Review: Heartwork – Three Alley Cats and The Impossible Sky

Heartwork - Three Alley Cats and The Impossible Sky

Goodbyes are always hard. Whether it’s breaking up with someone who you once thought was “the one”, or just saying goodbye to a friend you know you won’t see for quite some time, that feeling of the unknown of what comes next can be crippling. Heartwork have released their final album today called Three Alley Cats & The Impossible Sky that marks a proper send-off for the genre-blurring project of Dan O’Dell. O’Dell shared, “The main thing was to say everything I needed. Heartwork has been a huge part of my life, but it’s time to put it to bed and move on—after a well-earned break.” Three Alley Cats & The Impossible Sky marks an important last step in Heartwork’s artistic growth, and he says goodbye with grace on a record filled with plenty of twists and turns, and nods to the height of our scene during the early 00’s.

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N.E. Vains – “6 For 36” (Song Premiere)

N.E. Vains

Today is a great day to share the new single from garage punk rock band, N.E. Vains, called “6 For 36.” In this electric-charged song, N.E. Vains quickly showcase why they’re turning heads in the crowded rock scene. Vocalist Tyler Boutilier shared about the origins of the single: “In Canada, First Nation Reserves are allowed to sell weed through their own non-government stores. Purchased during a particular trip to Cape Breton Nova Scotia (six packs for $36), the evening didn’t particularly end well for me.” If you’re enjoying the early listen, please consider pre-ordering N.E. Vains new LP, Running Down Pylons, that will be released on November 7th, here.

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Interview: Alex DeLeon and Alex Marshall of The Cab

The Cab

This past week I was able to schedule a Zoom call with Alex DeLeon and Alex Marshall of The Cab to discuss what went into their thrilling new EP called Road To Reign: A Prelude, which is their first taste of new music in over ten years. I asked the two band members about what brought them back to playing music together again, their memories surrounding their previous albums of Whisper War and Symphony Soldier, and their upcoming tour dates with All Time Low. You can stream Road To Reign: A Prelude here.

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Review: Wolves At Bay – Dissolve

Wolves At Bay - Dissolve

The first new taste of music in more than ten years from Connecticut post-hardcore band, Wolves At Bay, showcases the band’s sense of urgency in re-capturing the magic from their earlier material. Dissolve is an eight-song album that adds in some textural and electronica sounds to round out the band’s attack and approach to their songwriting. Wolves at Bay shared: “This chapter marks a true rebirth. The connection between us has only grown stronger with time, and that bond is felt in every chord and lyric. Dissolve isn’t just about returning—it’s about starting again with purpose.” By putting a strong step forward in their “rebirth”, Wolves at Bay waste little time in returning to the rock scene at full speed ahead.

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Review: Green Day – Warning

Green Day - Warning

The sixth studio album from Green Day, Warning, tends to get forgotten way too often, and yet it has all the makings of a killer record from the punk band. The LP finds Green Day at arguably their most melodic, and there’s no denying the catchiness of these songs that were self-produced by the band. Coming off of another breakthrough success in 1997’s Nimrod that spawned the smash single of “Good Riddance (Time of Your Life)” that was literally everywhere when it was released, Green Day could’ve gone in a multitude of directions on this follow-up. There’s something really endearing about a band willing to take some creative freedom by self-producing their music at this stage of their career when their songwriting was truly blossoming at the right time. The set has now gone on to sell over 1 million units in the States, while selling over 3 million copies worldwide. Any other band would give their left arm for those numbers, but Green Day would brush off any talks of Warning being a commercial disappointment by going even bigger and bolder on their punk rock opera known as American Idiot in 2004. Warning deserves another look on its 25th anniversary, and it’s one of my favorite pop-punk records of all time.

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Review: AFI – Silver Bleeds The Black Sun

AFI - Silver Bleeds The Black Sun

Reinvention has its way of taking many different forms. A reinvention of style or a new choice of clothing can lead someone else to think a person we thought we knew is trying out new things. When it comes to music, AFI have never shied away from their own reinvention as they have gone from album to album in their storied career. Their newest record, Silver Bleeds The Black Sun, once again finds the four-piece band on the precipice of another moving reinvention as they move away from some of the post-punk and electronica-tinged rock of Bodies and perhaps even what was found on AFI (The Blood Album). Instead, this latest taste of music leans into AFI’s ability to captivate through a variety of stylistic choices made strategically at the right moments in time to achieve the greatest impact. Silver Bleeds The Black Sun feels a bit like the encapsulation of all the styles AFI have been known for over their 34+ year career, and goes big into arena rock moments paired with gothic sensibilities to remind The Despair Faction that this is still the same band they fell in love with and have seen evolve with grace. Just when you think that you’ve got a handle on what AFI is and the sound you expect to hear on subsequent releases, the band turns expectations on their head and finds unique ways to continue their unwavering evolution.

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Review: Thrice – Horizons/West

Thrice - Horizons/West

Thrice have never been strangers to taking a leap of faith in their career. From the early metal days of crowds shouting at them to “Play ‘Deadbolt!'” from The Illusion of Safety, to the risk/reward effort found on Vheissu, all put on a spin cycle throughout their stunning post-hiatus output that includes some of my favorite records of all time, Thrice keep on truckin’ along with veteran ease on Horizons/West. A direct sequel to the sound and direction the band took on Horizons/East, I feel like this second part is a better version of Thrice and finds them reaching deep into their bag of tricks while not losing the magic that made them such a fun band to be a fan of in the first place. “This is the first time we leaned into something that felt like a direct continuation, like a sequel to a previous album,” says frontman Dustin Kensrue. “A lot of this record is about parsing reality,” Kensrue explains. “We’re constantly being influenced by algorithms, by fear, by our own social echo chambers. Horizons/West tries to pull the curtain back on some of that. We’ve always just followed our curiosity, wherever it leads. We want to keep growing, exploring, and making something that feels honest to who we are right now.” By keeping their artistic integrity firmly intact, Thrice quickly showcase why they’re one of the best and consistent bands to ever grace our scene.

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Review: The Starting Line – Eternal Youth

The Starting Line - Eternal Youth

18 years. There’s something a bit romantic about the amount of time that it took The Starting Line to follow up 2007’s brilliant LP of Direction. While turning 18 years old seems to signify our final path towards adulthood and leaving our youth behind, the reality behind this landmark age is that our lives are just beginning. Eternal Youth comes at just the right moment in time for our scene that is experiencing another surge and resurgence with bands like Motion City Soundtrack, Yellowcard, and now The Starting Line making new music again that is both worthy of their past legacy, while simultaneously moving the needle of creativity forward in their musical journey. The Starting Line first arrived in the pop-punk scene with Say It Like You Mean It, a widely adored scene staple via Drive-Thru Records, and yet it made sense for the band to outgrow that genre with stylistic choices made on Based on a True Story and eventually Direction. Eternal Youth signifies the band recognizing that the pop-punk genre is reminiscent of, as Kenny Vasoli put it in an interview I conducted with him in 2022: “I do know that we’re a pop punk band. And it’s a genre that sort of represents nostalgia and eternal youth, which I’m totally able to appreciate.” Wait, did Kenny drop the name of his returning LP for all the world to see and we all missed it until now? Eternal Youth to me represents the best version of The Starting Line, and I’m so happy that they’re back.

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Review: Abandcalledlove – Thriving Season

Abandcalledlove - Thriving Season

There’s something to be said when a young band fully realizes their vision for their music right off the bat. Abandcalledlove has released their debut EP, called Thriving Season, that tackles the themes of resilience, addiction and recovery, paired with ultra-relatable elements like the complexities of relationships. The band was formed in early 2020 by Ryan Chandler Love (vocals/guitar/keyboards) and Ian Joshua Riley (guitar/production), while later adding into the fold Blake Aldridge (guitar), Brooks Roberts (bass) and Austin Yagle (drums). “Thriving Season is exactly what its title suggests,” Love explains. “It represents growth, struggle, and finally learning how to embrace yourself and your surroundings. Every song carries a piece of that journey, and I think listeners will connect with the vulnerability as much as the energy.” By putting a strong first step forward, Abandcalledlove have delivered the music that is sure to win over plenty of new fans willing to take a chance on “love.”

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Caicos – “Behemoth” (Video Premiere)

Caicos

Today I’m thrilled to bring everyone the latest single and video from New York-based indie pop artist, Caicos, the moniker of Alex Frenkel, called “Behemoth.” On this vibrant track that is filled with lush and complex guitar parts, Caicos establishes himself as a key artist to watch. “To me, the behemoth is a tryingly-formative experience from our past that we silently carry until it becomes very burdensome to divulge when embarking on cultivating new relationships,” Frenkel explains. “How can we possibly effectively communicate the emotions that have calcified over such a long period of time? The song explores a few examples of behemoths as well as the problems that might arise when deciding to finally attempt to share them.” If you’re enjoying the new single and video from Caicos, please consider supporting this artist here.

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Review: The Paradox – NSFW

The Paradox - NSFW

Welcome to the pop-punk party, The Paradox! The band formed in June 2024, and is rounded out by vocalist/guitarist Eric Dangerfield, bassist Donald Bryant, lead guitarist/vocalist Xelan and drummer PC3. NSFW takes a blend of styles similar to Blink-182, Green Day, and Allister, all with a slick-sounding approach to their pop-punk attack. The Paradox are making an immediate impact on the scene with appearances at the latest iteration of the Vans Warped Tour and will be supporting All Time Low on their upcoming headlining tour of major venues across the U.S. While The Paradox lean heavily into the pop-punk bands they’re clearly influenced by here, NSFW is still a really fun debut from the Atlanta-based band.

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The Barracudas – “Phantom Creep” (Song Premiere)

The Barracudas

Today I’m thrilled to bring everyone the latest single from The Barracudas called “Phantom Creep.” The Bacarrudas upcoming double EP, Bleed Out, Get Pushed off a Cliff, Sink to the Bottom of a Lake, and Play a Halloween Monster House Party! (or…The Halloween Extended Player) tells stories of classic Halloween monsters from the all too relatable point of view of both the monster and the torch carrying townsfolk. The Bacarrudas rely on their cobwebby organ sounds and reverbed guitars to capture the essence of 1960’s novelty songs and the creepy vibes of Vincent Price movies. The result lands near an Animal House frat rock band fronted by Bobby “Boris” Pickett. The Barracudas’ Adam Rabuck shared: “’The Phantom Creep’ is a cautionary tale of the real monsters in the world. These are not vampires or werewolves, but the people lurking in the darkness. ‘The Phantom Creep’, of course, includes a warbly theremin and echoey backup vocals that were recorded deep in Victorian era London sewers. Very authentic!” Look for Bleed Out, Get Pushed off a Cliff, Sink to the Bottom of a Lake, and Play a Halloween Monster House Party! to be released on October 3rd by Schuylkill Beat Records and Mom’s Basement Records.

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Elway – “Down The Lane And Far Away” (Song Premiere)

Elway

Today is a great day to share the electric new single from Elway called “Down The Lane And Far Away,” that comes from their hotly anticipated new LP, Nobody’s Going To Heaven, out on October 10th via Red Scare. Tim Browne (vocals/guitar) shared on the new single:

It feels like every day we lose more of our connection with the natural world and with each other. The simulacra of real human interactions that define our days are approaching an event horizon after which we will be lost entirely to each other and to the immovable truth at the center of our existence, which is that all the universe is meant to be shared and enjoyed, not stashed away behind layers of digital obfuscation. Touch grass before we’re too far gone, kids.

If you’re enjoying this new single, please consider pre-ordering the new record here.

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