Review: The Weeknd – Dawn FM

Fresh off a well-received fourth album in After Hours, paired with a brilliant performance at last year’s Super Bowl halftime show, The Weeknd has returned with his next thrilling opus called Dawn FM. The set of 16 songs, interspersed with dialogue and various interludes, plays out like a futuristic radio show meant for the dance floor. The album features a litany of producers, that includes The Weeknd, Max Martin, and Calvin Harris among many others, yet this record never strays from its utmost purpose of being a beacon of light towards its theme of being a metaphor for purgatory. In a recent interview with Billboard, The Weeknd expanded on this concept by explaining, “Picture the album being like the listener is dead. And they’re stuck in this purgatory state, which I always imagined would be like being stuck in traffic waiting to reach the light at the end of the tunnel. And while you’re stuck in traffic, they got a radio station playing in the car, with a radio host guiding you to the light and helping you transition to the other side. So it could feel celebratory, could feel bleak, however, you want to make it feel, but that’s what ‘The Dawn’ is for me.” The styles of new wave, to dance pop, all the way to funk and EDM thrown into the mix, make for an ultra-refreshing listening experience. The first major release of 2022 has arrived in a big way.