Review: Arms and Hearts – The Distance Between

Arms and Hearts - The Distance Between

The Manchester melodic punk act formed by Steve Millar, better known as Arms & Hearts, makes a solid introduction to the folk-punk scene on The Distance Between. With a raspy voice that ranges from the howl of songwriting veterans such as Brian Fallon and Chuck Ragan, Millar makes a powerful opening statement on this collection of nine well-structured songs. The material teeters between sounding like a singer-songwriter at a dimly lit nightclub, to the full-bled passion of a punk band packed to capacity in a sweaty venue. What Millar does best is making his listeners hang on his every word as he sways from a soft croon to a blood-curdling scream.

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Who Will Meet Me At The Gates – “Wet Cement” (Song Premiere)

Who Will Meet Me At The Gates

Today I’m pleased to premiere the brand new single from Who Will Meet Me At The Gates, called “Wet Cement.” Who Will Meet Me at the Gates is the latest installment in the ever-expanding universe of The Inevitables. Initially conceived as a soundtrack album and comic book, The Inevitables is evolving into a multilayered, multimedia project that extends into toys, art, and branded collectibles. On October 16th, the first single “Good Grief” dropped from a new five-song acoustic EP, featuring a veritable punk rock supergroup featuring members of Pears, Less Than Jake, The Jeff Rosenstock Band, Big D and the Kids Table, and Westbound Train.

As with the rest of the Inevitables project, the group was not satisfied stopping with music. For the graphic side of the concept, they brought in Portland-based artist Tomo77 to lend a visual experience to the songs. The result is a 6-print series reflecting the impact of the pandemic amid a tumultuous and changing social and racial landscape. Rendered in isolation, Tomo77’s images explore themes of racism, police brutality and a society in the throes of political chaos and disease, entwined with symbolism reminiscent of the middle ages. The art will be made available in a limited run of numbered and embossed prints. 

If you like what you hear, you can stream the album here.

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Review: Lifehouse – No Name Face

The charming debut record from Lifehouse called No Name Face took a lot of people by surprise when it first arrived 20 years ago. Led by singer/songwriter Jason Wade, the band was able to capture radio magic right from the get-go with their radio mega-hit “Hanging By A Moment.” The song went on to be the most played song of 2001 and allowed for the album to sell over 2.5 million units in the United States alone. Apart from the lead single and introductory song on the record, the LP is surrounded by several well-crafted songs that showcased Wade’s lyrical depth and vocal prowess at the tender age of 20 years old. The band was able to pull on the heart strings of America and made several TV appearances during the promotional cycle of the album. Looking back at this album brought up a lot of memories of listening to this record front to back during the autumn of my senior year of high school. What set Lifehouse apart from most of the other bands I was listening to during this era of music was their way of telling great stories through their music, and it made for an album that would stand the test of time.

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Apolar. – “Stargazer” (Song Premiere)

Apolar

Today I’m pleased to share the single premiere from the Chicago-based, Rock/Post-metal duo named Apolar. called “Stargazer.” The track comes from their third EP, STS-51-I, that is a concept record based around NASA’s Challenger mission in 1986, where the shuttle exploded on its way into orbit. The song reminds me of bands such as Explosions in the Sky and Align In Time, and makes for a great listening experience. If you enjoy what you hear, you can pre-order the new EP on Bandcamp.

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Review: Sarah and the Safe Word – Good Gracious! Bad People.

Sarah and the Safe Word - Good Gracious! Bad People.

Every now and then I come across a band who is able to mix so many of the elements I enjoy about music and present it in a pleasing package. Much like my discovery of My Chemical Romance opening up for The Used back in the year 2002, it’s hard to describe the feeling of when you know that a band has that “it” factor. Enter Sarah and the Safe Word, who have crafted their sophomore record called Good Gracious! Bad People that has a blend of Panic! At the Disco theatrics, My Chemical Romance thematic elements, and the Gothic cabaret of the Nightmare Before Christmas soundtrack. The sextet band from Atlanta, Georgia appear poised to take the next dramatic leap into the limelight as their new record delivers all over the board.

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Review: Fear No Empire – Fear No Empire

Fear No Empire - Fear No Empire

In the midst of a global pandemic and social unrest going on in the United States, Fear No Empire were inspired to form to give another voice to the protests and amplify their message through their music. The band is comprised of vocalist Ali Tabatabaee (Zebrahead), bassist Ben Ozz (Zebrahead), guitarist Dan Palmer (Zebrahead, Death By Stereo), and drummer Mike Cambra (The Adolescents, Death by Stereo and Common War). When I last spoke with Ali about this new project, his passion for providing a call to action for others to fight back was apparent. The topics covered on their self-titled EP are extremely topical and relevant. The COVID-19 pandemic and the lack of action from leadership, kids in cages, and discrimination across the board forced the hand of these musicians to do their part to spread awareness and provide a musical outlet for their politically-charged attack.

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Review: I Don’t Know How But They Found Me – Razzmatazz

I Don't Know How But They Found Me - Razzmatazz

Dallon Weekes and Ryan Seaman were facing some extremely high expectations and unanticipated buzz surrounding their debut LP, Razzmatazz. Under the band moniker, I Don’t Know How But They Found Me (which originates from a Back to the Future quote) the two musicians found some unexpected success early on in their career. Weekes, who once was a touring and contributing member to Panic! At the Disco, found himself at a crossroads of sorts since he had written tons of solo material and needed an outlet to release it under. The band’s first single, “Choke,” from the 1981 Extended Play record skyrocketed the band to the tip of everyone’s tongue and made naysayers take notice of what some were calling “Panic-lite.” The EP debuted at the top of the Billboard Heatseekers chart, and the single peaked at #7 on the iTunes Top 100 Alternative music charts. With the spotlight firmly on the band, Weekes and Seaman crafted a unique set of tracks that would become their debut full-length record. The material is similar to the introductory tracks found on the EP, but the band begins to realize their vision for their sound on Razzmatazz.

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Review: Give Me A Reason – Vice Versa

Give Me A Reason - Vice Versa

The Swiss-based pop-punk band Give Me A Reason have created a solid debut record in Vice Versa. Produced by Blake Roses (Oh, Weatherly), the band comes storming onto the pop-punk scene with vibrant guitars, bouncy vocals, and solid songwriting. The band’s sound is reminiscent of early All Time Low, with a mix of Boys Like Girls and Cartel thrown into the mix. While the band doesn’t stray too far from their influences, the music that comes pouring through the speakers is undeniable ear candy.

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Review: The Struts – Strange Days

The Struts - Strange Days

The circumstances surrounding The Struts third album, Strange Days, were unique, to say the least. The band had just come off the success of two popular records and had established themselves as one of the “must-see” live acts coming up in the music ranks. The Struts, who had not been together since February, all got COVID-19 tests before moving into producer Jon Levine’s home for the ambitious task of recording a new album in just ten days. The result was a collection of ten songs that include a ton of A-list collaborators in Albert Hammond Jr (The Strokes), Robbie Williams, Tom Morello, and Def Leppard’s Joe Elliott & Phil Collen. The material that the band was able to come up with under the pressure of a deadline still lives up to the hype of their earlier material and plays out like a love letter to the glam rock of the ’70s.

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Review: Seaway – Big Vibe

Seaway - Big Vibe

After releasing three albums firmly planted in the pop-punk genre Seaway were ready to try something new with their sound. Their fourth album, Big Vibe, takes a stab at 80’s style pop rock filled with big sing along choruses and crowd pleasing hooks. Released under their longtime label in Pure Noise Records, the record’s timing in the fall season seems a little curious, as the sound that comes through the speakers is fully entrenched with summer vibes. The benefit of releasing shimmering music during the rain-soaked season of autumn is to have some new tunes to brighten up our outlook on life and what comes next. Seaway have created their best record to date on Big Vibe, and the band seems poised to take the next big step in their quest for world domination.

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Review: Kulick – Yelling in a Quiet Neighborhood

Kulick - Yelling in a Quiet Neighborhood

Fresh off the success of his debut EP, Hydroplane that featured a hit single called “Ghost,” Kulick has released his proper full-length record called Yelling in a Quiet Neighborhood. The 28-year old singer songwriter from West Penn, Pennsylvania is poised for some breakout success with this collection of deeply personal songs. In regards to the material translating to the live setting, Kulick mentioned in a recent interview that, “I am ready to tour as soon as it is safe to. I miss my friends and everyone who shares these songs with me. I miss their energy. When we’re able to tour again, look forward to hearing the first record that is truly a Kulick record. I look forward to sharing it with everyone.” It’s easy to share the optimism that he has in respect to his debut album, as he has crafted a unique brand of songs filled with personality.

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Review: Madina Lake – The Beginning of New Endings

Madina Lake - The Beginning of New Endings

It feels great to have Madina Lake back in the fold. With their first taste of new music since 2011, The Beginning of New Endings is an aptly titled EP as the band starts the latest chapter in their discography. Madina Lake came up through the Warped Tour scene in the latter part of the 00’s decade and released three fairly solid LPs along the way. When the group disbanded in September 2013, many people thought we had heard the last from the Chicago-based rock band. The Leone brothers announced their reunion in 2017, added a new drummer in Chris Mason, and re-connected with their longtime guitarist Mateo Camargo to complete their comeback. Madina Lake has come back stronger than ever with an EP that lives up to the legacy of their earlier work.

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The Inevitables – “The Weight of the Worry” (Song Premiere)

The Inevitables

Today I’m pleased to premiere the latest single from The Inevitables called “The Weight of the Worry.” For those unfamiliar with this ska/punk supergroup project, they are featuring current and former members of a bunch of incredible bands including Vinnie Fiorello (Less Than Jake), Obi Fernandez (Westbound Train), Matt Appleton (Reel Big Fish), Billy Kottage (the Interrupters), John DeDomenici (Jeff Rosenstock, Bomb The Music Industry!), Alex Stern and Jon Degen (Big D And The Kids Table) and Sean-Paul Pillsworth (Nightmares For A Week).

If you like what you hear as much as I do, you can pre-save the song here. Also, pre-orders are now live.

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Review: Luna Aura – Three Cheers for the American Beauty

Luna Aura - Three Cheers for the American Beauty

On the latest EP from Luna Aura, she explores the female identity and the relationship to American culture and society. Three Cheers for the American Beauty is a hard-hitting record that leaves you wondering whether it’s time to dance, take notice, or join her army of followers. With the pompous stomp of electronica acts such as NIN, to the riot girl approach of bands such as Hole and Garbage, Luna Aura is starting to emerge as a true artist to watch as the year unfolds. With a voice that is equally sweet as it is powerful, she tackles an array of topics on this record that hits its mark more often than not.

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The Most Successful “Scene” Records Over the Past Three Decades

The commercial appeal of emo and punk records is undeniable. In this article, I dove into the most commercially successful albums of the past three decades in our scene. First, I wanted to provide a couple of quick notes about how I pulled this data. I took a look at the most popular pop-punk and emo albums from a Wikipedia article and cross-referenced it with other bands that I knew would be in the vicinity of receiving a Gold (500,000 albums sold) or Platinum (1 million albums sold) RIAA certification. From there, I used the Wikipedia articles on the individual album pages to see if they mentioned any certifications of Gold or above. I then confirmed those totals on the extremely helpful RIAA website. In some cases, I either rounded up or down on the number of albums sold to make the organizing of this list a little bit easier to follow, and these totals are for US sales only. I have organized this list into the three different decades of the 90’s, 00’s and 10’s, and I found it interesting that the vast number of eligible albums occurred during the 00’s era. I hope that you will find this information as enlightening as I did, and there are plenty of surprises to be found in these lists as well.

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