Sufjan Stevens Pens Washington Post Op-Ed

Sufjan Stevens

Sufjan Stevens has written an op-ed for The Washington Post:

A “Christian Nation” is absolutely heretical. Christ did not come into this world to become a modifier. Look what happened to the Holy Roman Empire.

Jesus said you must hate your mother and father and love your enemies. This is not obtuse provocation, but it’s spiritual deployment of true identity, which no longer resides in skin color combination, ideology, genealogy, name, people, places and things, but in the brotherhood and sisterhood of all humankind, which is ruled by love at any cost.

Sufjan Stevens Shares Statement on Muslim Ban

Sufjan Stevens

Sufjan Stevens has shared a statement on Donald Trump’s Muslim ban.

There really is no such thing as an illegal immigrant, for we are all immigrants and refugees in a wildly changing world that is dominated by superfluous boundaries built by blood and war. We all come from somewhere else. The truest of “Americans” have either been destroyed by the white immigrant, incarcerated, isolated, held captive, or stolen and enslaved. We are all complicit in the injustices against basic human rights and common decency, to put it mildly, which renders our own “inalienable rights” as questionable or obsolete.

New Sufjan Stevens Songs in Upcoming Film

Sufjan Stevens

The Hollywood Reporter is reporting that Sufjan Stevens will have new original songs in the upcoming film Call Me By Your Name:

Set to debut in the festival’s Premieres section on Jan. 22, Call Me by Your Name is based on Andre Aciman’s novel of the same name and stars Armie Hammer as a 24-year old American scholar spending the summer of 1983 in Northern Italy, where he attracts the attention of a 17-year-old Jewish-American boy, played by Timothee Chalamet. Michael Stuhlbarg rounds out the cast as the boy’s father.

Unreleased Sufjan Stevens Apparently Found in Dumpster

Sufjan Stevens

Apparently an unreleased Sufjan Stevens album was found in a Brooklyn dumpster. Michelle Geslani, writing for Consequence of Sound:

“I used to work next door to Sufjan’s studio in Brooklyn,” an anonymous poster recounted on Reddit yesterday. “One day, while he was renovating the place, he threw a bunch of stuff into the building’s dumpster. I salvaged this…as far as I know, I don’t think it’s ever been released.”

And from an interview with the album’s finder, via Stereogum:

I deleted the Reddit post because I felt awful about sharing the album after Asthmatic Kitty’s spokesperson kindly asked me not to. That was definitely a misstep on my part. I should have respected his wishes. On the other hand…this is trash we’re talking about. Publicly available trash. I didn’t Frankenstein the album together; it was right there, perfectly intact, complete with a clean-cut square of album art and a track listing. After discovering that it was never released, and reading the desperation from Sufjan fans who really wanted to hear this little piece of his history, I decided it best to allow Stalker to live through the self-multiplying preservationists that make the internet what it is. The alternative was a sad, quiet death for an album that I think shows a wonderfully playful side of Sufjan’s early career.

Review: Sufjan Stevens – The Age of Adz

Sufjan Stevens - The Age of Adz

For a while, things didn’t look too good.  It’d been five years since Sufjan Stevens released Illinois, the second album in his 50 States project, and fans hadn’t heard any news on the project – or his music-  until sometime in 2009, when Stevens announced he was done with the project.  Let’s be real, we knew he probably wouldn’t keep up with it, but wouldn’t it have been nice to hear a New York or Kansas album?  Even more troubling than the demise of his project was the revelation that Stevens was thinking about quitting.  Publicly questioning the mere purpose of creating music since albums were becoming obsolete due to downloading, Stevens just seemed disillusioned and tired.  Thankfully, he found it within himself to release the All Delighted People EP earlier this year, shortly followed by the announcement that his sixth proper album, The Age of Adz, would be releasing in the fall.  But fans were blindsided once again by Stevens once Adz traveled into ear canals everywhere.  The 50 States project wasn’t the only thing that got left behind this year, as Stevens’ brand of folk is nowhere to be found outside of the deceiving opening track (“Futile Devices”).  Instead, Stevens has rebuilt himself and his music with new themes, glitchy electronics, booming drums, Auto-tune, and more.

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