Review: L.S. Dunes – Violet

After a band as talented as L.S. Dunes is crafted their stunning debut album, Past Lives, the pressure was compounded for them to deliver once again. Luckily the “supergroup” of drummer Tucker Rule and bassist Tim Payne (Thursday), guitarist Frank Iero (My Chemical Romance), guitarist Travis Stever (Coheed & Cambria) and vocalist Anthony Green (Circa Survive, Saosin) are well up to the task at hand on Violet. The set was once again produced by veteran hit-maker Will Yip and showcases the subtle improvements the band has made to their already dynamic sound. The record is filled with several ambitious moments that hit the listener in the feels right away. Look no further than the opener of “Like Magick” that starts off with Green doing his vocals a cappella before the rest of his bandmates join in on the mix.

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Review: Strategies – “Presence”

Formed remotely during the pandemic, the band called Strategies is back with a new single called “Presence” that reminds me a bit of the softer elements of emo rock bands like American Football and Further Seems Forever. The band begins the song with smooth sounding vocals paired with a lush instrumental background to help set the stage for the track. The single showcases the band’s ability to let the music flow right through them and create unique art with their inspiration. Clocking in just under the three-minute mark, this quick song is sure to remain in your headspace long after the last note is played out. The future looks bright for Strategies.

Review: Le Big Zero – “How Very”

On the latest single from Brooklyn, New York punk band, Le Big Zero, called “How Very” they channel their love for big pop hooks and cool instrumental breakdowns in an interesting delivery. The lead track from their forthcoming EP titled How To Use a Semicolon, the dual vocals of songwriter/guitarist Michael Pasuit and singer Carolina Aguilar mesh well as they harmonize throughout the electric song. The track begins with an old school drum beat supplied by Lukas Hirsch, before breaking into some uncharted territories with an electric bass line from Ben Ross to get the song moving in the right direction.

What starts off as kind of a Weezer-stylized, or the fictional band The Wonders, type of track, Le Big Zero expands on their musical approach quickly. The song takes the listener on a wild ride and leaves the anticipation high for the other two songs on their new EP.

Reusing Old Domain Names

I have a handful of domain names I’ve stored up over the years for various projects. Some are in use, quite a few are not. When Chorus first launched I bought the short domain: chr.us for sharing short urls on Twitter to our content.

Since then Bit.ly (who was powering the short urls) has started charging a whole lot more for their service. And Twitter has put limits on how many posts can be automatically posted to their platform in a given month. Given that all the other social sites we post to don’t have as strict of limits on characters in posts, the idea of short urls doesn’t really make sense these days.

So, I am repurposing the domain name to re-direct specifically to my blog. I want to start using the “blog” portion of my website more. The goal will be to post things that don’t make sense on the homepage, and to move some of my other social media posting to one place that I control. I want to start bringing my monthly photo posts from Instagram here. I want to post more about my vinyl collection. I want to share random updates more.

And having a quick short URL to direct to the blog makes sense.

My blog: chr.us
Subscribe via RSS: chr.us/rss

Review: The Backfires – This Is Not An Exit

Formed in 2018, the NYC and London-based band, The Backfires are Alex Gomez (vocals), Harry Ruprecht (guitar), Max Wanduragala (drums), and Matt Walter (bass), and their debut LP titled This Is Not An Exit is a thrilling mix of dance-able indie rock. When speaking on the cover art and LP title, Alex Gomez shared, “We took the name from this white sign with big red letters that’s backstage at the Mercury Lounge. I don’t know what’s behind that door, but I know wherever this record leads is deeper inside. This record is a culmination of our years going back and forth between shows, between continents. It’s the end of a chapter, and the start of an era.” What is found on This Is Not An Exit is an entry point to a solid combination of artistic styles that quickly resemble the anthemic pop-rock of The Killers, the working-man pub rock of Catfish & The Bottlemen, and the beats of Franz Ferdinand, all put on blend in a crowd-pleasing concoction.

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