Review: The Maine – Can’t Stop, Won’t Stop

The Maine - Can't Stop Won't Stop

The beauty of pop-punk is all around us.

I see it when I peer down at my turquoise and lime green limited edition Air Force Ones. I see it on my computer screen while I’m bashing other reviewers for hating my favorite bands. I feel it when I pen every new, wonderful, totally original opening paragraph about a pop punk band. There’s just too much about this music – and life for Christ’s sake – to love. I’m in love! With a girl. With The Maine

Let me tell you about it!

The Maine are original in the way that Doritos keep making zestier Cool Ranch or tangier Nacho Cheese chips. (And we’re supposed to celebrate this? It tastes the f**king same!) Rather than nut-busting rockers, they prefer to chill us out with acoustic guitars and jog-don’t-sprint tempos. Also, while most of the lyrics are terrible, they still find a way to resonate with me. I’ve been there: One time a girl blocked my advances and I almost died. Another actually broke up with me and I was clinically dead for 6 minutes.

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Review: Valencia – We All Need a Reason to Believe

Valencia - We All Need a Reason to Believe

Pop-punk is dead.

Okay, so maybe that isn’t as great or grand as the statement Nas made in 2007 about hip-hop, but it still applies here. Once a genre full of camaraderie, energy, and statements has become stale, as bands are more concerned with their neon clothes, swooping hair cuts, and which 17 year old groupie they are going to nail tonight. Pop punk is dead. And like Nas tried to resurrect his genre, we need a band that can breathe new life into pop-punk. 

This band is Valencia.

The band’s debut, 2005’s This Could Be A Possibility, was overall a good album, displaying themes and vibes that brought back memories of quality pop-punk, but their Columbia Records debut, We All Need A Reason To Believe takes the Philadelphia quintet’s sound to the next level. Produced by Ariel Rechtshaid (We Are Scientists, Plain White T’s), We All Need A Reason To Believe features eleven tracks that are fast, raw, and pack an emotional punch the majority of the bands in the genre fail to generate.

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Review: The Hold Steady – Stay Positive

The Hold Steady – Stay Positive

To have the “perfect” night, you need to make sure you hit all the criteria.

Is the sun setting and is there a light breeze?

Check.

Are my closest friends with me and am I drinking my favorite brew?

Check.

Is the soundtrack to the perfect night spinning in my stereo?

You can only check this off if said soundtrack is Stay Positive, the fourth studio album from The Hold Steady

The Brooklyn quintet has a knack for spinning intricate tales of drinking, friendship, the good times and the bad. Vocalist and guitarist Craig Finn is a master at his craft; his vocals are gruff yet inviting, his lyrics deep yet simple. Produced by John Agnello, Stay Positive is eleven tracks chock full of big riffs, beautiful keys, and raw energy throughout. 

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Review: Finch – Finch EP

Finch - Finch EP

Just when I thought you couldn’t get any dumber, you go and do something like this… and totally redeem yourself!

Harry Dunne

When you saw the link to my Finch review, you probably thought to yourself, “oh, Drew will probably talk about how Say Hello To Sunshine alienated so many fans and in some way was a cause to the band initially breaking up, blah, blah, blah.” But I will do no such thing, instead I fooled you with a Dumb and Dumber quote! Just like that adventure Harry Dunne and Lloyd Christmas made cross-country to return that briefcase (Samsonite! I was way off! I knew it started with an S, though.), Finch’s journey has been one of up’s and down’s. But the California quintet (Hmmm, California! Beautiful!) have fought through all their adversity to release the best Finch material to date.

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Review: Hit the Lights – Skip School, Start Fights

Hit The Lights - Skip School, Start Fights

Considering a majority of their fan base ranges in the age group of 14-18 years of age, Skip School, Start Fights might not be the wisest message to send to today’s ever-vulnerable youth, who have taken the bait from every young pop band with scenester haircuts. Yet for Ohio pop-punk quartet Hit The Lights, they appear to be a different breed of pop-punk – no synthesizers blazing the overproduced dance songs, no overdubbed auto-tuned vocals, and well … no scenester haircuts to be seen as far as I can tell. In fact, they might even do pop-punk better than just about anyone out there right now, not making any large creative strides, simply offering a slice of sprightly exhilaration.

How is all this possible, you might be asking? With dozens of pop bands to choose from, the music scene for today’s teenagers has become a major-label-funded ice cream truck of sorts. Most fans likely choose their ice cream by the way it looks and not by the way it tastes – after all, Teenage Mutant Ninja Turtle ice cream is so much yummier than banana fudge. Although, in the long run, the coolest (let’s use that term lightly) looking one is always the most difficult to eat and gives you the biggest stomachache.

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