Review: Head Automatica – Popaganda

Head Automatica - Popaganda

While most fans of Daryl Palumbo’s power pop project, Head Automatica, point to the band’s debut of Decadence as their best work, I am firmly in the camp that Popaganda is the better album. Heavily inspired by the infectious melodies of The Beatles and the upbeat nature of Elvis Costello, Popaganda came storming out of the gate with the bulletproof single of “Graduation Day” that ignited the limitless possibilities of the band. The record was produced by veteran hit-maker Howard Benson (My Chemical Romance, Saosin), and it has an undeniable sheen to its vibrant sound. The promotional cycle of the record got a bit derailed due to Palumbo’s struggles with Crohn’s disease and the inability to stay on the road as much as he and his bandmates may have wanted. However, giving a fresh listen to this record today is a warm and inviting experience that brought back a flood of positive memories for me during the summer of 2006. It was a CD that spent more time in my car’s player than it did on the shelf, and it stills sounds as urgent and refreshing to this day.

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Amy Lee Talks New Album

Evanescence

Amy Lee of Evanescense sat down with Loudwire:

”I feel like we’re in a moment where words are really important and every single line is an opportunity, it’s a chance to say something that’s going to impact somebody,” she shares. “Hopefully in a positive way, make them feel something, whether it’s feeling understood or not alone in something or just they’re not alone in the craziness of everything going on in the world right now. It’s fucked up and it feels like all of our control is being ripped away.”

Death Cab for Cutie Talks With Rolling Stone

Death Cab for Cutie

Death Cab for Cutie talked with Rolling Stone:

I Built You a Tower will be released under ANTI Records, Epitaph’s sister label. For Death Cab, the return to an indie is a homecoming of sorts. “It felt so refreshing to be back in a room with people that were culturally of our world,” Gibbard says, recalling the first meeting with Epitaph owner Brett Gurewitz and former head of A&R Alison Crutchfield. “I can really count on one hand in the 20 years at Atlantic the number of people that we felt we had some true similar musical vocabulary” he adds, “It feels like we’ve landed back in a place that we feel very comfortable at.”