Month: October 2017

The 1975 and Pale Waves

Pale Waves and The 1975
Jason Tate

Matty Healy of The 1975 and Heather Baron-Gracie of Pale Waves are on the cover of the latest issue of NME talking about making music together:

Matty is at pains to point out the precise extent of his involvement in Pale Waves. “The songs were there, so my involvement in writing was only editing,” he says. “I always have a fear of being overbearing. I know what it’s like to be want to be prided on your own merits, and I would hate to be resented by an artist for feeling I’d strong-armed my involvement for my own personal gain.”

And:

The adulation looks set to grow as Pale Waves make their careful, precise steps forward. Later today, Heather’s back with the rest of the band in the studio recording an EP. An album will follow, but not for at least a year. “With the album, I think we’re just going to show another side to us which is a lot more emotional and not as – I don’t know how to put it… Just, like, a bit more intense.”

Fall Albums: Part Deux (Encore Episode 155)

Encore 155
Jason Tate

On this week’s episode of Encore I am joined by special guest Ryan Gardner to talk about one of my favorite times of year and the music that comes along with it. We talk about why we like fall music, what makes something, specifically, a “fall album,” and then we dive into some of our favorite albums and songs that we think fit into this category. I’ve also put a playlist together (Apple Music and Spotify) that includes some of our favorite fall songs from the albums we talk about in the episode.

I’d love to hear other albums people associate with this time of the year, so hit me up on Twitter or in the forum and let me know what kind of music you break out when the leaves begin to change.

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Review: Mineral Girls – This Is the Last Time Every Time

Mineral Girls - This Is the Last Time Every Time
Zac Djamoos

There’s very little solace to be found in Mineral Girls’ This Is the Last Time Every Time. The world the characters inhabit is an indifferent – if not outright cruel – one to be certain, but most of the anguish on display here comes from inside. “I’m not trying to get any better / I’m just trying to make it look like I am,” becomes something of a mantra for the record.

This Is the Last Time Every Time is an appropriate title for an album as concerned as this one is with trying to change. The title of the opener (from which comes the above lyric) is “Let’s Talk About Us,” after all. And the song is just as cathartic as it sounds. See, for all the intensity behind the lyrics, the band behind them matches it pound for pound. For the most part, they’ve ditched the fuzz from Cozy Body in favor of a rougher, more straightforward emo sound. “The Bruise on We” begins with a Mineral-style riff, building and building to a post-hardcore climax, complete with harsh shrieks. It’s the only moment like it on the album, but it feels totally necessary. Elsewhere, like the title track, the band introduces electronics into their sound.

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