 1,” the band highlights a different side of themselves. The track features soft-spoken vocals from Mike Capuano, over a campfire-styled acoustic guitar layered with some banjo too. The single unfolds well at the two-minute mark as the band comes to a crescendo while adding in some vocal harmonies to complement Capuano’s delivery. The track comes from the yet-to-be-announced new record that Out of Service have been working on that approaches the emo genre in a unique way. The guitar tones added by Teebs Williams mesh well off of the cymbal crashes by Ken Bond, while Brian McGovern adds in some contextual rhythm on the bass line. If you’ve been looking forward to Out of Service experimenting with a more rustic sound, “Folk 1” should be a welcome discovery to add to your latest playlist.

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Review: Tyler Posey – UNRAVEL

Adam Grundy

On the genre-fluid debut LP by Tyler Posey, he channels his love for punk rock, screamo, and hardcore music on a 16-track opus known as UNRAVEL. The set was produced by Matt Malpass and John Feldmann, and it expands upon the ideas Posey tinkered with on his first two EPs (Drugs and Scumbag). When speaking on the direction of his self-released set, Posey shared, “Being an independent artist, there is a lot of freedom, and that’s exactly what this album is. Freedom. It’s got every genre: from screamo, hardcore punk, to chill beach vibes. Listen to it from start to finish in order to really experience the ride that is UNRAVEL, my first full length LP!” With a little bit of everything thrown into the mix on UNRAVEL, Tyler Posey solidifies himself as a key artist to watch this year and beyond.

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Review: Harsh Lights – Watch The World Divide

Adam Grundy

There’s something magical about finding a new friend through an online forum on a music site. You may find that you both have similar music tastes, love the same type of movies, or in rare cases, form a cool pop-punk band remotely. That’s exactly what happened with Harsh Lights, a pop-punk band comprised of Kyle Simons (Patterns In Traffic) and Eva Driessen. Kyle and Eva met on this website and decided to pursue making music together, albeit in different parts of the world: Kyle lives in Maryland, while Eva lives in the Netherlands. This distance never distracts from the quality of music found on Watch The World Divide, a fun debut LP that pays direct homage to great pop-punk bands like Blink-182, Fenix Tx, and Mae, but with a modern twist and sheen to it that makes it a rewarding listening experience.

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Review: PONY – Velveteen

Adam Grundy

On the band’s sophomore album, PONY deliver some great-sounding power pop on Velveteen. Named after the book The Velveteen Rabbit, that lead singer Sam Bielanski used the audiobook from to cope with a nine-month struggle with insomnia, Bielanski shared, “I became obsessed with it, but I always fell asleep before getting to the end. The way I interpreted the story was that it’s the love that we give and receive that makes us real or whole.” Through this unique connection to a childhood favorite, Bielanski and multi-instrumentlist/collaborator Matty Morand were able to pen approximately 200 songs that they narrowed down to ten crisp songs found on this record. If you’re into bands like Beach Bunny, Soccer Mommy, and Diet Cig, you’ll definitely find plenty to enjoy on PONY’s Velveteen.

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Review: Third Eye Blind – Out Of The Vein

Adam Grundy

Third Eye Blind found themselves at a bit of a crossroads when the time came to write the follow-up to two successful records: their stunning self-titled LP and Blue. Longtime guitarist/songwriter, Kevin Cadogan, was replaced with Tony Fredianelli and Out of the Vein would be the second album in a row without an outside producer. The band’s chemistry somehow didn’t suffer on this album that most 3EB fans rank very highly when looking back on the full breadth of the band’s discography. The album was recorded at their own Mourning Wood Studios in San Francisco, and Stephan Jenkins admitted that nearly 40 songs were written during the pre-production sessions that would become their third LP. Originally called Crystal Baller, but scrapped because everyone outside of Jenkins hated the name, Out of the Vein would solidify the band as one of the premiere acts in Alternative Rock history. The record was supposed to be released in early 2002, but the mounting pressure to live up to the legacy left behind on their first two albums led to several lyric re-writes. Ultimately, these growing pains worked out in the band’s favor creatively, even as their label (Elektra Records) imploded right as Third Eye Blind would release the record. Out of the Vein may not have the sheen of Blue, or the bulletproof legacy of their self-titled debut, but it still features several great Third Eye Blind songs that have stood the test of time.

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Review: Fall Out Boy – Take This To Your Grave

Adam Grundy

You never forget your first love. Sure, they may leave you heartbroken and picking up the pieces of where to turn to next, but those scars cut deep. Fall Out Boy arrived on the pop-punk scene with their debut LP, called Take This To Your Grave, that featured slick hooks and sing-a-long choruses that made this band destined for superstardom. The band was technically signed to Island Records through a “first-ever incubator type of deal” that gave them money to sign a one-off record deal to put their debut out on Fueled By Ramen to grow a steady following before their major label debut. This seemed to pay off big time for both Fall Out Boy and Island Records, as the band would become one of the hottest acts around by the time From Under The Cork Tree was released. The now-iconic cover photo of the band sitting on a broken futon was actually the second choice from the label, as the initial concept of a live photo was rejected. The lyrical material is largely based around fractured relationships, falling in and out of love, and traveling, while it became a point of contention between bassist Pete Wentz and lead vocalist Patrick Stump. During the recording of the LP, Wentz and Stump argued for days on end about the direction of the lyrics, but they ultimately believe that through this conflict came something beautiful.

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Review: Cal Stamp – LEATHER

Adam Grundy

On the final chapter of his trio of EPs, Cal Stamp is releasing LEATHER, that takes dead aim at 80’s pop-rock royalty similar to Bon Jovi, Journey, and Tom Petty. The great part about the songs in this set is that Cal is able to recapture the spirit of this era of music while still adding some modern flair to make it sound refreshing and new. When speaking on his trilogy of EPs, Cal Stamp shared, “All of these songs could easily coexist on the same record. It’s basically my take on 1980s pop-rock, but within that you’ve got the synth-driven yacht rock of NYLON, the acoustic heartland rock of DENIM, and the straight-ahead rock ’n’ roll of LEATHER – each representing a different strand of my own musical DNA.” By injecting a fresh take on the pop-rock genre, Cal Stamp delivers the goods on LEATHER.

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Review: Sarah and the Safe Word – The Book of Broken Glass

Adam Grundy

Oscar Wilde once said, “If one cannot enjoy reading a book over and over again, there is no use in reading it at all.” The fourth album by Sarah and the Safe Word, The Book of Broken Glass, tells a story that weaves a tangled web and adds just enough new elements into the band’s sound to keep the listener coming back for more. The set was produced by veteran hit-maker Jim Wirt, and this slick collection of songs moves the needle in the right direction for the band’s overall development. This album also features three tracks with outside collaborators, and yet these extra voices only add to the mystique that this artist has perfected through their mix of cabaret, emo, punk, and rock elements. With a wide range of emotions shown on these 13 songs, Sarah and the Safe Word make their most dramatic stamp on the music scene to date.

After a brief introductory song to set the stage for the chaos and tragedy that outlines the path ahead, the band kicks into full gear with the lead single, “Ruby Off The Rails.” The track features a great, heavy riff from Kienan Dietrich that sets the tone for the song that rocks with pointed purpose. The second half of the chorus, “She has a voice like tea and money stirred into your darkest worries / If the room is getting blurry, there’s no need to hurry / Hurry up and wait / Time is largely a construct,” is orchestrated to take the audience on a thrilling ride. The current single, “Old Lace” follows the driving, hard-hitting song with a balanced blend of cabaret and rock music as Sarah Rose laments on the first verse, “I wish they’d drop the bomb, I’m wearing thin / And if I’m drowning in my sorrows, I say bathe in them / I’m falling out of circadian / Lord, bless me with a sleepless night again.” The band does a great job with their improved chemistry, while violinist Susy Reyes showcases some great playing to keep the interest high.

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Review: Filter – The Amalgamut

Adam Grundy

The third studio album from Alternative rockers, Filter, came with immense pressure to deliver after their first two records (Short Bus and Title of Record) both went platinum. The band was also battling with lineup changes, lead vocalist/band leader Richard Patrick’s addictions, and a record label wanting Filter to deliver the goods with another hit. The Amalgamut found moderate success due in large part to the lead single “Where Do We Go From Here,” and “The Only Way (Is The Wrong Way)” getting a prominent placement in a Hummer commercial. Recently reissued on a beautiful gatefold double LP set, and making its debut on vinyl for the first time via Craft Recordings, Filter’s third album gets its moment in the limelight.

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Review: Arcane Ghosts – Distant Youth

Adam Grundy

I’d like to introduce everyone to a great Alternative rock band called Arcane Ghosts. On their latest EP, called Distant Youth, they capture the spirit of the glory days of the pop-punk genre, all paired with breakneck hooks, impeccable band chemistry, and pop sensibilities to make sure these five songs stick in your head for days on end. The band is comprised of lead vocalist and rhythm guitarist Jason Diaz, Steven Wolwyn on bass and backing vocals, and drummer Eric Mitz. With a sound that fits somewhere between Midtown, The Starting Line, and The Early November, Arcane Ghosts could very well be the next exciting band to take this scene by storm.

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Review: The Bouncing Souls – Ten Stories High

Adam Grundy

Has there ever been a more reliably enjoyable punk rock band over the past three decades than The Bouncing Souls? The band has returned with their 12th full-length studio album, called Ten Stories High, and they sound as energetic and focused as ever. On the title track, lead vocalist Greg Attonito explained, “During the studio sessions we realized we wanted a song to summarize the process and tell the story of the project. One afternoon during the session we came up with the title ‘Ten Stories High’ and matched it up with a melody that Pete and Bryan had recorded earlier on their phones. We really liked how the title added imagery of ten people in a ten story building living out their own external and internal experiences. It was a perfect summary to the project. After a few hours of tinkering with the music and words we had our title track for the record!” The band will be embarking on a comprehensive US tour with Anti-Flag starting this April, and with a slick new record in their repertoire, it will be a show you don’t want to miss.

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Review: Fall Out Boy – So Much (For) Stardust

Adam Grundy

There’s something to be said for the ability to come full circle to where it all began. Fall Out Boy have returned with their eighth studio album, So Much (for) Stardust, on the label that started the entire hype train, Fueled By Ramen. From being the band that arguably got their biggest break from a “You Hear It First” MTV vignette that showcased the band’s raucous live shows and built up the anticipation for their Take This To Your Grave album. The rest was history, as the band would reach atmospheric success on their major label debut From Under The Cork Tree, which would go on to sell over two million copies in the U.S. alone. The funny thing about the “reinvention years,” or the post-hiatus albums that came after Folie à Deux, is that this new record is the perfect balance between the two “versions” of Fall Out Boy. It has the charm of the early albums, paired with the studio experimentation of the post-hiatus LPs, all honed into a crisp delivery courtesy of veteran producer Neal Avron. From the homage of getting their “elder-emo status” on the music video for “Love From The Other Side,” to the most recent single being the most logical progression from “This Ain’t A Scene…” to now. So Much (for) Stardust achieves the near-impossible: it satisfies both longtime fans and FOB-newbies into a crowd-pleasing package of songs that tug on the heartstrings of emo kids everywhere.

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