Side projects, in general, are healthy for the long-term well being of a band as it allows the multiple band members to experiment with new sounds and ideas that may not be best suited for the main unit. That being said, it’s hard to find too many differences between Billie Joe’s new side gig, The Longshot, and Green Day. Billie Joe sounds just as confident as ever on the new LP and it initially reminded me of the sleek and polish of another recent side project (Foxboro Hottubs) but with more production sheen on The Longshot’s debut album.
The Longshot is comprised of guitarist Kevin Preston, drummer David Field, and bassist Jeff Matika (who has toured extensively with Green Day). “Love is for Losers” spans over 11 easily digestible tracks, with a total running time of 32 minutes. Kicking off the set with “The Last Time” Billie Joe croons, “I’ll give you all my blood, til it’s a waste of time/If that’s not good enough, you’re always on my mind.” These tongue-in-cheek lyrics are what we have grown to expect from our fearless pop-punk leader, yet it’s also a good album disclaimer of “take it or leave it.”
Chvrches have released a video for “Miracle.”
The Mad Caddies will release their new cover album, Punk Rocksteady, on June 15th. The album features reggae, ska, and dancehall covers of 12 songs, hand-picked by Fat Mike, who produced the record. Today they’ve shared their cover of Green Day’s “She” and pre-orders are now up. The full track listing can be found below.
Lord Huron, the indie rock group from Los Angeles, have had quite a few years to grow into their trademark sound of atmospheric landscapes and wandering journeys. Vide Noir, the third studio album and their first on a major label, was mixed by Dave Fridmann (Tame Impala, The Flaming Lips) and self-produced by front-man Ben Schneider, in which he has crafted his early career masterpiece. Schneider recently credited this album to a new habit of taking nighttime drives around LA and the “search for meaning amidst the cold indifference of the universe,” according to his recent social media posts.
Straight from the album opener, “Lost in Time and Space,” we are immediately transported to a dark yet clear night landscape with subtle sounds of buzzing lights, background whispers, a harp, and eventually the folk strumming of Schneider’s acoustic guitar cuts through the soft noise. In the track, Schneider admits, “I don’t know who I am, I don’t know where I am,” and the listener is immediately pulled in to go on this journey with the band.
Cary Brothers’ new album can be streamed below via Popmatters.
Blink-182 have shared some footage on Instagram of the band working on new music.
Change can be difficult, sometimes it feels like it is the most painful concept to deal with. That being said, the Central Pennsylvania rap-rock group, From Ashes to New, have dealt with the replacement of their clean vocalist Chris Masser, in favor of Danny Case, semi-seamlessly. In addition to Masser’s departure, the band has a new drummer in Matt Madiro. The band is able to retain the sound that they introduced through two EPs (Downfall and S/T) and a full length LP, Day One, with an effort that should be worthy of an occasional spin.
Ariana Grande has returned with her new video for the new song “No Tears Left to Cry.”
Today sees new releases from Pennywise, Charmer, and Donovan Woods. If you hit read more you can see all the releases we have in our calendar for the week. Hit the quote bubble to access our forums and talk about what came out today, what albums you picked up, and to make mention of anything we may have missed.
There’s a song on the new Donovan Woods album Both Ways called “Next Year,” about the very-human tendency to put things off. “We’ll do it next year,” Woods sings—five words we’ve probably all spoken a time or two before. Those words could refer to a lot of different things, depending on your situation. They could be about a trip you’re going to take, or a renovation you’re going to do on your house, or something fun you’re going to do with your kids. Too often, though, next year never becomes this year. It’s just always next year, always tomorrow. And eventually, all those things you were going to do pile up and you realize that you’re running out of time to actually do them. That’s what happens at the end of the song, where Woods sings about an ailing father and his wish to see the Grand Canyon. Instead of making plans for later, the dad and his son just get in the car and drive. Because, as Woods states, “There ain’t no next year.” The sand in the hourglass is almost gone. It’s now or never.
Touché Amoré have released their new song “Green.”
When looking back at the accomplishments for Indie Rock mainstays, The Decemberists, one may think that they have little left to prove on their eighth album. However, this group has never been afraid to make the music they want to make, and bring their loyal fans along for every thrilling and unique chorus. I’ll Be Your Girl finds The Decemberists not only comfortable with who they are, but also as an artist willing to paint with new and vibrant colors.
The flowery cover art and liner notes fit the content of the music well as the album shines brightly and helps paint the story on a canvas that fans of the band have grown accustomed to. The first single and album opener, “Once in My Life” starts the listeners’ experience on the LP on a high note with the familiar strumming of an acoustic guitar and the warm, anthemic vocals of singer Colin Meloy who puts everyone on notice that all is not well in the world. Given the current state of the political climate and the honesty portrayed in The Decemberists’ catalog, it’s easy to tune in for the ride the band takes us on for this album.
Fall Out Boy performed “Wilson (Expensive Mistakes)” on James Corden last night.
Father John Misty will release his new album, God’s Favorite Customer, on June 1st. Today he’s debuted the two new songs “Just Dumb Enough To Try” and “Disappointing Diamonds Are The Rarest Of Them All.” Pre-orders are also now up.
Debut albums are typically a fun listen since the old adage goes, “You have your entire life to write your first album,” and The Aces’ When My Heart Felt Volcanic is no exception. The all-female group from Provo, Utah is composed of singer/guitarist Cristal Ramirez, her sister/drummer Alisa Ramirez, bassist McKenna Petty, and guitarist Katie Henderson. The Aces core strength relies on vibrant pop hooks and phenomenal guitar work. Their debut single “Stuck” has already been streamed well over 2 million times, and the band continues to build off their momentum with recent tours with the likes of COIN and X Ambassadors.
When My Heart Felt Volcanic is a shimmering debut, perfect for the beginning of Spring, and all of the good vibes that come along with better weather. Their sound on this album can be best described as a mixture between The 1975-esque guitars, and the well thought out hooks similar to HAIM and Paramore. The album starts off with “Volcanic Love” and helps set the tone for the majority of the song structures and concepts found throughout the LP. The aforementioned single, “Stuck” has a bouncy beat throughout and a memorable sing-a-long chorus. Singer, Cristal Ramirez, shines throughout their debut single and showcases an impressive vocal range and style.
Julien Baker covered The Mountain Goats’ “No Children” at her concert last night. Some fan shot footage of the performance is now online.
Deafheavenhave returned with a video for their new song “Honeycomb.” The song comes from the band’s upcoming album, Ordinary Corrupt Human Love, due out on July 13th.
Typically when a band, such as The Neighbourhood, choose to self-title an album, it signals either a re-branding or further solidifies how the band wants to be perceived from this point forward. This album (which is their third full-length LP) falls into the latter category as it thoroughly solidifies the type of music that The Neighbourhood have grown into. The album as a whole focuses on the band’s strengths: gloomy themes, synth-laden riffs, and outstanding vocals from front-man Jesse Rutherford.
The promotional approach for this album was different than what they had tried in the past, as they released two EPs (Hard & To Imagine) leading up to the release of the full-length. This creative approach of teasing the new styles and themes they were experimenting with gave their fans a glimpse into the creative process that went into this album. The lazy approach of releasing two EPs and having the same exact songs and sequencing on the album is not in this band’s DNA, as they have chosen the very best of the EPs content and created an album worth multiple repeat listens.