Review: Anberlin – Silverline

It feels great to have Anberlin back in the music fold. The band seemed very comfortable walking away from the music scene after the release of their last (and at the time, final) album called Lowborn and an accompanying farewell tour, yet fast forwarding to the band’s reconciliation in 2018, where Anberlin would perform several concerts and then in May of 2020, the band announced they would be working on some new music once again. Add in a few livestream concerts during the pandemic, and Anberlin regained their band chemistry and appear to be re-invigorated in the path that lies before them. This passion was felt first-hand in lead vocalist Stephen Christian when I interviewed him about Silverline. Hearing Christian’s take on how these songs came together with producers Tim McTague (Underoath), Chad Carouthers, and JJ Revell only brings further context to the rich tunes that came together on this EP.

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Interview: Stephen Christian of Anberlin


Recently I was able to catch up with the lead vocalist of Anberlin, Stephen Christian, for an in-depth interview about the band’s new EP entitled Silverline. We chatted about the legacy of Anberlin, the memories Stephen has from visiting each city as they go on tour, as well as what the band learned about their storied discography through each of their livestreams during the pandemic. Silverline will be released July 29th via Equal Vision Records.

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Review: Anberlin – Dark Is the Way, Light Is a Place

Anberlin - Dark Is the Way, Light Is a Place

My memories surrounding Anberlin’s fifth studio album, Dark is the Way, Light is a Place is kind of a mixed bag of emotions. While on one hand, I found the aggressive and darker tones to the music presented here as a nice change of pace from the brighter material that came before this, I couldn’t help but feel like some of the lyrics on this record were a tad too repetitive to connect with me on a deeper level. Anberlin worked on this record with veteran hit-maker Brendan O’Brien, and under his watchful eye, the band was able to create some of their best material as well. From the brilliant first single “Impossible” to the thoughtfully-crafted “Take Me (As You Found Me),” the band appeared to be hitting the right groove in the latter stages of their career. While some fans of the band regard this album as a rare misstep in the band’s evolution, I feel like Anberlin were at the cusp of something incredible during this moment in time. When asked about the possible impact of this record, Stephen Christian replied in one interview, “I feel like we’re on the brink of something…either world domination or destruction, but either way we’re on the brink.” By pushing themselves to the brink of creativity, the band have made an album that fits nicely into their storied discography.

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