The Offspring are putting the finishing touches on their new album. The full press release can be found below.
The lineup for the sixth annual Sabroso Craft Beer, Taco & Music Festival has been announced. This looks like my kinda festival.
Pranav Trewn, writing at Stereogum:
But what the Offspring popularized is a far more noxious strain of punk music, and especially punk ideals. The band did not revolt against systems perpetuating economic inequality or authoritarianism, but instead expressed a middle-class teenage resentment that comes from already getting everything you want at home but still being forced to go to school. “The Kids Aren’t Alright” and “Why Don’t You Get A Job?” depict the struggles of people with implied choices, who ultimately squander opportunities as they burn out. Because Holland keeps the details that led to those “choices” vague, it’s easy to read the characters in these songs as unsympathetic. You focus on the absence of ambition, not on the factors that eroded it in the first place.
The Offspring have shared a cover of 311’s “Down” and 311 have covered “Self-Esteem.” You can hear the new renditions on Spotify or Apple Music. 311’s Nick Hexum talked to Billboard about how the idea came together:
It was the Offspring’s idea, and a great idea. They said, ‘We had the idea to cover your song, and we’ve done it,’ and I was like, ‘Wow! I have to hear this,’ ’cause it’s such a signature song. Were they going to cover it faithfully or rework it?’ They reworked it just enough; There’s punk to it, and Dexter (Holland) actually does a killer job of rapping SA (Martinez)’s parts in more of a punk rock style, with fast drums. We were so blown away, It was so my fun to hear that. So we returned the favor and reggaefied (‘Self Esteem’), which is probably my favorite song of theirs. It’ll be a lot of fun to give the fans new versions of these songs they love so much.
Dorothy Atkins, writing at Law 360:
Facing the first day of a medical malpractice trial on Tuesday, a San Jose obstetrician-gynecologist who once drummed for The Offspring proved his punk rock bona fides rushing to the aid of a prospective juror in cardiac arrest, delivering CPR but forcing a mistrial over concerns his medical heroics could bias jurors in his favor.