A Hello, A Goodbye

I started writing online by uploading HTML files to some free server in 1996. Angelfire? Geocities? Something like that. I was playing around with this relatively new thing called “the internet” and had no idea what I was doing. I created a little “about me” page that talked about how much I loved Blink-182, MxPx, and the comic Foxtrot. I’ve been doing some variation of this for over 20 years. When I first picked the name “AbsolutePunk.net,” it was because I saw a vodka magazine ad, I thought it would show up first in an alphabetized Yahoo! directory, and my adolescent brain thought I was a little punker. At the time I had no idea that this would end up being my career or that I’d gradually shift the website into an online alternative music publication that would cover thousands of artists, have hundreds of contributors, and be read by millions. The growing pains were tough. The servers couldn’t handle the traffic we were seeing, the overhead cost of running this website from my parents’ basement or my dorm room became almost unsustainable, and a little band called Fall Out Boy exploded into the mainstream and brought millions more searching for the exact kind of music we were talking about in our little corner of the internet. Searching for answers and help, I ended up selling the business I had created in my teens.

I think it’s safe to say that didn’t quite play out as I thought it would. However, the love for the music outweighed it all. In many ways running the website became the very job I had tried to avoid. Stress. Anger. Depression. A frustration brought on by the feeling of a constant cycle of defeat. But, so many of you still read my quirky sarcasm in the news. People still talked with the staff about music, life, and pop-culture. You’ve still read our features, read our incredible reviewers, pored over our articles, and listened to Drew, and Thomas, and I talk on podcasts. People still wanted to know what Jesse Lacey had for dinner. I had started my first business, AbsolutePunk, LLC, as a teenager with cargo shorts and puka shells. I started my second, Chorus, LLC, in my early thirties — an online consulting business that included running that very same website I had started when we all wanted to look like Kenny Vasoli. Today I’m writing to announce that my second company is buying back my first.

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Dave Wiskus on SoundCloud Go and Artists

Soundcloud

Dave Wiskus, of Airplane Mode, wrote an open letter to SoundCloud about their new streaming service:

You can slice it, package it, or spin it however you like, but the bare fact is that you’re making money off of songs you aren’t paying for. Worse, you’re doing it while perpetuating an air of exclusivity around the concept of making money. All while you’re pretending to be a friend to the little guy. There’s nothing artist-friendly about this approach.

But wait! There’s more!

Airplane Mode has a SoundCloud Pro account to get access to unlimited uploads and a few other features that make the service useful. This account costs us $15 per month. So not only are you getting our music for free and paying us nothing, we’re actually paying you to take it. What an excellent deal. For you.

Kanye West’s ‘The Life of Pablo’ Streamed 250 Million Times in 10 Days

Kanye West

Dan Rys, writing for Billboard, on TIDAL’s recently released streaming and subscriber numbers. Apparently Kanye West’s The Life of Pablo was streamed 250 million times in the first 10 days of release.

Tidal also finally released numbers for Kanye West’s The Life of Pablo streams for the first time, after West requested the service withhold the numbers when the album first became available in February. According to Tidal, Pablo surpassed 250 million streams in its first 10 days of release. Pablo, which West previously said would only ever exist on Tidal, has been going through some changes in real time of late as the artist updates certain tracks, and just yesterday made the single “Famous,” featuring Rihanna, available on both Apple Music and Spotify, ending his Tidal-only crusade.

SoundCloud Launches Subscription Service

Soundcloud

Jacob Kastrenakes, writing for The Verge, on SoundCloud’s new subscription service.

Though anyone can create a SoundCloud account and upload songs unworthy of your time, some huge artists also use it to publish tracks that you won’t find anywhere else. Kanye West, for instance, posted a new song over the weekend that you won’t even find on Tidal. It’s his fourth track exclusive to SoundCloud.

But bonus tracks only go so far. What matters for a subscription music service is how many paid tracks are available, and SoundCloud Go appears to have far fewer than its top competitors. SoundCloud is advertising a library of 125 million songs, but at least 110 million of those are free, user-uploaded tracks. While Spotify, Apple Music, Tidal, and the other big streaming services have around 30 million paid songs, SoundCloud Go appears to include closer to 15 million.

This feels like a divergence from what makes SoundCloud unique.

Laura Jane Grace: “About That Title”

Against Me!

Laura Jane Grace of Against Me! wrote a blog discussing the title of her upcoming book.

But the title fits the book. After we had been working on it for months, and had poured several thousand words into it, I told Dan what I wanted to call it. “Now that I’ve heard it, I can’t imagine it being called anything else,” he said. There is a certain element of expletive present behind the title, sure, but in no way did I arrive at it for the purpose of sensationalism. I’m not attempting to publish a self-aggrandizing piece of writing here. TRANNY is an incredibly scathing look back at my life. There are themes of hatred and aggression, directed at me from other people, but mostly inwardly, from myself. I’ve been called horrible insults and slurs over my career, my reactions to some have even famously landed me in jail. But I’ve learned to adapt by embracing them, and using them as armor, which should be apparent from the subtitle: Confessions of Punk Rock’s Most Infamous Anarchist Sellout.