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Adam Grundy
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Adam Grundy
An enthusiastic music blogger who lives in the Washington DC Metro area. My favorite bands are My Chemical Romance, Yellowcard, the 1975, and Paramore.
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FEATURES, BLOGS, & REVIEWS

Review: Anberlin – Never Take Friendship Personal

Anberlin - Never Take Friendship Personal
Adam Grundy

Because time is a cruel beast, Never Take Friendship Personal has turned 20 years old and yet it still packs that same urgency of a band hungry for more. More exposure, more fans, and plenty more music! The record itself is as gripping as they come, especially in a scene where so many emo bands were exploding out of the gate and into the pages of magazines like Alternative Press. What set Anberlin apart from the pack was their ability to lean into the genre’s best parts: anthemic and heartfelt vocals, searing guitar parts, and well-constructed songs that made a lot of sense and still had a lasting impact on the listener.

I think the first time I heard the band name Anberlin was when I saw the young band take the stage in Baltimore, Maryland opening for Bayside. This must’ve been close to 2005, because I can vividly remember their set comprised almost entirely of material from Never Take Friendship Personal. I was instantly hooked on lead vocalist Stephen Christian’s energetic stage presence and his vocals were top-notch that evening. Later on that same weekend, I traveled to my local Best Buy to pick up a CD copy of the album, and I was immediately transported back to that fateful evening in Baltimore where I would discover one of my favorite bands of all time.

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Review: L.S. Dunes – Violet

Adam Grundy

After a band as talented as L.S. Dunes is crafted their stunning debut album, Past Lives, the pressure was compounded for them to deliver once again. Luckily the “supergroup” of drummer Tucker Rule and bassist Tim Payne (Thursday), guitarist Frank Iero (My Chemical Romance), guitarist Travis Stever (Coheed & Cambria) and vocalist Anthony Green (Circa Survive, Saosin) are well up to the task at hand on Violet. The set was once again produced by veteran hit-maker Will Yip and showcases the subtle improvements the band has made to their already dynamic sound. The record is filled with several ambitious moments that hit the listener in the feels right away. Look no further than the opener of “Like Magick” that starts off with Green doing his vocals a cappella before the rest of his bandmates join in on the mix.

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Review: Strategies – “Presence”

Adam Grundy

Formed remotely during the pandemic, the band called Strategies is back with a new single called “Presence” that reminds me a bit of the softer elements of emo rock bands like American Football and Further Seems Forever. The band begins the song with smooth sounding vocals paired with a lush instrumental background to help set the stage for the track. The single showcases the band’s ability to let the music flow right through them and create unique art with their inspiration. Clocking in just under the three-minute mark, this quick song is sure to remain in your headspace long after the last note is played out. The future looks bright for Strategies.

Review: Le Big Zero – “How Very”

Adam Grundy

On the latest single from Brooklyn, New York punk band, Le Big Zero, called “How Very” they channel their love for big pop hooks and cool instrumental breakdowns in an interesting delivery. The lead track from their forthcoming EP titled How To Use a Semicolon, the dual vocals of songwriter/guitarist Michael Pasuit and singer Carolina Aguilar mesh well as they harmonize throughout the electric song. The track begins with an old school drum beat supplied by Lukas Hirsch, before breaking into some uncharted territories with an electric bass line from Ben Ross to get the song moving in the right direction.

What starts off as kind of a Weezer-stylized, or the fictional band The Wonders, type of track, Le Big Zero expands on their musical approach quickly. The song takes the listener on a wild ride and leaves the anticipation high for the other two songs on their new EP.

Review: The Backfires – This Is Not An Exit

Adam Grundy

Formed in 2018, the NYC and London-based band, The Backfires are Alex Gomez (vocals), Harry Ruprecht (guitar), Max Wanduragala (drums), and Matt Walter (bass), and their debut LP titled This Is Not An Exit is a thrilling mix of dance-able indie rock. When speaking on the cover art and LP title, Alex Gomez shared, “We took the name from this white sign with big red letters that’s backstage at the Mercury Lounge. I don’t know what’s behind that door, but I know wherever this record leads is deeper inside. This record is a culmination of our years going back and forth between shows, between continents. It’s the end of a chapter, and the start of an era.” What is found on This Is Not An Exit is an entry point to a solid combination of artistic styles that quickly resemble the anthemic pop-rock of The Killers, the working-man pub rock of Catfish & The Bottlemen, and the beats of Franz Ferdinand, all put on blend in a crowd-pleasing concoction.

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Northvale – Where We Go When There’s Nothing Left (Track By Track)

Adam Grundy

Today, New Jersey alternative rock/pop-punk band, Northvale, are releasing their debut LP called Where We Go When There’s Nothing Left. Northvale is Keith Karol (Vocals), Mike Piacentini (Guitar), Chris Stroz (Guitar), and Aren Millan (Drums), and their great band chemistry shines through brilliantly on their debut album. If you’re enjoying the insight given by Northvale, please consider streaming the album here.

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Interview: Errth

Errth
Adam Grundy

Recently I was able to connect with Errth, the newest addition to Philadelphia’s vibrant punk scene. Including Kevin Day (Aspiga/Graduation Speech), Eric Saylor (Reunions), Tim DeMarco (ex-Public Serpents), and Brian McClure (Seeing Snakes), Errth mixes the influences of East Bay, Chicago, and Northeast punk bands for an end result that is familiar yet refreshing. With three different songwriters at the helm, each identity has a moment to shine but is reinforced by the group as a whole. In this brief interview, I asked them about their cool new single called “New Orleans,” that will officially be released this Thursday, and the band’s writing process. If you’re enjoying the new single, please consider supporting the band here.

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Review: Teddy Swims – I’ve Tried Everything But Therapy (Part 2)

Adam Grundy

There’s a lot for the Atlanta-born vocalist Teddy Swims to be proud of these days. From the speedy success of his debut album called I’ve Tried Everything But Therapy (Part 1), to the chart-topping smash of “Lose Control”, paired with a Best New Artist Grammy nomination, plus the wonderful news that his girlfriend Raiche Wright and him are expecting their first child together, leads to the assumption that Teddy Swims must feel like he’s walking on air. The second part of Teddy Swims’ journey in the music world picks up right where he left off, offers stunning vocal performances, and a more optimistic outlook. Teddy Swims shared, “I thought that I was in such turmoil and heartbreak on the first one and it was nothing but questions and there was no real closure. So I thought that was important, especially with the title, I wanted to go into finding love again, learning how to move on, going to therapy and showing the healing process. Like, ‘Here’s me on the other side of all that mess.’ I’m so happy to be here on the other side of that mess, because it’s lovely.” You can feel the passion behind each lyric, each note, each precise beat, as everything clicks succinctly into place on this wonderful sophomore album.

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Review: Crossing I’s Dotting T’s – “You, In Everything”

Adam Grundy

The latest single from Alt Rock band Crossing I’s Dotting T’s, called “You, In Everything”, recalls the days of when grunge and post-rock dominated the radio airwaves, albeit with a modern twist. The single was produced by Max Dickenson and Lars Deutsch, and showcases the improvements made in the band’s sound that keeps the vocals front and center, while adding in some interesting guitar sounds similar to bands like Deftones, Superheaven, and Hum.

The song builds around the chorus of, “Tell me what it means / See you in everything / Tell me what it means,” that feels like 90’s Alternative magic and recounts the singer’s tortured feeling of visualizing a person they can’t seem to get out of their head. The bridge features shouted vocals paired with heavy power chords and plenty of fuzz pedals to round out the sound they were going for here. Crossing I’s Dotting T’s plan to rally around this lead single bodes well, and their forthcoming EP this Spring should garner some extra attention.

Review: The Maine – Dyed (2008

Adam Grundy

The surprise new album from The Maine dropped mid-week, just as many fans of the band were en route to the 8123 Fest, taking place between January 16-17th in Mesa, Arizona. This new LP, called Dyed (2008 – 2023), features several re-worked demos/ideas from every era of The Maine’s discography, and yet it plays out much better than any other “compilation” of collected B-sides ever would. The reason why it works so well is that The Maine have the confidence to go in any direction they please, as was displayed on their 2024 single “Touch”, and further cemented on this latest record. The band have been no strangers to reinvention, as documented in their dynamic nine-album discography, and yet this album that touches on each of their past recordings showcases what The Maine are capable of creating when firing on all creative cylinders. While it may have been easier for the band to simply dust off these old demos and release them as-is, taking the easy road simply isn’t in The Maine’s DNA. Dyed brings the listener back to where it all started, offers a cohesive journey through their past work, all while still sounding like the band we have known and loved over time that continues to get better with age.

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Interview: Greg Freeman

Greg Freeman
Adam Grundy

Recently I was able to connect with singer-songwriter, Greg Freeman, to discuss his latest single and video for “Colorado.” The song comes from Freeman’s reissued debut LP I Looked Out and showcases the songwriter’s incredible depth found in his music. Greg Freeman shared, “I wrote this song a few years ago, when the world was entering a scary and uncertain time, and hope seemed fleeting and very far in the distance. The song is about wanting to find connection in such a world. In a way, it feels like an old song to me at this point, but that place of uncertainty feels even more pronounced than when I wrote it. The acoustic version is just more sparse. There’s a harmonica instead of a saxophone. There’s no drums either. Merce does the high part and I do the low part. I also play the concertina in the recording. Our friend Nate Campisi recorded the song at Mr. Smalls studio in Pittsburgh (where we also recorded the video). It used to be an old church.” If you’re enjoying the video, please consider supporting this artist here.

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Interview: Thirsty Curses

Thirsty Curses
Adam Grundy

Recently I was able to connect with Raleigh, NC eclectic rock band, Thirsty Curses, to ask them about their great new single called “Breakfast Schemckfast.” In this brief interview, I asked them about their forthcoming LP called Music is a Scam, and what fans of their band can expect when they listen to the record front-to-back. Music is a Scam releases digitally on February 27th, and vinyl pre-orders are on-going here.

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Interview: Occurrence

Occurrence
Adam Grundy

Recently I was able to connect with NYC-based indie rock band, Occurrence, to discuss everything that went into their latest single called ”Feeding Time.” On top of the new single, the band is thrilled to announce their new LP called Real Friend that will be out wherever music is sold on February 28th. In this brief interview, I asked the band about how the new single helped shape the upcoming album, their improved writing process, and the themes present in Real Friend. The new LP is available for pre-order here.

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