Review: Red Hot Chili Peppers – Stadium Arcadium

Red Hot Chili Peppers Stadium Arcadium

Why would any band ever release a double album? Serious question. The deck is stacked against you. Even the Beatles couldn’t do it without filler, and they were working in the days of vinyl. (Plus, you know, they were the Beatles.) What the hell do you have in your songbook that justifies two CDs of material? Calm down, go home, cut some tracks, and come back when you’re ready to be serious about making a cohesive work of musical art.

By all accounts, double albums are impossible. Even the acclaimed ones don’t escape the charge of filler, from Bruce Springsteen’s The River to The Smashing Pumpkins’ Mellon Collie & The Infinite Sadness. Let’s not even get into the kind of reputation that Foo Fighters’ In Your Honor has, or Arcade Fire’s Reflektor. And you can sure as hell bet that Justin Timberlake’s The 20/20 Experience and Green Day’s trilogy would have better legacies if they had been single-disc affairs.

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Uncanny Valley

Uncanny Valley

Anna Wiener, writing on N+1, with the best thing I read this weekend:

We get ourselves out of the office and into a bar. We have more in common than our grievances, but we kick off by speculating about our job security, complaining about the bureaucratic double-downs, casting blame for blocks and poor product decisions. We talk about our IPO like it’s the deus ex machina coming down from on high to save us — like it’s an inevitability, like our stock options will lift us out of our existential dread, away from the collective anxiety that ebbs and flows. Realistically, we know it could be years before an IPO, if there’s an IPO at all; we know in our hearts that money is a salve, not a solution. Still, we are hopeful. We reassure ourselves and one another that this is just a phase; every start-up has its growing pains. Eventually we are drunk enough to change the subject, to remember our more private selves. The people we are on weekends, the people we were for years.