Albert Einstein once said, “A ship is always safe at the shore, but that is not what it is built for.” Lauren Mayberry takes a brave step forward on Vicious Creature, the debut solo project from the front-woman of CHVRCHES that features a fun mix of pop anthems filled with thoughtful lyrics and great beats. Mayberry mentioned in a Rolling Stone interview leading up to their release of this record that, “So much of this process has been an exercise in empowering myself to listen to my own intuition — something I really trained myself out of. That’s ultimately why you start making things — because you felt a feeling, and you wanted to articulate that somehow. I think it was important for me to relearn that kind of independence, and recognize what I bring to any table I choose to sit at.” By crafting an album different than what she has grown accustomed to creating with her bandmates, Mayberry solidifies herself as someone willing to take creative risks to grow as an artist.
Read More “Lauren Mayberry – Vicious Creature”Review: Battleviews – Two Ghosts
The sophomore effort from Battleviews, composed of husband and wife duo Ryan and Natalie Raichilson, is a heartfelt collection of songs that have a lasting impact on anyone who takes the time to listen to it. Two Ghosts was recorded in Ryan and Natalie’s home in Metuchen, NJ, and the LP was mixed and mastered by Steve Sopchak (Ice Nine Kills, Motionless in White). The themes range from the unbridled joy of parenthood, the heartache that comes when the realization sets in that your kids won’t stay young forever, to the feelings of loss plus a slight detour to an 1800’s ghost story. The warm vocals from both Ryan and Natalie are filled with a love towards Indie/Americana music, with some slight nuances to their songwriting to keep things fresh and exciting. Two Ghosts is a record you can put on as you sit by the warm glow of the fireplace during the winter season and ponder your next steps in life. The soundtrack that these two musicians have created here is a glowing testament to their dedication put towards their craft.
Read More “Battleviews – Two Ghosts”Review: Career Day – I’ll Always Be This
The debut EP by Queens, New York-based emo band, Career Day, called I’ll Always Be This tackles a wide variety of themes such as the current working environment, substance abuse, mental wellness, and dealing with it all one day at a time. During the span of four crisp songs that span just twelve hard-hitting minutes, Career Day quickly highlight their band’s strengths with a sound that strays somewhere between The Starting Line, Motion City Soundtrack, and Hawthorne Heights. The band is Ryan Maguire (drums), Robbie Levin (bass), Jacob Cutler (guitar), and Desmond Zantua (vocals) and were formed during the pandemic. By leaning into their core influences, Career Day are starting their musical journey on the right foot.
Read More “Career Day – I’ll Always Be This”Review: Bush – Sixteen Stone
The 6x Platinum debut by English rock band, Bush, is getting a comprehensive vinyl reissue today in honor of Sixteen Stone’s 30th anniversary. You probably know the hits by heart. “Everything Zen,” “Little Things,” “Comedown,” “Machinehead” and “Glycerine” were the five massive singles released from this album that still stand the test of time today. The album was recorded at Westside Studios, London with producers Clive Langer and Alan Winstanley, and marked the breakthrough of legendary Alt Rock frontman, Gavin Rossdale. Through his gritty vocal performance throughout Sixteen Stone, Rossdale captivated audiences far and wide on this record that if you didn’t own it yourself, you likely knew someone nearby who did. Bush had recently celebrated the 30th anniversary of Sixteen Stone with a comprehensive Greatest Hits tour that coincided with a singles compilation and put their decades-long career back into focus.
Read More “Bush – Sixteen Stone”Review: Circus Trees – This makes me sad, and I miss you
It is my utmost pleasure to introduce everyone to Circus Trees, a relatively new emo band comprised of Finola (vocals/guitars), Edmee (bass) and Eoghan (drums/guitars) McCarthy, who are already making their mark on the indie scene. The band has been releasing music since 2018, and their latest release called This makes me sad, and I miss you is a solid collection of post-rock, grunge and lo-fi music. The record was produced by Eoghan and Finola, and it showcases their growth as musicians and artists with a clear vision for their music. Their sound is similar to the punk brashness of Bully, the lyrical depth of Soccer Mommy, and the indie emo of Momma and Snail Mail. Circus Trees may just be the next great undiscovered band, but they won’t be hidden for much longer if this album is any indication of their future plans.
Read More “Circus Trees – This makes me sad, and I miss you”Review: Linkin Park – From Zero
After the tragic passing of longtime front-man Chester Bennington in 2017, Linkin Park were faced with an impossible decision. Should they retire the band, or find a way to carry the LP flag with a different vocalist? From Zero has a dual-meaning: Xero was the first name of the band and From Zero also refers to the re-birth of Linkin Park with two new band members in Dead Sara vocalist Emily Armstrong and drummer Collin Brittain. The new album was produced by vocalist/guitarist/band leader Mike Shinoda, and it has a familiar sound and feel, even with a lot of new elements injected into the band. Armstrong and Brittain each make their presence felt throughout the record that is filled with stadium-ready anthems that borrow key sections of past Linkin Park albums all with a renewed focus towards the future.
Read More “Linkin Park – From Zero”Review: Zebrahead – I
The countdown is complete for Zebrahead and they have finally released the exciting, concluding chapter in their trilogy of EPs, called I. I is the follow-up to the III (2021) and II (2023) EPs, completing the band’s III.II.I. series. “Finally, the last EP is here… this series represents where our heads have been during and since COVID,” shares bassist Ben Osmundson. “It’s been a trying time for everyone, and now it’s time for fresh starts. See you on tour!” Having already released a good number of singles leading up to I, culminating in today’s single release of “Puppet Stringers,” the band continues to be armed with an arsenal of slick tunes to take on the road. By getting back to the core values of what makes this band so damn special, Zebrahead leaves just the right taste in our mouths on this electric EP filled with passion and breakneck energy.
Read More “Zebrahead – I”Review: Koyo – Mile A Minute
The new EP from Koyo comes hot off the heels of their well-received debut LP, Would You Miss It?, and features two re-imagined songs from their catalog, plus a new song indicating where they can take their sound in the future. Mile A Minute impresses by showcasing what this band is capable of creating when they strip away most of the energy behind their songs and get to the core of what makes Koyo unique. “Ten Digits Away (Deluxe)” kicks off the record with an acoustic guitar-based approach, and vocalist Joey Chiaramonte dials back his trademark growl to a smoother approach that took me back a bit in its crisp delivery. The expanded song comes from a previous EP of the same name, and acts as a great companion piece to the original, while adding in some piano and other backing instruments to round out their sound.
Read More “Koyo – Mile A Minute”Review: The Cure – Songs Of A Lost World
The Cure are back, and it’s a dark and beautiful thing. Songs of a Lost World is the first new music from the band in roughly 16 years, and the long-awaited new LP doesn’t disappoint. In many ways, this new record feels like the direct successor of 1989’s Disintegration, what most fans consider The Cure’s finest work, and the comparisons in stylistic choices and the artistic direction can be felt on this concise 8-song album. The set of songs was composed entirely by goth rock icon, Robert Smith, and was co-produced by Smith and Paul Corkett (Tori Amos, Placebo). Each of these tracks are brooding with long intros to set just the right tone before Smith’s trademark vocals break through the wall of sound with veteran ease. Robert Smith sounds as confident and strong as he’s ever been, while his bandmates rally around his every word. On the opening track of “Alone” Robert Smith shared, ”It’s the track that unlocked the record; as soon as we had that piece of music recorded, I knew it was the opening song and I felt the whole album come into focus. that was the moment when I knew the song – and the album – were real.” By letting everything come flowing through him, Smith and The Cure have delivered a late-career masterpiece.
Read More “The Cure – Songs Of A Lost World”Review: A Place For Owls – how we dig in the earth
The sophomore album from Denver emo band A Place For Owls is a great exploration from a group of musicians taking their time to get to the root of what makes us all human. The affectionately-titled how we dig in the earth is an album that was recorded over the course of one week at Coalesce Audio with producer Dave Wilton (A Boy & His Kite, Loud Harp), and finds the band showcasing what they are capable of creating when all the right parts click together into place. The band described their process as, ”We were digging deep into the arrangements, practicing songcraft as gardening: pressing dead seed gently into the soil, praying for rain.” By finding that other-worldly connection to music, while still continuing down the path of self-exploration, how we dig in the earth quickly becomes a defining moment for A Place For Owls.
Read More “A Place For Owls – how we dig in the earth”Review: robbietheused – robbietheused
I’ve always felt that solo projects are a healthy form of artistic expression. Especially if the music that an artist chooses to make in the solo effort sound vastly different than anything their main band would go for. Robbietheused, the moniker of The Used’s frontman, storms onto the pop scene with a rewarding solo effort. The set was produced by longtime collaborator, John Feldmann, and he lends a trusted hand in helping Robbietheused make his pop dreams come true. When I asked the frontman about what he likes best about this genre, he quickly quipped, ”I have always loved pop music; I grew up on Michael Jackson, Mariah Carey, and that kind of thing. My favorite thing about pop is just a catchy melody that you can sing along to.” By using this background as a blueprint for his pop debut, Robbietheused crafts a synth-laden world of wonders.
Read More “robbietheused – robbietheused”Review: 311 – Full Bloom
The fourteenth studio album from Alternative Rock legends, 311, is a strong collection of songs that longtime fans of the band are sure to enjoy, and there’s plenty of new vibes brought forth for casual fans to check out as well. Full Bloom was produced by Collin Brittain, with some additional producer credits from Scotch Ralston and Tim Pagnotta. The band described Full Bloom as “311 on steroids,” and it’s hard to not agree with this assessment. 311 goes bigger and better than they have in quite some time and delivers the right mix of nostalgia paired with artistic growth for a strong musical statement. The set was preceded with their highest charting single in 13 years, breaking into the Top 15 on Alternative radio, with lead single “You’re Gonna Get It.” The concise ten-track album features some of the band’s strongest material in years showcasing that the veteran rockers have plenty left in the tank.
Read More “311 – Full Bloom”Review: Holy Pinto – “Death Is In The Air”
The latest single from Aymen Saleh, better known as Holy Pinto, is bursting with raw emotion and painstaking detail in the songwriting process. Bartees Strange also contributes on “Death Is In The Air” by adding some well-placed guitars and synths to the mix. The track itself tackles the theme of searching for love, complete with all of the messy details that make this emotion so complex.
The song builds momentum as it sways from the cautious opening verse, to adding in more instruments in the chorus, while Saleh’s vocals remain consistently captivating in his delivery. The single takes the listener on an epic journey of lyrical twists and turns, all with a beating heart towards Holy Pinto’s self-discovery as an artist. The epic conclusion of the song features some well-placed hand claps and an Americana sound to keep interest high in this ultra-talented songwriter. Holy Pinto is back, and he is quickly re-cementing himself as a key artist to watch.
Review: Real Friends – Blue Hour
”Here’s to new beginnings” is a popular toast at weddings, job promotion celebrations, and retirements, and yet most bands don’t get the opportunity to experience this feeling themselves when it comes to reinvention. Real Friends are back with a slick emo-tinged pop-punk sound on Blue Hour, their fourth full-length studio effort to date, and their first LP with vocalist Cody Muraro at the helm. The 13-song album is packed with raw emotion, songs about relationships, and in many cases the theme of starting anew is prevalent. The band, whom have been around since 2010, seem to lock into a new groove on Blue Hour with a sound leaning closer to The Wonder Years and The Menzingers, rather than pop-punk bands like The Starting Line and New Found Glory. Real Friends are making the most of their opportunity to reinvent themselves on this record that is filled with depth, rich lyrical imagery, and hard-hitting tracks that demand to be taken seriously.
Read More “Real Friends – Blue Hour”Review: Various Artists – Red Scare Industries: 20 Years of Dreaming and Scheming
Starting a record label isn’t for the faint of heart. So much can go wrong, really fast, if you’re not equipped with the right people around you to make it thrive. Luckily, Red Scare Industries isn’t in this category of failing labels, as they are now celebrating 20 Years of Dreaming and Scheming, the cool new compilation that features key artists like The Menzingers, Laura Jane Grace, Sludgeworth, Heart & Lung, No Trigger, and so many more great bands on this 17-track disc. Red Scare Industries has reliably introduced fans near and far to bands that they feel are worth their time, put on killer live shows, and have the musical chops to make you want to reach for that repeat button. While some various artists compilations are good for a spin or two to discover a new band every now and then, this particular collection of songs feels like a punk rock party that is sure to make you wonder just how Red Scare was able to pull this off.
Read More “Various Artists – Red Scare Industries: 20 Years of Dreaming and Scheming”