Jack Antonoff discusses starting Bleachers, the lyrical and musical ides behind debut album Strange Desire, writing with others, and why it’s hard for some people to accept a person being in two bands at the same time.
Frontman Christo Bowman talks about the process behind Bad Suns’ debut album Language & Perspective, not following trends by making your own path, and why chemistry is the most valuable thing to have in a band.
Guitarist Christian McAlhaney compares his experiences in Anberlin and Acceptance, remembers first joining the band and fitting in right away, recalls working on Dark Is the Way and Vital, and clarifies why being a touring musician can be simultaneously joyous and difficult.
Lead singer Stephen Christian discusses Anberlin’s final album Lowborn, the excitement of the first two records, how being in the band taught him not to be scared to fail, and why leaving behind a legacy of responsibility is important.
Drummer Nate Young explains why 2014 will be Anberlin’s last year, sheds light on those weird album covers, reflects upon Cities and New Surrender, and talks about how starting in the band at the age of 15 molded him into the man he is today.
Frontman Bear Rinehart explains the personal struggles behind Needtobreathe’s fifth effort Rivers in the Wasteland, why this is their most vulnerable album yet, and the irony in seeing the music industry come to embrace the folk-rock Southern sound.
Frontman Daniel Layus provides an inside look into Augustana’s new album Life Imitating Life, describes his decision to zero in on sincerity, wrestles with the cyclical nature of human existence, and explains the benefits of going back to writing with pen and paper.
Incubus singer Brandon Boyd discusses his new musical project Sons of the Sea, working with producer Brendan O’Brien, curating his stream of consciousness writing style, and looks back on his career so far.
Mark Hoppus touches on a little bit of everything – including life in the U.K., the next Blink-182 record, the future of (+44), a new musical project with Chris Holmes, his obsession with the octopus, the differences between him and Tom, exploring dark lyrics, and why he thinks he will never write another good song again.
Lead singer Dan Marsala reflects upon the 10th anniversary of Page Avenue, reimagining the record on Ten Years and Counting, and the crossroads Story of the Year currently finds itself at.
Lead singer Matt Thiessen and guitarist Matt Hoopes address Relient K’s divisive new album Collapsible Lung, the stigma of co-writing, and why after 15 years it feels like a rebirth of the band.
Frontman Jim Adkins discusses Jimmy Eat World’s new album Damage, his approach to writing adult breakup songs, being a band for nearly 20 years, and when it becomes necessary to throw all cares out the window.
Michael Shepard chats about his new Boys on the Radio project, writing poppier music, the future of Lovedrug, and whether he regrets never making it big.
Drummer Matt Frazier talks about graduating to arenas as openers for Kings of Leon, the importance of percussion and melodies in crafting the Local Natives sound, and the next step in following up Hummingbird.
Frontwoman Ritzy Bryan talks about the science vs. nature concept behind The Joy Formidable’s sophomore album Wolf’s Law, recording in Maine during the dead of winter, and the balancing act between the live show and studio recordings.
