Super American return with their new album, Disposable. The songs are jams through and through. “Sloppy Jazz” opens the album with a high energy. The EP contains seven songs and each of them offers something to catch your ear. Whether it’s the melody or lyrics, Super American has it covered. You’ll be wanting to sing along to these songs after the first listen. And the lyrics are simple, but still thoughtful, enough to quickly learn them.
Jesse Cannon’s latest book takes a look at the creative process and how to get results that you’re happy with. While it focuses largely on music, it can easily apply to so much more than that. Processing Creativity: The Tools, Practices And Habits Used To Make Music You’re Happy With isn’t a behemoth of a book like Get More Fans, but it’s equally as effective. The book takes you through the motions of finding who is a best fit to work with, how to make music you’re happy with, and so much more.
After watching the first six episodes a lot of critics were out on Netflix’s new series Iron Fist. The reviews haven’t been kind. While it’s hard to judge a whole show on just shy of half of its episodes, it’s important for a show to grab the audience from the start. Iron Fist doesn’t quite do that. While I made it through the whole thing, the start of the show was slow. The latter half is definitely better, but many people could find themselves giving up on the show before that happens.
I still remember when I was first introduced to Culprit. And since that first show I’ve seen them in various venues around Los Angeles and Orange County. Each time, they leave it all on the stage and that’s what makes them a band I continue to follow. It’s been a long wait for a full-length but that wait comes to an end with the release of Sonder.
“Gargantua” starts with a radio transmission that’s like something out of a sci-fi horror movie. From there, Travis brings a stellar vocal performance that is consistent throughout the whole album. The way this band puts together a song — vocally, lyrically, and musically — just meshes so well. Not to mention, they have a good amount of versatility. “Gargantua” ends with a long scream from Travis, but not one that detracts from the song. For someone who isn’t a fan of songs with a ton of screaming, Culprit knows when it’s appropriate and when it’s not needed at all. In a song like “Glow,” Travis takes a softer approach to the vocals.
Scott Crawford took what he worked on with Salad Days and brought it to a nice coffee table book format. He compiled a list of influential punk bands from the 80’s DC scene. Each entry gives the perspective of the band members, concert goers, photographers, and more. It’s a thorough look at the history without being overwhelming. The format works well since it focuses a lot on the images and sometimes those can tell stories better than words can.
I wouldn’t say I’m in tune with all of the punk bands from the 80’s era, let alone all of the ones around Washington D.C., but I’d like to think I know at least a little about punk music. This book has the bigger bands you’d expect with Fugazi, Bad Brains, and Minor Threat, but it’s the others that will surprise you if you haven’t done your homework. Ian MacKaye sprinkled his talents around in more bands than I had thought, so he’s a prominent feature in this book.