Interview: Teppei Teranishi of Thrice

Thrice

A couple of days ago, I was able to schedule an in-person interview with Teppei Teranishi of Thrice in Baltimore, Maryland to discuss the band’s excellent new record called Horizons/West. In this interview, I asked Teppei about the writing process of a few key songs on the new LP, the vinyl reissue plans of key albums like The Alchemy Index, and much more. Thrice are currently wrapping up their fall tour, and tickets are on sale here.

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New Thrice Vinyl Pressings

Thrice

Thrice’s Identity Crisis and both editions of The Alchemy Index are getting new vinyl pressings.

For the first time ever, Thrice release a standalone vinyl version of the album The Alchemy Index, Vols. 1 and 2: Fire and Water. This unique pressing includes the Fire half of the album on translucent orange crush 12” vinyl, and the Water portion on translucent sea blue vinyl. This release will be included in the inaugural band event featuring special catalog releases, dubbed “Thrice-giving,” this holiday season

Review: Thrice – Horizons/West

Thrice - Horizons/West

Thrice have never been strangers to taking a leap of faith in their career. From the early metal days of crowds shouting at them to “Play ‘Deadbolt!'” from The Illusion of Safety, to the risk/reward effort found on Vheissu, all put on a spin cycle throughout their stunning post-hiatus output that includes some of my favorite records of all time, Thrice keep on truckin’ along with veteran ease on Horizons/West. A direct sequel to the sound and direction the band took on Horizons/East, I feel like this second part is a better version of Thrice and finds them reaching deep into their bag of tricks while not losing the magic that made them such a fun band to be a fan of in the first place. “This is the first time we leaned into something that felt like a direct continuation, like a sequel to a previous album,” says frontman Dustin Kensrue. “A lot of this record is about parsing reality,” Kensrue explains. “We’re constantly being influenced by algorithms, by fear, by our own social echo chambers. Horizons/West tries to pull the curtain back on some of that. We’ve always just followed our curiosity, wherever it leads. We want to keep growing, exploring, and making something that feels honest to who we are right now.” By keeping their artistic integrity firmly intact, Thrice quickly showcase why they’re one of the best and consistent bands to ever grace our scene.

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Riley Talks Drums on New Thrice Album

Thrice

Riley from Thrice posted up a new blog about the band’s new album:

I kept it really conservative with my set up. I used the same old kit (save a couple minor exceptions) and same snare for every song. The Q Galvanized Steel has been on every record post-hiatus because I love it and it tunes up so easy. It’s punchy, and lively, and fun as hell to play. Great combo. My Q Copper Gentlemen’s snare has also been on every record post-hiatus because it’s like a Swiss Army knife – works great in any situation, sounds awesome regardless of tuning range, and every audio engineer I’ve worked with legit loves it.

Thrice Talk New Album With Yahoo!

Thrice

Thrice talked with Yahoo! about their new album:

Yeah, it was fun, especially lyrically. We decided to split the record partway through making the last record, Horizons/East. It was just Horizons at the time, and so I didn’t have a ton of time to end up theming /East as intensely as I wanted to. But knowing /West was coming, I had a couple of years to really ruminate and distill some of that. So it was actually a lot of fun, and I feel like it’s the most thematically rich, dense record we’ve done other than The Alchemy Index.

And, because the Asana shoutout made me laugh:

We use an app called Asana to share at the points that we feel like something is in a shareable spot. In the past, we’ve passed Dropbox files around, but we haven’t done that in a little bit. That was when we weren’t living in the same place, and it was harder to jam in person. So, now, it’s a bit more of, like, “Here’s this idea,” and then we jam on it.