Today we see the release of a new Acceptance album. I never really thought I’d be typing those words. Pretty incredible. If you hit read more you can see all the releases we have in our calendar for the week. Hit the quote bubble to access our forums and talk about what came out today, what albums you picked up, and to make mention of anything we may have missed.
Strung out is currently working on a 5-7 song EP entitled “Black Out The Sky” set to release early summer 2017 on Fat Wreck Chords. BOTS will be a collection of acoustic songs written with a loose theme to match the title. To simply call it an ‘acoustic album’ would not be doing it justice and it very well may be our darkest release yet.
Never writing same record twice – yet at the same time staying true to our fans has always been our priority as a band. We do not plan on abandoning our signature sound but with the way things are now, this record may be the perfect remedy in a world where everything is turned up to eleven. We are confident fans of Strung Out will not be disappointed.
I’ve been on a massive Strung Out kick over the past few weeks and can’t wait for this one. I’d forgotten just how damn good this band is and how deep their catalog runs.
Today sees the release of the new albums from Eisley, Ryan Adams, Matt Pryor, and quite a few others. If you hit read more you can see all the releases we have in our calendar for the week. Hit the quote bubble to access our forums and talk about what came out today, what albums you picked up, and to make mention of anything we may have missed.
Ryan Adams made what was, to my ears, his best record ever with 2014’s self-titled effort. More diverse and consistent than Heartbreaker and less bloated than Gold, Love Is Hell, and Cold Roses, Ryan Adams was a tight, taut, and tense collection of songs that saw Adams dealing with the loss of his grandmother and the pressures of a troubled marriage. Two and a half years later, the once-prolific Adams returns with the proper follow-up to his self-titled record, and it’s the closest he’s ever come to making a sequel. Prisoner carries many of the sonic and lyrical hallmarks of its predecessor, from the reverb-heavy production to the clear influence of 1980s Springsteen and Petty records. “Do You Still Love Me,” the opener and lead single, even bears a strong resemblance to the last record’s first track, “Gimme Something Good.”