‘We’re Not Gonna Do It Man. We Can’t. We Quit.’

Luke O’Neil talked with a variety of artists, including Dan Campbell of The Wonder Years, Riley from Thrice, and Geoff from Thursday about their lowest moments being in a band:

It definitely tests your mettle. I think the biggest thing is, the things you learn from being in band are, well, problem solving is close to the top of that list. What are you going to do if you’re stranded in Germany? What are you going to do when your battery dies on the van and you’re in the middle of the West Texas desert and you have to get to the show the next day? I think without times like that you don’t learn those lessons and you break down. But we just kind of leaned on each other a little bit and said ok let’s fucking figure it out. We can either quit or figure it out.

Geoff Rickly Talks Mental Health

Parker Molloy talked with Geoff Rickly of Thursday about how mental health issues in the arts needs to be talked about more:

“I think mental health is still a source of great shame for most people,” Rickly adds. “Implying that there is anything wrong with their mind is still often considered an insult. For artists, I think there’s a sense that we don’t have much (money, material success) but the one beautiful thing that we get as an artist is a state of mind, a high level of imagination and a lot of time to explore it. If you devalue that, by saying our thinking is sick, it takes away from the one thing we have of any value. Or it can feel that way.”

Geoff Rickly Reveals His Childhood Obsession with Commercial Jingles

Geoff Rickly of Thursday performed at Kops Records early this week and talked about how “This Song Brought to You by a Falling Bomb” came to be:

… and I thought, god, I wish I could write a commercial for a bomb because it’s like the perfect product; people need it, they always want to blow each other up, but you can’t reuse it, so you’ve got to buy a new one every time, and the market doesn’t even set the price; it’s federally funded. Man, this is like the perfect product, and I started writing jingles for bombs and this is the song that came out of it.

He also performed four acoustic songs, which you can watch below.

Geoff Rickly on Bro Culture in the Music Scene

Here’s a great thread on Twitter from Geoff Rickly of Thursday talking about toxic masculinity in the music scene:

There are so many idiotic and arrogant statements made by members of both bands in this article. A lot of muddling of issues and bro culture. There’s a recurring idea that sexual assault, misogyny & worse are all “just rock & roll”- maybe that’s why it’s on the decline? Mocking safe spaces at giant fests while courting an audience comprised of a significant number of minors is fucking gross. Pretending that “dangerous” in the context of punk means degrading women or using the stage to bully someone shows you don’t “get it.” The idea of “danger” in punk has had many meanings. All of them subversive: People of different class, race, gender and orientation infiltrating the R&R boys club is dangerous. Being DIY and going against corporate control of music is dangerous. Even playing with such intensity and abandon that you put the moment over your own physical well being is dangerous. The Clash, Nirvana, Black Flag, Bikini Kill, Fugazi… all dangerous. This nonsense on the other hand. This is a fucking frat party. Gross. Unsafe. But not “dangerous” in the context of punk.

Denver Riot Fest 2016

As Riot Fest wraps up this year, I have one question: when is it not festival season? I feel as if we’ve transitioned into an era where festivals and big bills are the new trend. I’ve attended and photographed four “festivals” this year alone and Riot Fest was one of the more enjoyable to shoot. The festival was easy and accessible — which isn’t always the case. Below you’ll find images of Thursday, Underoath, Glassjaw, and many more.