Geoff Rickly of Thursday is the latest guest on the Vinyl Me, Please podcast. He discusses his thoughts on Brand New’s new album Science Fiction.
Read More “Geoff Rickly of Thursday Talks About ‘Science Fiction’”
Thursday have announced some new tour dates and a note about the band. You can read the full statement below.
Here’s a great thread on Twitter from Geoff Rickly of Thursday talking about toxic masculinity in the music scene:
There are so many idiotic and arrogant statements made by members of both bands in this article. A lot of muddling of issues and bro culture. There’s a recurring idea that sexual assault, misogyny & worse are all “just rock & roll”- maybe that’s why it’s on the decline? Mocking safe spaces at giant fests while courting an audience comprised of a significant number of minors is fucking gross. Pretending that “dangerous” in the context of punk means degrading women or using the stage to bully someone shows you don’t “get it.” The idea of “danger” in punk has had many meanings. All of them subversive: People of different class, race, gender and orientation infiltrating the R&R boys club is dangerous. Being DIY and going against corporate control of music is dangerous. Even playing with such intensity and abandon that you put the moment over your own physical well being is dangerous. The Clash, Nirvana, Black Flag, Bikini Kill, Fugazi… all dangerous. This nonsense on the other hand. This is a fucking frat party. Gross. Unsafe. But not “dangerous” in the context of punk.
I had the pleasure of shooting some photos of Thursday, Touché Amoré, and Basement in Seattle at the Showbox over the weekend. You can check out the gallery below.
Thursday have announced some new tour dates with Basement and Touché Amoré. You can find those below.
As Riot Fest wraps up this year, I have one question: when is it not festival season? I feel as if we’ve transitioned into an era where festivals and big bills are the new trend. I’ve attended and photographed four “festivals” this year alone and Riot Fest was one of the more enjoyable to shoot. The festival was easy and accessible — which isn’t always the case. Below you’ll find images of Thursday, Underoath, Glassjaw, and many more.
Geoff Rickly of Thursday posted a message on Twitter defending G.L.O.S.S. on their decision to remain independent.
A pretty great recording of Thursday’s set from Wrecking Ball can be found below.
Gary Suarez, writing at Pitchfork, speaks with Geoff Rickly of Thursday on “surviving” Martin Shkreli. This is the first time I’ve seen Geoff publicly mention that Collect Records was originally going to put out that The Hotelier album:
We would talk about bands. He brought me the Hotelier. I didn’t know them, they were sort of a buzzy band already. But he was super into them. He was always like you’re not signing enough bands. For me, the situation was so good that I didn’t want to lose it. I probably should have pressured him to put more money into each band.
And:
I met with the Hotelier about their record, which is so good. I thought, “This is the record that could save our label, it’s so good. There’s this one song on it that’s so much better than the rest of the record that we finally have a single—a real single.” And they were like, “We can’t do it.” That meeting, I felt like somebody punched me in the stomach. And I didn’t feel like they were betraying me. I just felt like I was understanding there’s no saving it. This is it. This is done.
Thursday have added a second date at the Starland Ballroom on December 29th. Tickets are now on sale.
Thursday frontman, Geoff Rickley, speaks with Alt Press in a new interview about the band getting back together to play Wrecking Ball and what could be next:
There’s something I hated at the time that I’m counting as a blessing now. At the time, I really hated the fact Thursday came up and inspired bands like Story Of The Year and the Used because I hated that [the scene] was turning into radio rock that was turning off the kinds of bands that I wanted to be influenced by us, making them do smart things with post-hardcore. [Those bands] would think, “It’s totally played out and whitewashed, I’m going to move on to indie rock” or this or that. I resented it at the time because I wanted to have a bunch of really smart, interesting peers who pushed the art form to another level. Looking back on it, I feel like maybe part of the the reason Thursday is so relevant and pure is because there was this radio rush and the smart kids stopped making post-hardcore. There aren’t that many great post-hardcore bands who came in the wake of Thursday doing this stuff. I think that’s why Thursday still stands up: There wasn’t a lot of great innovation in the wake of the band. And I owe that to bands that were more interested in radio hits—they helped preserve the vitality of Thursday.
Wrecking Ball have announced a pretty incredible festival in Atlanta. Thursday are making their return to the stage, along with Dinosaur Jr, American Football, Piebald, and many others. The poster with the line-up can be found by hitting read more.
Read More “Wrecking Ball Announce Line-Up; Includes the Return of Thursday”
Honestly, we all should have seen this coming from Thursday. They’ve been dropping hints of a more atmospheric and textured sound in their records over the past five years (A City By The Light Divided, their split EP with Envy, and Common Existence). So anyone who is saying that their new album, No Devolución, is a new beginning or rebirth for the band just haven’t been paying attention. The common Thursday traits are still present: Geoff Rickly’s not-perfect-yet-so-perfect croon, distorted guitars, thick instrumentation, and, of course, Rickly’s realistic and cathartic lyrics. What’s different is that No Devolución isn’t as abrasive as Thursday albums past, rather it’s soaked in luscious, experimental tones and dark melodies.
Read More “Thursday – No Devolución”
Thursday will go down as one of the iconic bands of our generation amongst the hardcore and punk scene. Whether you think they’re not underground enough, or don’t play enough hardcore for your liking anymore, they’ve certainly proven themselves time and time again on record, and more importantly, within the community itself. On the heals of their next album, No Devolución, this will be a sharp left for many, but long time fans will see the band shine at possibly their brightest moment yet. Stripping themselves of most of their hardcore elements, the album still packs an elegance and driving force that made us all fall for the band’s music over a decade ago. On the second night of their tour with Underoath, Geoff Rickly sat down with me over chips and guacamole to talk about the last ten years, the scene and how proud he is of the band’s next album.
Read More “Geoff Rickly of Thursday”
