Apple and Steven Spielberg Bringing Back ‘Amazing Stories’

Apple

Apple and Steven Spielberg have reportedly agreed to a content deal to bring Amazing Stories back to TV:

The new deal pulls in the director’s production company Amblin Television, along with NBCUniversal, with plans to resurrect beloved 1980s fantasy/sci-fi/horror anthology Amazing Stories. The original series only ran for two seasons in the mid-80s, but racked up a fair amount of critical acclaim and fond memories, including a dozen Emmy nominations.

Twitterrific 5.0 for Mac

Twitter

Twitterrific, the long running Twitter client, has released a new Mac version today:

Twitterrific for macOS features a clean, uncluttered timeline displaying just the content you care about. There are no advertisements, promoted tweets, or “while you were away” updates getting in the way of the stuff you care about most. In addition, tweets are presented in chronological order and other people’s likes aren’t cluttering up your timeline.

It looks like a solid release. I still prefer Tweetbot, but the customization options offered here are really nice. I hope this inspires Tweetbot to keep pushing forward and improving their version.

Harvey Weinstein’s Accusers Tell Their Stories

The New Yorker

Ronan Farrow, writing for The New Yorker:

In the course of a ten-month investigation, I was told by thirteen women that, between the nineteen-nineties and 2015, Weinstein sexually harassed or assaulted them, allegations that corroborate and overlap with the Times’ revelations, and also include far more serious claims. […]

Sixteen former and current executives and assistants at Weinstein’s companies told me that they witnessed or had knowledge of unwanted sexual advances and touching at events associated with Weinstein’s films and in the workplace. They and others describe a pattern of professional meetings that were little more than thin pretexts for sexual advances on young actresses and models.

Fuck this scumbag.

The Szechuan Sauce Fiasco

McDonalds

Ben Kuchera, writing for Polygon:

This is a weird situation for everyone, because Adult Swim had nothing to do with the promotion, nor did anyone from the show itself get a heads up about how McDonald’s would try to take advantage of the joke. McDonald’s, for its part, didn’t seem to understand what it was tapping into when it leaned into this gag.

No one was prepared for the enthusiasm of Rick and Morty fans, who are already getting an online reputation for, believe it or not, narcissism and toxicity. And they took that toxicity out on McDonald’s employees, who had little idea of how bad their day was going to get.

We are living in the dumbest timeline.

Review: Circa Survive – The Amulet

Circa Survive - The Amulet

By all accounts, Circa Survive shouldn’t be here. The band’s frontman, Anthony Green, sometimes can’t even believe that the band has survived all the demons and turmoil over the course of their career. But Green and his bandmates have continually persevered through it all, alive and thriving with their sixth full-length album (and Hopeless Records debut) The Amulet, the band’s darkest and most personal piece of art yet.

The hazy opener, “Lustration,” begins with Green’s familiar croon before erupting into an unshakeable groove provided by drummer Steve Clifford. It’s a warning of sorts (“Beneath your finger nails/they’ll find small pieces of stone/you’ll face the sun/cut with the pressure point”) mixed in with Green’s desperate pleas (“I don’t want to be the anchor on your chest“ and “I don’t want to see the moment you forget”). Elsewhere, the album’s ominous vibe penetrates on tracks like “Premonition Of The Hex” and “At Night It Gets Worse,” with the latter being a career highlight. Its glacial pace slowly picks up as the implied dread increases, leaving the listener feeling uneasy. We also get some of Will Yip’s best production work ever – the thrilling guitar riff that kicks off “Stay” is incredibly crisp and Nick Beard’s bass work across the record (especially on the Juturna-esque “Tunnel Vision” ) is thoroughly killer, providing the backbone to the vast majority of The Amulet. Colin Frangicetto and Brendan Ekstrom’s dueling guitar acrobatics are a pleasure as well – “Never Tell A Soul” never lets up the pace as Green tears through the chorus.

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