An Oral History of ‘No Pads, No Helmets…Just Balls’

Simple Plan

Simple Plan did a little oral history of No Pads, No Helmets…Just Balls over at Alt Press:

That record could have taken, at the most, two months to make; it took a year. We were living in very close quarters, sleeping in a windowless room with bunkbeds. We were cooking for ourselves, which is normal, but nobody knew how to cook, so it was horrible. It was a tedious process. Arnold had this vision where he would say, “You guys record yourself, I’m going to come back and criticize and edit it,” and that’s exactly what he’d do. He would leave us days at a time in the studio, I would record the whole album, he would come back and be, like, “Yeah, you could do better,” and scratch everything I did. It was frustrating.

Reset was still better.

Simple Plan – “Singing in the Rain” Video

Simple Plan

Simple Plan’s new video for “Singing in the Rain” can be found on YouTube. The band have described it as a love letter to That Thing You Do:

The video for “Singing In The Rain” is a love letter to one of our favourite movies of all time, “That Thing You Do”. It’s about the exhilarating power that 3 chords, a drum beat and a catchy melody can have on the lives of the people who create it. The video takes you on the magical journey from rehearsing in a garage to playing stadiums and topping the charts. and the roller-coaster ride that is the music industry: both exhilarating and extraordinary, heartbreaking and bittersweet. We had a blast filming this video and we hope that you will enjoy it and that it will make you smile!

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Interview: Chuck Comeau of Simple Plan

Simple Plan

How’s it feel to finally have your new song, “Saturday,” out?

We’re excited! It’s been a long time since we’ve put out new music. The last thing we did was like this little EP that was a little bit of a b-side, I guess, quote, unquote — songs that were leftover from the Get Your Heart Onalbum. We take a little bit of time in between records because we go on tour for two, two and a half years on each cycle. Then we stop for a few months, catch our breath, and then we start writing and we write for a long time. We wrote for like a year and a half on this album. We wrote like 70-75 songs. It’s definitely exciting. People have been waiting and we’re finally able to give them something they can listen to and get stoked about the album. It feels good to feel like, “Okay, we’re kicking up in gear,” and we’re slowing switching from writing, making the record, and recording it, to actually having music out and going back on tour and planning some shows and the album cover and all that. So it’s exciting that we, as a band, have the luck and the privilege to be doing it for a fifth time.

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Review: Simple Plan – Simple Plan

Simple Plan - Simple Plan

Nearly three and a half years removed from their sophomore album, the platinum-certified Still Not Getting Any…, Simple Plan has returned from their sabbatical with a brand new self-titled CD. It’s evident upon first listen that while they’ve opted for the glossy production of a major-label band, they still have the songwriting skills of cavemen. Unfortunately for our now-damaged ears, the overdone production doesn’t distort the abominably dull lyrics enough to offer any comfort.

The social commentary (no, really) from Simple Plan begins with the opener and lead single, “When I’m Gone,” while introducing us to a main talking point about the new album. Frontman Pierre Bouvier’s vocals, previously one step above nails on a chalkboard have lost most of its grating whine, and instead dropped him in the middle of every other average pop-rock singer with little to no range. Nonetheless, the band yearns for acceptance with a vast array of mid-tempo ballads and slow songs that will totally undershoot their target audience. Frankly, it doesn’t even sound like they’re trying half of the time. “The End” amounts to nothing more than a crappy b-side from The Higher’s newest album; heavy on distortion, little on substance. As Bouvier begs and pleads for the subject of the song to stay and croons, “You know it’s not the end,” the listener begins to wish it was.

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